Gothic Elements In Gothic Literature

Poe and Byron are masterful at using vivid, descriptive language to develop the elements of Gothic literature and instill a sense of fear in the reader.

Both the short stories “The Devil and Tom Walker” by Washington Irving, also “The Murders in the Rue Morgue” by Edgar Allan Poe, were written in the romantic time period. Romanticism typically contains the ideals of nature worship, nature imagery, as well as nature having an healing effect. Gothic Literature stemmed off of romantic literature which leads to many of the contradictory ideas in both. An example could be that romantics saw imagination while gothic writers saw darkness in the supernatural. Both the authors used very similar elements to make each literary work different but strong in their own way.

American Romanticism fell between the years of 1800 and 1860. America had just gained its independence from Great Britain followed by a war that ended just 17 years prior to the start of the Romantic period in writing. With America just getting on its feet and finding their voice in literature, they went through what seems to be a more odd stage in literature during this time period. This period in literature could be described as a time of finding idealism, and a time which writing was very subjective and imaginative.

In both of the short stories The Devil and Tom Walker by Washington Irving, also The Murders in the Rue Morgue by Edgar Allan Poe, were written in the romantic time period. Romanticism typically contains the ideals of nature worship, nature imagery, as well as nature having a healing effect. Gothic Literature stemmed off of romantic literature which leads to many of the contradictory ideas in both. An example could be that romantics saw imagination while gothic writers saw the darkness in the supernatural. Both the authors used very similar elements to make each literary work different but strong in their own way.

Gothic literature has been criticized as being a dreary, dark, and death-involving subset of Romanticism (a literary movement accentuating human individuality, imagination, and subjectivity). In addition, gothic lit incorporates several themes- not all about deathly acts - but includes some emotional and surprising themes such as dreams, nightmares, or hallucinations, and grotesque or bizarre occurrences. Two short stories, both written by Edgar Allan Poe, entitled “The Raven,” and “The Black Cat,” as well as the novel The Night Circus, by Erin Morgenstern, all encompass these gothic elements, found throughout each story.

Gothic literature uses wide ranging themes and gothic elements to convey its story. Gothic literature short stories can range from romance to horror to supernatural occurrences. Horacio Quiroga’s “The Feather Pillow,” Richard Matheson’s “Prey,” and Edgar Allan Poe’s “The Black Cat” all incorporate the following gothic elements: violence, revenge, hallucinations, nightmares, and psychological issues.

Gothic literature contains many thematic elements such as horror, death, and even at times romanticism. This type of literature incorporates various different elements, in order to evoke the emotions of terror. There are many authors who are extremely talented and are still remembered and read in classrooms today. These are authors like Edgar Allan Poe, best known for his mysterious poems and short stories, Richard Matheson and Horacio Quiroga, who have all incorporated psychological problems and violence themes in their short stories in order to fascinate the readers and add suspense to the story. These three gothic authors correlate the themes of violence and the psychological/ mental issues in order to depict anticipation and terror

Gothic Literature is characterized by elements such as fear, horror, death, and gloom. Most in which is portrayed in “The Picture of Dorian Gray.” How do we know gothic is ‘gothic’ though? Sometimes it is characterized by the setting other times by the supernatural manifestations. There are many ways to discover wether it gothic literature or not, taking “The Picture of Dorian Gray,” for example.

The Gothic genre often reproduces a conservative paranoid structure when it comes to homophobia and other moral panics over sex (Hanson, Pg. 176). Eve Sedgwick depicts this in her work, ‘Between Men: English Literature and Male Homosexual Desire’ as she discusses how these ideas (paranoia) are represented within the Gothic, in what she describes as the ‘homosocial’ in reference to male bonds (Sedgwick, Pg. 86). She also discusses how bonds between men exist as the backbone of social form and forms (Sedgwick, Pg. 86). Thus, a consequence of said structure is the ability to define, control, and manipulate male bonds, which in turn becomes an inexplicably powerful instrument of social control (Sedgwick, Pg. 86). Thus, homosexuality is represented as the ‘unspeakable’ within the Gothic, as it has been defined, controlled, and manipulated to be such though social control. Therefore, this paper will discuss how ‘homosocial’ bonds between men, are used as a tool in social control and used as a way to produce paranoia and moral panic, thus in reference to the Gothic, these forms epitomize homosexuality as the ‘unspeakable,’ especially through homosexual representations within the contexts of ghosts and haunted houses.

According to Merriam-webster.com, Romanticism is “a style of art, literature, etc., during the late 18th and early 19th centuries that emphasized the imagination and emotions.” Writings such as short stories, folklore, and poems portray Romanticism characteristics. Some common characteristics include emphasis on nature and emotions. Moreover, Romanticism was especially powerful in places such as Britain, Germany, and France, and greatly affected other places such as Italy and Spain. However, Romanticism is not the only type of literature. During the Age of Reason, stress was placed upon reason and common sense rather than imagination. Romantic elements are especially shown throughout “The Raven”, “Dr. Heidegger’s Experiment”, and “The Devil and Tom Walker”. Many different characters in the previously

Romanticism Era literature significantly differs from colonial period. Being two centuries apart, these time periods differ in ideas and beliefs, which affect the poets and authors of that time, as well as their writing style. Edgar Allen Poe, a well-known poet and author of the19th century, is a great example of romanticism. His works are unique in every way, but at the same time they fit the "standard" writing of Romantic period. His stories and poems are full of fantasy, creativity, mystery and unreal events. Edgar Allen Poe is a complete opposite of Colonial author Anne Bradstreet, whose works are also recognized exemplary. Yet, Anne Bradstreet has absolutely different perspective on writing and life. Her poems are more sentimental, touching and realistic than that of Poe's.

Edgar Allan Poe’s “The Cask of Amontillado” is a frightening and entertaining short story about the severe consequences that result from persistent mockery and an unforgiving heart. Poe’s excellent use of Gothicism within the story sets the perfect tone for a dark and sinister plot of murder to unfold. “The Cask of Amontillado” simply overflows with various themes and other literary elements that result from Poe’s Gothic style of writing. Of these various themes, one that tends to dominant the story as a whole is the theme of revenge, which Poe supports with his sophisticated use of direct and indirect factors, irony, and symbolism.

Stephen King's The Boogeyman was my favorite piece of gothic literature that we read. I was trying to figure the story out all the way until the end and had to re-read some of it to fully understand. It was suspenseful, scary, but also had a good story to listen to. The Boogeyman was full of gloomy settings, monsters, characters in distress, and intense emotions. These 4 things are just a couple elements that make up gothic literature.

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The Romantic period developed in America in the 19th century, with the Gothic/Romantic stories of Edgar Allan Poe and the quasi-religious, transcendentalist poetry of Ralph Waldo