In the short story, “The Interlopers,” the author, Saki, demonstrates Ulrich and Georg’s relationship change by putting the two men in a life or death situation together. Ulrich von Gradwitz is the inheritor of the forest lands where a feud between two families, the Gradwitzs and the Znaeyms, has been brewing for many years. One night Gradwitz was patrolling his lands trying to find Georg Znaeym, who had trespassed onto Gradwitz land, when Gradwitz found Znaeym the two men were standing face to face as a tree fell on them. The two men were not able to move and while being trapped under the tree, they decided that the feud had gone on for way too long and it needed to be buried. Gradwitz and Znaeym decided to end the feud between the families.
In the story of the “Interlopers,” George Znaeym, seeks out his arch-enemy, Ulrich von Gradwitz, in the forest on a winter night. These two men, because of a family feud that has been passed down from generation
From a secluded part of the camp, Wolfgang tried to dig his brother and himself out of Auschwitz, an extermination camp, a place of torture and death. Until one day when he was digging to crawl underneath the electrified fence.
There families had hated each other for 3 generations. One day while in the woods the two neighboors had came across each other both with their rifles in hand. Each of hem had the code of not shooting their enemy without saying a word to them. This story proves the point that people dont accept others who are differnt from themselves by Georg and Ulrich not even knowing each other but hating each other. It also proves it by both of them only hating eah other because there families had been hating each other for three
“The Interlopers” by Saki, is a story mixed with man vs. man, man vs. nature, and man vs. self, conflict. The resolution is a very surprising twisted fate however. In the beginning we learn of the three generation long quarrel between the Gradwitz’s and the Znaeym’s. “A famous law suit, in the days of his grandfather” (152). The boys grow up hating each other and wishing each other misfortune, and even death upon each other. “as boys they had thirsted for one another's blood, as men each prayed that misfortune might fall on the other” (152). On that night both of the men separate from their groups in search of each other. After a few minutes of searching they find each other. But as fate may have it, nature strikes both men. Suddenly the harsh
This humiliating act made by the German worker demonstrates the immense inequality and degradation between two people. It is clear that characterization plays a big role in Night and not only does it show how inhumane these humans were treated but it is obvious that even people who seem innocent can perform cruel acts. In order to have a greater understanding of how unfair life was, setting helps paint a picture of how cruel many were treated during these dreadful
“Fifty-four years ago to the day, a young Jewish boy from a small town in the Carpathian Mountains woke up, not far from Goethe's beloved Weimar, in a place of eternal infamy called Buchenwald. He was finally free, but there was no joy in his heart. He thought there never would be again.”
Describe: Liesel and her best friend, Rudy Steiner, has been walking through town when a woman in a window above them looks to the streets and announces, “Die Juden;” The Jews. This is when a vast amount of Jewish prisoners begins to march their way down Munich Street while Nazi soldiers barked orders at them. To everyone, especially Liesel (who had a Jewish person living in her basement), this was the furthest thing from a pleasant sight. And apparently, Hans Hubermann had enough of this, as if being controlled by God himself, Hans walked over and offered a particularly weak Jew a piece of bread out of pure sympathy, only to be beaten by overlooking Nazis.
The interlopers is a story where 2 main characters fight over a family feud and they eventually come to terms with each other. They hated each other since they were little children. When both men met each other in the woods a thunder struck a tree near them and trap them both. One of the men realized it was a waste of time and energy trying to fight with the other man and tried to make friends with him. They come to a agreement to be friends and not enemies and wait for their men to come and save them. As they wait for one of their groups of men to save them they see in the distance wolves are heading towards
Maxine Kumin's "Woodchucks" is a powerful and thought-provoking piece of literature that goes beyond the surface-level story of a gardener attempting to rid their garden of pesky animals. Through the lens of a German soldier during the Holocaust, Kumin offers a unique perspective on how Germans viewed their actions during this dark period in history. The author skillfully employs different points of view, a deceptive theme, and metaphors to create a rich and complex narrative that will leave readers with much to contemplate. A little background, Maxine Kumin is a renowned poet with a keen eye for detail. Having completed her education at Radcliffe College before starting a family, she delved into the world of poetry with a deep understanding of the human
Fifty-four years ago to the day, a young Jewish boy from a small town in the Carpathian Mountains woke up, not far from Goethe 's beloved Weimar, in a place of eternal infamy called Buchenwald. He was finally free, but there was no
Irony also plays a big part in understanding the concept of the story. Without Saki’s ironic ways readers would not get a clear idea of what the moral is after reading the novella. As To begin, Georg and Ulrich are fighting over land, which in the outcome is the cause of their death. In the beginning they had the intentions of searching across the useless spurs in hopes of gunning down a human rival. All along the only foe that they truly had was within the nature that was surrounding them. Saki ended the story with one word; “wolves.” It is not directly stated if Georg and Ulrich were eaten by the beasts, but that one word creates a mysterious vibe that makes the reader wonder if either of their crew ever made it in time to help them in time to fight
While reading this chapter I remembered a topic which was brought up in Zozula’s 370 theories class. It was a discussion about marxist believes on government and its interaction with the surplus population. In sum, Marx believed that the government used social welfare and incarceration controlled the amount of surplus population which exists at a certain time. This method is used to prevent uprising among the population because lack of opportunity and resources by limiting the number of individuals who lack a job or help from the government. But, a surplus population must exist in order for industry to function properly and competition to exist in the job marketplace in order to keep wages low and the owners of product in control. Policy would be changed in order to control the amount of surplus population in the form of tough on crime laws or increased access to welfare. In this chapter, the 1970s and 1980s are highlighted as a time when less educated workers pay began to decline as industry left the U.S. and we became more of an import rather an export dependent country.
Lohengrin, who goes by Grini, is taken to the hospital after being shot by Luxembourger soldiers when attempting to steal coal from a train. Due to the lack of resources in post-war Germany, orphans and others turn to stealing as a way to make money. He was sent to the hospital with his “lower part of his body bathed in blood, his cotton shorts mere shreds, [which] had coagulated with blood into a revolting pulp” (115). In and out of consciousness, he tells the nurse and nun at the hospital that his legal guardian is his older brother, which means Grini must also make money to support his family. Böll uses Grini’s background to show the different demographics of occupied German zones. Crimes like this frequently occurred in East Germany and it shows how difficult it was to live there. Prior to Grini dying in the hospital, the narrator mentions that it was important for Grini to “be home at seven-thirty to give them something to eat” (119). This shows how family was a principle coping strategy in order to survive the terrible conditions of post-war Germany. With no stable government, not only were families important to survive, they motivated Germans to establish a work ethic that did not exist for over six
Two minor characters in this novel also decide to live depressing lifestyles after losing their loved ones. They are Mr. Black in the apartment above Oskar and Ruth Black in the Empire State building. These two feel they cannot function anymore and hid from the world. Mr. Black has not left his apartment in “twenty-four years” because “there hasn’t been any reason too” now that his wife died (162.) He turned off his hearing aids “a long, long time ago…[to] save batteries” (165.) Oskar finds tree stumps in his bed that contain nails representing each day his wife had been dead. The man is over 100 years old and has been through so much in his life. He explains that for most of it he was at ward and “treated [his wife] as though she didn’t matter.” The bed was “the first thing [he] got her when he came back”(161.) As Mr. Black continues to put nails in it and shut the world out, he is always thinking of his wife. He no longer explores or interacts because she is not there.
Hearing of the dissident Bielskis, other Jewish refugees begin to come to join the camp. Unable to provide for themselves adequately, the brothers argue over how they will take care of a growing colony of people, Zwick builds in tension between the Bielskis in an ever increasing fashion leading the moviegoer to wonder when the breaking point will come - and that it does. Anyone with siblings can relate to this pressure cooker atmosphere when you have just had enough. There is a battle between savage and civility, both inside the camp and outside. The eldest Bielski sets the tone for the behavior for those within his camp stating, “[w]e may be hunted like animals, but we will not become animals” (Zwick, Defiance).