Gothic Literature

This desire to have success and the low value in his soul allows the perfect opportunity for Satan to bargain for his soul, and Mephostophilis, who must attract as many souls as possible for Satan, works on his lack of self worth to attain his soul. This exchange between Mephostophilis and Faustus is a match of wits and an attempt to test the degree at which Faustus will follow Satan. When Mephostophilis appears to Faustus after he has preformed the ritual to conjure up spirits, Faustus is frightened. Yet there is a hint of pride that he was able to control the devil, which was quickly erased by Mephostophilis. This devil played Faustus for information about his desires, and kept getting him to talk without answering any of the questions that he had about the arrangements of the deal. Mephostophilis would only give out the answers Faustus wanted when the deal was completed. Mephostophilis won the battle of wits because Faustus gave up all the

Themes of the evil and representations of the devil also feature in Dorian Gray. The devil is represented by Lord Henry Wotton – his worldview and words have a profound effect on the innocent minded Dorian, who takes Henry's philosophy into practice. Hence, symbolically Henry is the evil influence upon Dorian. Evil is also showcased through the deal with the devil that Dorian makes. In the beginning of the novel, Dorian desires to sell his soul in order to remain young and beautiful forever. His wish is granted and that sets in motion the path of infamy which Dorian will take. In Wilde's time, Morality, Hedonism and culture's obsession with beauty and youth were key issues in society. Wilde understood this and included such themes into Dorian Gray. Hence, making the text relatable and vital to the period in which Dorian Gray was penned. Wilde in Dorian Gray is making a wider statement about society – Victorian era Britain was supposed

Gothic can be defined as “literature dealing with the strange, mysterious, and supernatural designed to invoke suspense and terror in the reader.” (Pickering, 2004, p. 1425) Gothic literature generally presents the same themes and motifs: love lost, hidden secrets, love and death hand in hand, beauty, youth, grotesque characters, macabre eroticism, etc. Gothic literature also explores taboo subjects such as murder, suicide and incest. “A Rose for Emily”, by William Faulkner, is representative of the Southern Gothic stories since the themes of love lost, death, and murder are present in it. There are many elements that hint at the Gothic nature of the story: Emily’s description, her house, the poison she bought, and finally the ending.

A Faustian legend is a story in which a character trades something of great personal value to the devil in order to receive personal gain. Since this type of literature originated in the Fourth Century it has spread throughout the world. Two relatively recent versions of this legend are “The Devil and Tom Walker” by Washington Irving and “The Devil and Daniel Webster” by Vincent Benét. These stories show many similarities as well as a few differences. While both Benét and Irving present similar themes in setting of the tales and motivation in the Faustian character, they do differ in the nature of that character and their visual presentation of the Devil.

Brown does not rely on most of the conventions of the gothic literature. Brown does use conventions of a Gothic genre. Brown follows the topics shared in an American Gothic novel. Allan Lloyd-Smith talks about how many American Gothic writers would exchange key aspects that can be seen in a European gothic novel. For example, instead of a castle the setting of the novel will include a remote house in the country side away from most of the population. Brown does not include a great deal of the setting but uses atmosphere and suspense to inflict fear into his readers. Brown stays away from the European gothic conventions discussed in “The Gothic Novel”. Brown does not include castles, dungeon and does not place his gothic novel in the medieval

Gothic literature has been criticized as being a dreary, dark, and death-involving subset of Romanticism (a literary movement accentuating human individuality, imagination, and subjectivity). In addition, gothic lit incorporates several themes- not all about deathly acts - but includes some emotional and surprising themes such as dreams, nightmares, or hallucinations, and grotesque or bizarre occurrences. Two short stories, both written by Edgar Allan Poe, entitled “The Raven,” and “The Black Cat,” as well as the novel The Night Circus, by Erin Morgenstern, all encompass these gothic elements, found throughout each story.

Gothic literature uses wide ranging themes and gothic elements to convey its story. Gothic literature short stories can range from romance to horror to supernatural occurrences. Horacio Quiroga’s “The Feather Pillow,” Richard Matheson’s “Prey,” and Edgar Allan Poe’s “The Black Cat” all incorporate the following gothic elements: violence, revenge, hallucinations, nightmares, and psychological issues.

The Gothic genre often reproduces a conservative paranoid structure when it comes to homophobia and other moral panics over sex (Hanson, Pg. 176). Eve Sedgwick depicts this in her work, ‘Between Men: English Literature and Male Homosexual Desire’ as she discusses how these ideas (paranoia) are represented within the Gothic, in what she describes as the ‘homosocial’ in reference to male bonds (Sedgwick, Pg. 86). She also discusses how bonds between men exist as the backbone of social form and forms (Sedgwick, Pg. 86). Thus, a consequence of said structure is the ability to define, control, and manipulate male bonds, which in turn becomes an inexplicably powerful instrument of social control (Sedgwick, Pg. 86). Thus, homosexuality is represented as the ‘unspeakable’ within the Gothic, as it has been defined, controlled, and manipulated to be such though social control. Therefore, this paper will discuss how ‘homosocial’ bonds between men, are used as a tool in social control and used as a way to produce paranoia and moral panic, thus in reference to the Gothic, these forms epitomize homosexuality as the ‘unspeakable,’ especially through homosexual representations within the contexts of ghosts and haunted houses.

The gothic literary movement is a part of the larger Romantic Movement. Gothic literature shares many of the traits of romanticism, such as the emphasis on emotions and the imagination. Gothic literature goes beyond the melancholy evident in most romantic works, however, and enters into the areas of horror and decay, becoming preoccupied with death. “The Fall of the House of Usher” by Edgar Allan Poe is a powerful example of gothic fiction, whereas James Fenimore Cooper’s The Last of the Mohicans serves as the romantic predecessor, illustrating the differences and the similarities between romantic and gothic literature.

Not only is Faustus a greedy man, but also weak. He craves power and knowledge to cover up what he lacks. Before his interaction with the devil, Faustus dabbles with necromancy in an attempt to bring happiness to his life. He is clearly unable to make himself content and the promise of the devil to do so is enticing. Faustus was not hard to sway from God and devout Christian values. This is what makes it especially hard for Faustus to repent. He is unable to make up his mind when considering the benefits of each. His weakness lies in his search for power, so he chooses whatever seems to offer the knowledge he

He is even told by Lord Henry he is far too charming to go into philantropy. This remark may be the beginning of the flattery that opened Dorian's mind up to his corruption. Dorian is being moved by Harry's speech about cherishing youth and enjoying it. His mind was being challenged by the thought of his own passions until the point when he proclaimed "stop! You bewilder me. I do not know what to say. There is some answer to you, but I cannot find it. Do not speak. Let me think. Or rather let me try not to think". Dorian allows himself to be corrupted. He begins to fear aging and begins to think that everything will be loss with the loss of his youth and beauty. Dorian goes from no worries to this thought as Harry speaks. He was convinced that this "new Hedonism" was the way. This shows the weakness of his mind in his youth it is also the begginning of his fate. With this flaw of character, Dorian seemed to write his fate unknowingly. When Basil Hallward, the painter, rewarded Dorian with the portrait he replied "If I were to be the one always young, and the picture grow old! For that-for that-Iwould give everything!…Iwould give my soul for that!". This was just a plea at the depth of his sorrow, a remark made totally through whim.

Right from the start, it is clear that Dorian is caught up between two men who represent two very different things.

Throughout the novel The Picture of Dorian Gray, Oscar Wilde tells a tale about a young man named Dorian whose entire life changes after he meets Basil Hallward, who paints a portrait of Gray that ultimately leads to Gray’s demise. At the same time, Dorian also meets Lord Henry, who eventually plays a bad influence over Dorian. The portrait shows the man Dorian has become

on the aid of Hell itself, and to find things familiar in the world of

Many have heard of Faust in one way or another. A “Faustian Bargain” is one where an agent trades away the future for a boon in power during the present. I will be exploring at least two magical traditions in Marlowe’s Faust: the Christian tradition and the non-Christian tradition.