The history of gothic literature is a discussion of how the classic gothic literature has morphed into today’s contemporary gothic literature. From the beginning days of gothic writing one of the main focuses has been on the issues that were relevant in the county or world at the time. Most people think of gothic writings as a scary story of gloom and doom, but there are many aspects that encompass a gothic writing. The true is that there are many elements to a gothic writing. The writer does not need to use all of them at the same time, but to use some of them to make it a gothic writing. As technology and the social atmosphere have evaluated writers have incorporated these elements into their writing. Gothic literature is said to have …show more content…
(Ringel) Mary Snodgrass points out, “Decades before Sigmund Freud provided a paradigm for the human psyche, echoes of disturbing behaviors forced readers of gothic literature to interpret subtexts of prejudice, classism, and abnormality in thought and action: in the motivation for James Hogg’s The Private Memoirs and Confessions of a Justified Sinner.” (Snodgrass) Many people of authority in America believed that the gothic genre was source of outside evil on the new world. This is supported by Reverend Enos Hitchcock’s Memoirs of the Bloomsgrove Family, in which he “blames the corruption of young women in the new nation on “foreign writings and foreign manners” and prays “May this rising empire cease to import both the one and the other!” (Ringel) The 1800’s rang in a new era of writers and twist on the gothic style. One of the major contributors was Edgar Allan Poe with stories and poetry that still resonates with high schoolers to this day. Works that are still read or at the very least spoken of in high school are stories by Nathaniel Hawthorne and Herman Melville. Noteworthy works by
After Horace Walpole redefined the term “Gothic” with his literary form that mixed history and fantasy in a way that was meant to create wonder and terror, the term developed to take a on many interconnected meanings. These meanings include “Goths/Visigoths” which Edward Gibbon describes as “a general appellation of rude and warlike barbarism”(Moreland, slide 29). It is also a Medieval style of architecture and an “unwritten” constitution which describes the “ traditional balance of power in British politics between the royalty and the people”(Moreland, slide 31). The final meaning is that of Gothic fiction whose characteristics include: strong emotion (mainly terror/horror), antiquity, haunting, isolation, obscurity/mystery and/or monstrousness/grotesquerie. Among the 18th and 19th century fiction that draw upon and foreground these meanings are Poe’s The Fall of the House of Usher and Stoker’s Dracula.
For it is only within the context of this nightmare that one can explain why “Usher,” occupies such an important place in the 19th century development of the Gothic genre. With great attention to economy of expression and unity of effect, this pattern would be revisited by countless other Gothic stylists” (Dougherty 6). This means that Poe used the fantasy of impending doom in “The Fall of the House of Usher” to change it from being just an upper class dream, to a tale of horror which brought together some of the political situations in the nineteenth century such as those of race and class. Hawthorne and Poe successfully incorporated gothic elements in their writing which provides greater insight to the meaning and interpretation of their works.
Gothic literature is a style of writing that contains elements of both horror and romance. This genre allows readers to experience a mix of horror and romance intertwined. Within the gothic genre there are elements of supernatural events, beings, and gloomy day settings. This style of writing became popular in the late 18th century and early 19 century. Many give credit to it’s uprising to author Horace Walpole, who wrote The Castle of Otranto (1764). His book contains all the elements that constitute the gothic genre. Frankenstein fits perfectly into the gothic category because the gloomy and mysterious setting is placed where most readers think of it as
It is often suggested that Gothic originates from the margins and presents a challenge to dominant culture. Is Gothic always transgressive? This essay aims to analyse the transgression displayed in gothic texts that expose realities which society chooses to ‘abject’. (Kristeva, 1: 1982,)
Gothic literature was a popular writing tradition of the eighteenth and nineteenth centuries and is still used today. Gothic literature explores the wicked, perverse and dark desires. Gothic conventions can include burial alive, ghosts, hysteria, ruined bodies, tales within tales, undead characters, underground spaces, and more. Gothic themes are guilt, sex, violence, death, and cosmic struggle. Gothic stories or poems should inspire terror or horror. Edgar Allen Poe was one of the many well-known Gothic writers. In his stories he uses a variety of themes to carry out the gothic theme.
Brown does not rely on most of the conventions of the gothic literature. Brown does use conventions of a Gothic genre. Brown follows the topics shared in an American Gothic novel. Allan Lloyd-Smith talks about how many American Gothic writers would exchange key aspects that can be seen in a European gothic novel. For example, instead of a castle the setting of the novel will include a remote house in the country side away from most of the population. Brown does not include a great deal of the setting but uses atmosphere and suspense to inflict fear into his readers. Brown stays away from the European gothic conventions discussed in “The Gothic Novel”. Brown does not include castles, dungeon and does not place his gothic novel in the medieval
Gothic literature uses wide ranging themes and gothic elements to convey its story. Gothic literature short stories can range from romance to horror to supernatural occurrences. Horacio Quiroga’s “The Feather Pillow,” Richard Matheson’s “Prey,” and Edgar Allan Poe’s “The Black Cat” all incorporate the following gothic elements: violence, revenge, hallucinations, nightmares, and psychological issues.
Gothic literature contains many thematic elements such as horror, death, and even at times romanticism. This type of literature incorporates various different elements, in order to evoke the emotions of terror. There are many authors who are extremely talented and are still remembered and read in classrooms today. These are authors like Edgar Allan Poe, best known for his mysterious poems and short stories, Richard Matheson and Horacio Quiroga, who have all incorporated psychological problems and violence themes in their short stories in order to fascinate the readers and add suspense to the story. These three gothic authors correlate the themes of violence and the psychological/ mental issues in order to depict anticipation and terror
Gothic tales are dismal and disturbing. “The Feather Pillow”, “Prey”, and “The Black Cat” the main character is broken down by events. The immense pain suffered by each character is intertwined with personal relationship.
A tragedy story portrays a noble hero and the heroine downfall through use of fate, the will of gods and hubris. The book “Private Memoirs and Confession of a Justified Sinner” is a tragedy because the book narrates a story about Wringham who had involved himself in crimes. At first, evil triumphs over good as Wringham had been filled with self-righteousness and hatred and these attitudes made him to believe that any crime was right according to his religion including murder. The story is full of crimes like murder, horror, religious fanaticism, fantasy and folklore (Hogg & Carrey 50). The publisher of the story was popular due to his magazine articles and poetry and he was also self-educated thus he published the book with the idea that the information in the book is strange. This idea was as a result of horrific theme matter and experimental style which he used in the book and he knew the general public would not appreciate his book. A French writer Gide in 1940s argued that the book was a masterpiece. The story has three categories to enable readers to understand the different ways in which the book exist like folklore and local tradition. The first category summarizes all events which Wringham did to make readers understand why Wringham opted for confession. The second category narrates of the shocking confession process of Wringham who was obsessed with crime for a long period. The third section talks of finding of how Wringham confessed and revelation of his characters
The gothic literary movement is a part of the larger Romantic Movement. Gothic literature shares many of the traits of romanticism, such as the emphasis on emotions and the imagination. Gothic literature goes beyond the melancholy evident in most romantic works, however, and enters into the areas of horror and decay, becoming preoccupied with death. “The Fall of the House of Usher” by Edgar Allan Poe is a powerful example of gothic fiction, whereas James Fenimore Cooper’s The Last of the Mohicans serves as the romantic predecessor, illustrating the differences and the similarities between romantic and gothic literature.
The term Gothic refers to a genre that came about in the late eighteenth century. It can be a type of story, clothing, or music nowadays. In this paper it will refer to a style of literature. A very good example of this type of literature is Mary Shelley's Frankenstein. There is a sense of foreboding throughout the whole novel, which is one of the basic necessities of the Gothic. This theme of the Gothic has different characteristics that all fit into the story of Victor Frankenstein and his monster and make this one of the first horror stories every told.
How is gothic literary elements used in The Fall of the House of Usher? Gothic literary elements are used several times in the story. Some examples of them are where it takes place. The type of people in the story is also a gothic literary element. The emotion the characters display in the story is another gothic literacy element.
Edgar Allan Poe, renowned as the foremost master of the short-story form of writing, chiefly tales of the mysterious and macabre, has established his short stories as leading proponents of “Gothic” literature. Although the term “Gothic” originally referred only to literature set in the Gothic (or medieval) period, its meaning has since been extended to include a particular style of writing. In order for literature to be “Gothic,” it must fulfill some specific requirements. Firstly, it must set a tone that is dark, somber, and foreboding. Next, throughout the development of the story, the events that occur must be strange, melodramatic, or often sinister. Poe’s short stories are
The term gothic fiction implies a British literary genre from the late eighteenth, and early nineteenth century. The modernized term seems to have been generalized into anything that is dark, gloomy, or depressing. Gothic novels often time posses an emphasis on portraying the terror, a prominent use of supernatural circumstances, the presence of highly stereotyped characters, and the attempt to display techniques of literary suspense. There are also other parallels among this vastly popular genre. Gothic novels often time describe the city of London in corresponding ways. Also a common theme amongst gothic literary works is the duality of human nature, or the quality or characteristic of being twofold. These mutual themes are apparent in