Gothic Elements In Gothic Literature

Through the use of an un-named narrator in his poem entitled “The Raven”, Poe darkly conveys feeling understood by many: hopelessness, lost love, and death. The poem follows the un-named narrator, as he reflects on, as well as struggles with, the realization of his lost love, Lenore. Like many, he tries to detract his overwhelming feelings for Lenore by investing his time in studying books. Despite his greatest efforts, he is unsuccessful. Much to his surprise, his solitude is interrupted by an unanticipated visitor. Throughout the poem, Poe uses imagery, tone, symbolism, and rhyme as a means of conveying his overall themes of undying devotion and lingering grief.

Poe and Byron are masterful at using vivid, descriptive language to develop the elements of Gothic literature and instill a sense of fear in the reader.

The poem, “The Raven,” written by Edgar Allen Poe shows the deep depression and confusion that the narrator is experiencing since the death of his beloved wife. The gloomy setting of the poem predicts the visit of the Raven, whom is a sign of misfortune, darkness, and death. Throughout the poem, the narrator is continually mourning his wife, Lenore. He secretly hopes that the Raven will bring good news regarding his wife and his future; however, the Raven informs him that he will forever remain depressed. Furthermore, Poe uses setting, strong word choice, and symbolism to illustrate the Raven as the messenger of darkness and explain the narrator’s emotional state.

Various authors develop their stories using gothic themes and characterizations of this type to lay the foundation for their desired reader response. Although Edgar Allan Poe’s “The Fall of the House of Usher” and Peter Taylor’s “Venus, Cupid, Folly and Time” are two completely different narratives, both of these stories share a commonality of gothic text representations. The stories take slightly different paths, with Poe’s signifying traditional gothic literature and Taylor approaching his story in a more contemporary manner.

Gothic literature is a style of writing dating back to 1764, some of the most important elements of this writing style are of an eerie setting and mental decay, stories that made great use of these elements are: “The Raven”, “Black Cat”, “The House of Usher”, and “The Devil and Tom Walker”. The authors use the gothic element of eerie setting so that they can enhance the mood of the story and of mental decay to highlight what the conflict in the characters’ lives is causing.

Gothic literature has been criticized as being a dreary, dark, and death-involving subset of Romanticism (a literary movement accentuating human individuality, imagination, and subjectivity). In addition, gothic lit incorporates several themes- not all about deathly acts - but includes some emotional and surprising themes such as dreams, nightmares, or hallucinations, and grotesque or bizarre occurrences. Two short stories, both written by Edgar Allan Poe, entitled “The Raven,” and “The Black Cat,” as well as the novel The Night Circus, by Erin Morgenstern, all encompass these gothic elements, found throughout each story.

In all of Gothic Literature, many strategies are used to give the reader chills during his or her downtime. Themes like Entrapment and supernatural forces are displayed throughout this genre of writing to further portray an overlaying message. Edgar Allan Poe, Washington Irving and Horacio Quiroga use Entrapment and Supernatural powers to provide an intense feeling in the reader involving scenarios beyond conventional limitations.

The classic short story of “The Tell-Tale Heart”, written by one of the all time masters of horror, Edgar Allen Poe, has always been used as an excellent example of Gothic fiction. Edgar Allen Poe specialized in the art of gothic writing and wrote many stories that portrayed disturbing events and delved deeply into the minds of its characters. In "The Tell-Tale Heart," Poe revolves the plot around a raving individual who, insisting that he is sane, murders an old man because of his` “vulture eye”. The three main gothic elements that are evident in this story are the unique setting, the theme of death and decay, and the presence of madness.

Gothic literature has a different way of captivating the reader. Page by Page, gothic themes are present that create mystery and evoke suspense. The Night Circus, a novel by Eric Morgenstern, “The Devil and Tom Walker”, by Washington Irving, and “The Oval Portrait”, by Edgar Allan Poe share two important themes: eerie setting and isolation. All the stories connect through a lesson that passion can become harmful.

“The Tell Tale Heart” by Edgar Allen Poe is a fantastic short story, but how does it fit into literature? The story uses elements and techniques that delve into the gothic genre and allows the reader to be introduced to a darker reality. In “The Tell Tale Heart”, gothic elements reveal themselves in the short story through the use of setting and also through the use of characterization. These two elements are key components which demonstrate gothic features and help to classify this story as gothic literature. Murder and the supernatural elements also show that this text can be considered within the gothic genre of literature.

Although now seen as the father of the modern horror story, Edgar Allan Poe was previously viewed as a drunken failure. Within Poe’s writings much of his own life riddled with guilt, anxiety, alcohol, depression and death shines through resulting in works that appear unrelated yet once dissected prove similar. This is true for Poe’s works “The Raven” and “The Black Cat”. Poe’s examples of gothic fiction share the use of the color black and a rapid digression of the narrator 's sanity while seemingly unveiling Poe’s internal pain. Despite these similarities, Poe’s works also differ immensely. “The Black Cat” focuses around death while “The Raven” is fixed around discovering the reasoning for a bird 's arrival. Moreover, gothic themes seen within “The Raven” do not necessarily remain constant when compared to “The Black Cat”.

Edgar Allan Poe, renowned as the foremost master of the short-story form of writing, chiefly tales of the mysterious and macabre, has established his short stories as leading proponents of “Gothic” literature. Although the term “Gothic” originally referred only to literature set in the Gothic (or medieval) period, its meaning has since been extended to include a particular style of writing. In order for literature to be “Gothic,” it must fulfill some specific requirements. Firstly, it must set a tone that is dark, somber, and foreboding. Next, throughout the development of the story, the events that occur must be strange, melodramatic, or often sinister. Poe’s short stories are

Stephen King's The Boogeyman was my favorite piece of gothic literature that we read. I was trying to figure the story out all the way until the end and had to re-read some of it to fully understand. It was suspenseful, scary, but also had a good story to listen to. The Boogeyman was full of gloomy settings, monsters, characters in distress, and intense emotions. These 4 things are just a couple elements that make up gothic literature.

on the aid of Hell itself, and to find things familiar in the world of

The term gothic serves as the ideal backdrop for a literary era of suspense, mystery, and terror. A haunted mansion bursting with secrets, a naïve helpless heroine, and the male hero that saves the day are all quintessentially gothic. When Ellen Moers first coined the term “Female Gothic” in her 1976 book, Literary Women, she defined it as “the work that women writers have done in the literary mode that, since the eighteenth century have been termed Gothic” (Moers). Her argument that Female Gothic literature is a code for women’s fear of domestic entrapment, especially within their own bodies as was mainly experienced in childbirth and motherhood, was quite influential. Anne Williams, in her book The Art of Darkness: A Poetics of Gothic, argues that Female Gothic can be further dissected to include its intention to criticize the patriarchy while educating and socializing its female readers with an affirmation of absolute independence and strength. The Female Gothic is often pursued and haunted by a villainous patriarchal figure, but finds salvation on her own accord and more importantly, within herself. Another element of Female gothic is madness and monstrosity as an explanation for why the female would deviate from the conventional norm.