Graffiti As A Form Of Art Essay

Graffiti has been used many times in history to preserve and show political and religious ideas of the past. Street artists are preserving the history that is deemed “illegal” at this time. Graffiti itself is history, and it tells stories as well as preserving cities and adding a creative aspect to everyday life. The “...first forms of scripture and storytelling … were through drawings on walls. Stories passed through generations… were preserved on rocks or walls.” (Lloyd, Alexis). Now street artists are simply doing the same, whether it’s murals, tags, or people just messing around; They are preserving the unique cultures that we have today, or trying to make a name for themselves through art, or portray a political message. 85% of graffiti is just tags. (Akbar, Airfa). People's names or words made to look interesting. People trying to preserve their name through art. And this is considered a crime. Splashing your political views on a building through a mural to some people is offensive and the fact that this is illegal is a violation of the 1st amendment. Making graffiti or street art illegal is limiting an expression of people's ideas and religion.

Graffiti has been around for more than half a decade and practiced worldwide. However there is debate between whether it is a form of art or vandalism. Graffiti artists’ debate that many do not understand the reason most graffiti artist take the risk of incarceration, fines, injuries, and in some cases death to paint a wall. A graffiti artist can have the simple desire to become recognized, or to create a piece that speaks to their audience as a form of self expression. Because graffiti is associated with gangs and acts of destruction to some many cannot see the history and importance graffiti can have on a worldwide scale. Due to the fact that graffiti is usually produced illegally, meaning it is

Another reason why people engage in graffiti is to shape their identities. They wish to leave a mark in a permanent environment exclaiming to the rest of the world that they exist, that even though their voices may be lost before politicians, parent, and peers they are real and the spraypaint is proof of this. This form of graffiti is easily passed off as mere vandalism and considered an annoyance to our society but when viewed with more compassion, it becomes clearer how important of an outlet this form of graffiti is. Especially for today’s youth (a generation that often feels insignificant) it is psychologically important for them to have solid, material evidence of their own existence. Correlated with identity-based graffiti is another type called tagging. Tagging refers to types of graffiti that “range from stylized signature [tags] to mural-size [pieces] that elaborately blend fanciful script, cartoon characters and messages with the artist’s street name” (Beaty 43). This is a questionable form of expression for it does not actually exhibit a need for acknowledgment but rather a recreational engagement, an act of boldly testing the boundaries of the law in

If you walk through almost any city, the buildings, bridges, and any other available spaces are seemingly filled with colors, picture, and words that are not part of the original architecture. This graffiti, which is a mix of tags, stencils, pieces, and freestyle, seems to have almost taken over cities across the world. Some of this graffiti, such as tags, are eyesores, but some pieces, such as the High Line “Love Is the Answer” and “Kiss” murals in New York City, are sites that have become iconic pieces of artwork. Unfortunately, pieces like these are also starting to be covered to a seemingly astronomical rate, which is causing outrage among those who visited to them.

Generally most people look and take graffiti as a form of destruction and wanting to cause violence, but in the artist’s mind they want to be creative and help the people around them by making art to cheer someone up or create a sense of creativity in others. They don’t do it to go to jail or because they want to pay a fine they do it because they are open minded and creative. For instance, “A lot of attention is given to the ‘broken window’ theory, which says that signs of disorder like petty vandalism, fare jumping … and yes, graffiti, open the window to larger crimes,” Verel told The Huffington Post. “But little is paid to the ways graffiti is harnessed for good in a form that’s both constructive and authentic”(Patrick Verel). They are taking this broken windows theory too far and only saying it can cause bigger crimes. Some graffiti artists are trying to uplift the neighborhoods and the people they live around with creative art. Also not all graffiti is bad enough to want artists to commit a crime. While making this art or graffiti I don’t think that these artist are trying to harm the buildings in any way, but they should ask for permission if they aren’t allowed to be painting on these buildings. This is to let the owner of the building know that they mean no harm to the environment or their workplace. For example, “Adam Cooper, cultural strategy officer for the mayor of London, thinks

According to Boyd, through Graffiti is essential to understand as a form of art that crosses the boundaries of location, method, and motivation. He acknowledges that graffiti might include “racist remarks, empty slogans and illegal signatures.”(Boyd 251) Boyd’s piece is also very informative because according to the author, there are two methods for creating this form of art: murals and tagging. The most popular one is tagging because it can be found almost everywhere from fence posts to trains, street walls to buses. The main goal of graffiti writers is to put their signature tags in places to be recognized by their

You see it everywhere. You see on buses, on walls, on trains, everywhere. It has made many gawk while others just don’t see a reason to it. Graffiti has many connotations, some good and some bad. It’s the thrill that drives these crazy risk-takers to get their names known. Seeing graffiti through the eyes of an artist who only sees his masterpiece. Graffiti has been here longer then you think. Though you may see destruction of property he only see his art and freedom of expression. Being a graffiti artist is about feeling the rush of a finished masterpiece and not getting caught. Some are the quieter type but are still well-known. It has been here since the 1960s.

Most people think of graffiti as vandalism or the defacing of private property by wild teenagers with spray cans. I had never really thought about graffiti or art for that matter until I found myself defending something I didn’t know about because I liked what I saw on the sidewalk in Memphis, Tennessee. Now, that’s sounds crazy but I did my best to explain using simple words that I hoped they would understanding.

Many people think that adults doing graffiti influences younger kids do it. That's simply not true. A graffiti artist by the name of 'Banksy', who is an unidentified artist in England, says "Imagine a city where graffiti wasn't illegal, a city where everybody could draw whatever they liked. Where every street was awash with a million colors and little phrases. Where standing at a bus stop was never boring. A city that felt like a party where everyone was invited, not just the estate agents and barons of big business." Graffiti is art and art is such a wonderful thing that makes others happy. If someone wants to do something that makes them happy, then people should let them. It's no different than painting or music or even doing makeup. It makes people happy. Being happy shouldn't be

Artists that use graffiti is a way of expression to society. They express what they might be feeling inside or going through. Every art piece has a story behind it. Graffiti is like poetry.

In the 70s graffiti was just tags or small pictures but it quickly turned into and “art movement” (Eickmier). This means that the young and the old artist had finally found a way to express themselves and were spreading it around cities like wildfire. In other countries the amount of graffiti shock american tourists, it is seen as a good thing. “Instead of walls being used to separate people from each other, graffiti brings people together and keeps conversations going.” (Wark) Graffiti has value as art and it tells a story worth reading. (Wark) Most teens resort to graffiti as their last option, and most people see that as wrong, but it lets them express themselves in a really different

Graffiti can be found everywhere and anywhere. It is a way for people to express themselves and be creative in a public manner. It shows how passionate and talented they can be when it comes to drawing or tagging and have it displayed as a piece of art for everyone to see. Graffiti goes way back to the ancient times and is now very well known in the modern days which makes more and more people interested and fascinated by them. It can be used in different types of ways. Many artists can either spray paint, carve, paste, or stencil them on a surface. From how we see them today they are usually images of random cartoons, big bubbly letters, vintage black and whites or inspirational quotes. Virtually anything colorful or not and big that can be easily spotted. Graffiti is more superior to be known as art than vandalism because it is a self expressing act. People need to be open minded about the images they see and look at the message behind it or else they will immediately criticize and say it is vandalizing property.

However, street art predecessor, graffiti, is less well-liked. With its history of being rooted in gang activity and vandalism, it is not hard to see why. As pointed out by student writer Matthew Powers, “Because graffiti is vandalism at its core, it quickly became popular with New York City’s gangs, and in turn became associated with crime…” (Powers). People often see the names scrawled on trains and park benches and only see the vandalism and gang activity, not the effort behind the writing and style. Despite this, there are still those who see graffiti and street art as a new form of art to capitalize upon. In the eighties documentary Style Wars, there were already investors in canvas graffiti. It seems that there is a sort of allure to the illegal nature street art and graffiti. Still, there are people who love the commissioned murals, but refuse to acknowledge that without graffiti, what is known as the legal “urban art” wouldn’t be the same. Artist Peter Ferrari put it into words the best, saying in an interview, “‘People hate the tags, but they want the murals,’…’I think there is a misunderstanding, and people don’t realize that it is all connected and all related. You can’t have the mural without the tag’” (Imam). On the opposite side,

The origin and history of graffiti is not what one might expect. Believed to have been created by a Philadelphia high school student named Cornbread in 1967, it was a bold effort to catch the attention of a girl (De Melker). In this same time period, graffiti sprung up in New York as well. It was “one among many forms of social protest” during

Graffiti has put a major impact on the way people look at their everyday life. It was not used so much here in the United States but was used overseas. Overseas, graffiti, or street art, was used or played as a sport, just like baseball is Americas sport. There are different laws that are put over there than what there are here. They can get away with some of the things that they paint or make over there. If we tried some of that type of work over here, we would get in trouble and possibly serve time for vandalizing someone else’s property. There are many biased outlooks on graffiti, but it should be considered art in all places because of all the time, effort, and design the artist put into their work.