Gothic Elements Of The 's Oval Portrait And The Bloody Chamber

To study the gender issues in The Bloody Chamber we have to first look at the motivations behind the writings. Carter’s feminist agenda creates the feminist tones in this novel which are overtly represented. An excerpt from an English anthology writes on the feminist switch of focus, {A} ‘from attacking male versions of the world to exploring the nature of the female world and outlook, and reconstructing the lost or supressed records of female experience’. This is what Angela Carter explores in her novels. The Courtship of Mr Lyon is a reconstruction of a traditional patriarchal story to highlight female independence.

the seed of doubt in the mind of the reader as to the credibility of

Poe’s ‘The Fall of The House of Usher’ express gothic completely immersed in madness and darkness while ‘The Yellow Wallpaper’ limits the decent madness of woman but shows the depression and gloominess of the character.

Various authors develop their stories using gothic themes and characterizations of this type to lay the foundation for their desired reader response. Although Edgar Allan Poe’s “The Fall of the House of Usher” and Peter Taylor’s “Venus, Cupid, Folly and Time” are two completely different narratives, both of these stories share a commonality of gothic text representations. The stories take slightly different paths, with Poe’s signifying traditional gothic literature and Taylor approaching his story in a more contemporary manner.

Women have a profound role in not only the society, but in all facets of culture. Their impact can be seen/felt in music, fashion, and even literature. After reading the short stories from the last few weeks, it has become more apparent that women truly encompass a definite role as well in gothic fiction. As a result, this paper will seek to analyze and define the roles of women in two (2) prominent gothic fiction pieces: “The Yellow Wallpaper” by Charlotte Perkins Gilman and Edgar Allen Poe’s “The Fall of the House of Usher.”

The classic short story of “The Tell-Tale Heart”, written by one of the all time masters of horror, Edgar Allen Poe, has always been used as an excellent example of Gothic fiction. Edgar Allen Poe specialized in the art of gothic writing and wrote many stories that portrayed disturbing events and delved deeply into the minds of its characters. In "The Tell-Tale Heart," Poe revolves the plot around a raving individual who, insisting that he is sane, murders an old man because of his` “vulture eye”. The three main gothic elements that are evident in this story are the unique setting, the theme of death and decay, and the presence of madness.

‘The role of women in the gothic genre is as victims always subjected to male authority’, compare and contrast to which this interpretation is relevant to your three chosen texts.

In Angela Carter’s The Bloody Chamber, the theme of transformation appears throughout the short story cycle. The hero/heroine’s virginity acts as a source of strength that protects them from harm. Their lack of fear also saves them from death. Virginity acts as power of potentia, either literally or symbolically and results in a release of an observed transformative power. The bloody chamber serves a different symbolic purpose of transformation for Beauty in “The Courtship of Mr Lyon”, the heroine in “The Tiger’s Bride” and the Countess in “The Lady of the House of Love”. Each of these characters will embark on a journey that questions their selfhood in circumstances that are presented to them and ultimately each will go through a

“The Tell Tale Heart” by Edgar Allen Poe is a fantastic short story, but how does it fit into literature? The story uses elements and techniques that delve into the gothic genre and allows the reader to be introduced to a darker reality. In “The Tell Tale Heart”, gothic elements reveal themselves in the short story through the use of setting and also through the use of characterization. These two elements are key components which demonstrate gothic features and help to classify this story as gothic literature. Murder and the supernatural elements also show that this text can be considered within the gothic genre of literature.

This dissertation will examine and analyse two of the macabre and gothic tales from the English author Elizabeth Gaskell (1810-1865); The Old Nurses Story (1852) and The Poor Clare (1857). Indicating and demonstrating how representations of mystery and the supernatural are used as vehicles of imagination, expression and exploration into the hidden depths of the female psyche through the use of Gothic fiction within the Victorian era (1837-1901). I intend to delve and explore into the identity of the feminine-self exposing the darker and intimate issues of the female Gothic, otherwise hidden within the oppressive constraints of the female role residing in Victorian society. Applying psychoanalytical examples, I shall discuss themes of the

Contrary to to traditional Mother roles in gothic literature, the Mother in ‘The Bloody Chamber’ embodies Strength and Courage. Through Carters feminist style of writing, the mother is seen as a knight in shining armour. The ‘indomitable’ (p1) woman is a figure of strength and courage; she has shot ‘a man – eating tiger with her own hand” (p2), and holding all the traits of a masculine hero. Traditionally, these traits symbolise her possession of the power traditionally possessed by men. Moreover, her overwhelming power is influential; she is in the position of true power, in no way passive or innocent. The passing down of her husband’s “antique service revolver” (p2) contradicts societies expectation of women. Traditionally, possessions are handed down to a fathers heir, however the mother receives this symbolic item instead. This item represents both the mothers strength and her physical power. Yet she is equipped with ‘maternal telepathy’(p41), which adds another dimension to her empowerment as it is a feminine strength, suggesting Carter is employing the notion that women may embrace their femininity whilst still retaining an advantage over men. However, her masculine qualities cannot be ignored. The windswept image is one of strength, portrayed towards the end of the novel, when she saves the damsel in distress, a role usually dominated by men. Her ‘white mane’ (p40) and “wild” appearance alludes to the image of a hunting lioness, a symbol of strength. She is the embodiment of “furious justice”. This

Edgar Allan Poe, renowned as the foremost master of the short-story form of writing, chiefly tales of the mysterious and macabre, has established his short stories as leading proponents of “Gothic” literature. Although the term “Gothic” originally referred only to literature set in the Gothic (or medieval) period, its meaning has since been extended to include a particular style of writing. In order for literature to be “Gothic,” it must fulfill some specific requirements. Firstly, it must set a tone that is dark, somber, and foreboding. Next, throughout the development of the story, the events that occur must be strange, melodramatic, or often sinister. Poe’s short stories are

The Gothic genre is an increasingly popular area for feminist studies, showing contrasts in society at the time and the expectations of women within it. In pre industrial times, women were expected to play a subservient role to men, they were expected to marry young and bare children, they would simply care for their husbands and support the family, they were denied the right to vote or own property and were expected to be the innocently silent, supportive backbone behind patriarchal society. It is noted that female characters in Gothic novels and plays often fall into one of two categories: innocent victims, subservient to the strong and powerful

The term gothic serves as the ideal backdrop for a literary era of suspense, mystery, and terror. A haunted mansion bursting with secrets, a naïve helpless heroine, and the male hero that saves the day are all quintessentially gothic. When Ellen Moers first coined the term “Female Gothic” in her 1976 book, Literary Women, she defined it as “the work that women writers have done in the literary mode that, since the eighteenth century have been termed Gothic” (Moers). Her argument that Female Gothic literature is a code for women’s fear of domestic entrapment, especially within their own bodies as was mainly experienced in childbirth and motherhood, was quite influential. Anne Williams, in her book The Art of Darkness: A Poetics of Gothic, argues that Female Gothic can be further dissected to include its intention to criticize the patriarchy while educating and socializing its female readers with an affirmation of absolute independence and strength. The Female Gothic is often pursued and haunted by a villainous patriarchal figure, but finds salvation on her own accord and more importantly, within herself. Another element of Female gothic is madness and monstrosity as an explanation for why the female would deviate from the conventional norm.

Poe’s writing style was much like that of Hawthorne’s, but drew from the darker side of romance creations. This gothic mood believed in the dark truths of the human heart, which are the ends and motivations for many of his stories. Human corruption and violence ends in murder in “The Black Cat”. Gothic writings move more into the supernatural side, which lets observer of the see a living person in the picture at his first, sleepy glance.