Gothic and Romanesque Cathedrals Essay

In this excerpt, von Simson looks at how the writings of intellectuals influenced the development of Gothic architecture. He begins by looking at the writings of St. Augustine and his love for music and how the importance of measurement found in music also applies to architecture. He then goes on to address two important schools of thought that influenced the formation of the Gothic style: The Platonists with their focus on cosmology, and the monks at Clairvaux, including St. Bernard, who focused on spirituality. In this section, von Simson focuses on the former and the connection between the cosmos and the Gothic cathedral. He argues that these medieval scholars saw God as an architect and the cosmos as his cathedral. In his study of both St. Augustine and the Plantonists, von Simson works to identify the ways in which these intellectual schools of thought influenced Gothic architecture.

The shift brought the transformation of thick columns to much thinner and “lighter” columns (Blankenbehler). However, before this architectural movement can begin, Abbot Suger struggled to reconstruct and synthesize the style of the ancient building with his ideas of modern designs. He knew that the freshness of these new designs would bring beauty and spaciousness. He wanted people to be amazed at the transformation of the once small, but soon to be large and wide feel of the basilica. To create the wide feel, Abbot Suger issued the ceiling to have a complicated web of interlocked and pointed vaults. He also chose to have arches with points so that the basilica would not need thick walls to support the arch. Thick walls would make the interior look crowded and small, something Suger did not want. By having the pointed arches, those would take the weight of the ceiling and distribute the weight across rather than being pulled down. This allowed for thin and elegant looking columns, for they were able to support the ceiling because the weight of it was dispersed. He envisioned the structure to have high ceilings, which would be supported with thinner columns (Birth of the Gothic: Abbot Suger and the Ambulatory at St. Denis). Suger also brought in the idea of having tall towers so that the building would look like it was reaching for the heavens. By reaching the heavens, it brought this concept of being closer to God and reassuring the people’s

It's critical that Gothic engineering was fundamentally given to the working of religious abodes. Gothic design is known for the utilization of curves that point strongly upward and flying supports, which allude to structures that hold up substantial dividers. Flying braces make the rich, vertical upward line of Gothic engineering and take into account bigger windows, which Gothic specialists used to showcase splendid recolored glass windows. Renaissance engineering included more Romanesque structures (fabricating a home around a yard, for instance), regularly based around circles rather than the vertical, upward development of Gothic design. In the Renaissance, figure was much more imperative than engineering. Figures, for example, Michelangelo's David demonstrated amazing naturalism and a grasp of the bare human

The time period between 400 AD and 1400 AD was not a Dark Age for Europe and not a time of cultural decay and decline. It was not a Dark Age for the following reasons: Cathedrale Notre Dame’s construction, the laws of currency that were established, and how Europe prospered during this time period. Cathedrale Notre Dame’s construction showed how far culturally Europe got by the late Middle Ages. “Common features of gothic Cathedrals included architectural innovations. (Document G: Gothic Cathedrals)” This piece of text shows me that Europe developed their architectural design; gothic architecture which originated in France.

types of arch designs that are commonly found within Gothic architecture are the lancet arch, which is simply a steeply pointed arch, the equilateral arch, the flamboyant arch and the depressed arch as seen in the King’s College Chapel. (see figure 5) Due to the new design of supporting the weight of the ceiling through the columns and flying buttresses, there was no need for walls made of heavy materials. With all the columns and archways in place, the structure took on a skeletal look. This gave way to expanding the once small openings for windows to an expanse of window space providing plenty of light to the interior of the structure. This space was commonly filled with stained glass. From this, stained glass

Some of those main characteristics of the Gothic Architecture are the pointed arcs, ribbed vaults and flying buttress, stained glass windows, complex decoration, towers and some other details. The origins of the pointed arcs used in gothic Architecture come from the pre-Islamic and Islamic Architecture. Two-barrel vaults intersecting in a perpendicular way compose the ribbed vaults; this would give more strength to the building allowing for more windows at higher places. Flying buttress has to purpose to resist horizontal forces, by redirecting to force to the ground. The stained glass windows were ecclesiastic windows that allow light from the highest points of the building. Some of the complex decoration refers to the amount of detail such as statues, paints, and scripts on the walls.

     The term Gothic refers to a genre that came about in the late eighteenth century. It can be a type of story, clothing, or music nowadays. In this paper it will refer to a style of literature. A very good example of this type of literature is Mary Shelley's Frankenstein. There is a sense of foreboding throughout the whole novel, which is one of the basic necessities of the Gothic. This theme of the Gothic has different characteristics that all fit into the story of Victor Frankenstein and his monster and make this one of the first horror stories every told.

While constructing both of these cathedrals there were sculptures created that represented narratives of theology and mysticism. Both were created for a place of worship that’s why sculptures and paintings of religious images were added. This showed a great respect for the belief in Christ and the surrounding believers.

The 12th century Gothic builders were the first to discover how to construct great buildings were their stability depended upon knowing how to transmit the thrust through specific parts of the structure, the buttresses that formed its skeletal and the ribs not upon the thickness of their walls. The result was a dynamically stable architecture capable of building

These characteristics contrasted with the style of Gothic architecture. With the new Gothic style, the walls were thinner. Masons worked towards a more artistic look. Unlike the Romanesque style, which had few windows, Gothic architecture had many.

One of Roman Engineering’s greatest accomplishments was the use of the arch. The arch shape is very strong, able to support great amounts of weight. This allowed Romans to build massive structures that would stand for many centuries. The Romans adapted the arch design to fit many purposes. The barrel vault is merely an elongated arch; this was used for buildings tombs and sewers. The dome is an adaptation of the arch. The dome is an arch revolved on its vertical axis. The best example of the dome in ancient Rome is the Pantheon. The basic arch was used in almost every large building in Rome. Romans also used

The Gothic style was an over exaggerated, awe-inspiring attempt to become closer to God. The worshipper was not only drawn to the altar, but experienced an ascent to heaven at the same time.1 These artistic gems are a grand testament to historical technology and the imaginative approach and vision of skilled craftsmen. The gothic style is one of the most

Gothic art flourished from the 12th century to the 16th century in Europe in response of the Byzantine and Romanesque tradition. Although Gothic is associated with arts, its most prominent use is in architecture, mainly for its pointed arch and flying buttress. To this day, the Gothic style is taken as a ‘label’ for visual arts such as concept art designs, yet the meaning stray from the original context, thus becoming rarely accurate.

Fire is viewed as destruction by many, but it helped to produce growth in Gothic architecture. Many of Christianity’s beliefs are reflected in different aspects of art. The stained glass and verticality of Gothic churches is a key change from Romanesque style churches. The Gothic church found creative ways to illustrate images of important events in history through tapestry. Even the general shape and design of the Romanesque churches versus Gothic churches show Christians values. The sculptures outside of churches have evolved over time to correspond with Christian’s beliefs of Homo faber. The change in design of Romanesque churches to the new architecture of Gothic style churches shows how Christian’s incorporated their religion into churches. Christianity’s beliefs and values are directly reflected through the changes of architecture and style from Romanesque to Gothic churches along with visual and literary art.

The research paper, shall be concerned with discussion Gothic architecture in Europe-namely England, France, Germany, and Italy starting from 12th to the 16th Centuries. Architecture was the most original and lasting form of art during the Gothic Period, which lasted for four centuries starting from the mid 12th century. The impetus for this architecture was the Roman Catholic Church, which sought to portray their houses of worship as something which transcended the realm of mankind. It is interesting to note that many of the Northern European areas were predominately pagan, and only recently brought into the Church. The imagery provided by Gothic structural design was something these peoples could more readily understand, as they