Graffiti Is Vandalism Research Paper

An example of an artist who’s work is only present in the urban environment is a Melbourne graffiti artist under the alias of Aeon. Examples of his artworks are “Black” (undated) and “Foes” (undated), both of which are considered “Pieces” produced with spray paint on a bricked surface. Such pieces are only available for viewing on the streets of Melbourne on back lanes and ally ways. The location of his works add to the effect and subjective nature of his works with the emphasis of art flourishing in all areas of the world and by

Graffiti portrays contemporary sub-cultured art through its versatility and bold attractiveness on the communal grounds. In the 1970s, graffiti was blatantly acknowledged as territorial graffiti where

If you walk through almost any city, the buildings, bridges, and any other available spaces are seemingly filled with colors, picture, and words that are not part of the original architecture. This graffiti, which is a mix of tags, stencils, pieces, and freestyle, seems to have almost taken over cities across the world. Some of this graffiti, such as tags, are eyesores, but some pieces, such as the High Line “Love Is the Answer” and “Kiss” murals in New York City, are sites that have become iconic pieces of artwork. Unfortunately, pieces like these are also starting to be covered to a seemingly astronomical rate, which is causing outrage among those who visited to them.

Just as Hip Hop is a form of art, so is graffiti. It allows individuals to express one’s feelings. Graffiti is one of the main pillars of Hip Hop . Graffiti is used as a way of expressing one’s feelings about what the individual is undergoing. This can be political and social issues such as racial profiling.Graffiti artists use spray paint to create symbolized images or expressions on billboards, subways and building walls. Although this is an obvious form of expression to many people, however to police, it is a form of “vandalism.” Vandalism is an action which leads to destruction or damage to public or private property. According to the Museum of The City, an exhibition written by Greg Eickmer, “Graffiti is generally viewed as

According to Boyd, through Graffiti is essential to understand as a form of art that crosses the boundaries of location, method, and motivation. He acknowledges that graffiti might include “racist remarks, empty slogans and illegal signatures.”(Boyd 251) Boyd’s piece is also very informative because according to the author, there are two methods for creating this form of art: murals and tagging. The most popular one is tagging because it can be found almost everywhere from fence posts to trains, street walls to buses. The main goal of graffiti writers is to put their signature tags in places to be recognized by their

There are many associations with graffiti writing, Hip-hop being the first. Though the emergence of graffiti can be attributed to street gangs; which, they used to mark their territories (Chronopoulos 2011, pg. 79), graffiti began to merge with hip-hop culture in the 70s (Chronopoulos 2011, pg. 82). Ultimately, this combination promoted the public domination over public spaces in New York City through the use

From the early humans who painted on cave walls to the angst-ridden teenager getting their kicks from spray painting profanities on the side of a small business, human beings seem to have an intrinsic desire to paint images on the walls that surround them. This has led to many individuals painting on walls without permission. Although the walls cannot speak, city officials and the owners of businesses can and when they do, “Graffiti” is usually one of the words used to describe the images produced. However, although often overlooked, a line does exist between graffiti and street art. Christine Graff writes “Graffiti is defined as ‘writing or drawings scribbled, scratched, or sprayed illicitly on a wall or other surface in a public

Overnight a paste up, created by Baby Guerrilla, has been placed on a wall in West Footscray. As a member of the arts committee, I contend that this piece of art shall remain, but not be sustained. It is undeniable that street art is a prominent part of Melbourne’s culture. A vital component of street art is the fact that it is impermanent. This is one of the countless factors that separates it from traditional art featured in studios, museums, and homes. Street art holds the purpose to be seen then and there, therefore its removal or sustainment would defeat this purpose.

New York City wasn’t a part of the graffiti game until the early 1970s. Some of the early notable NYC artists include “Julio 204” and “Joe 182”. Traditionally graffiti was used as a means of self-expression and oftentimes as a political message. Graffiti’s spirit of rebellion and creativity helped align it with the other elements of Hip-Hop even though it is often condemned as vandalism, anti-social and destructive.

Graffiti is an often-contested medium, and has been so since the time of the Roman Empire. Appearing most commonly in large cities, the art is frequently in conflict with the administration of those cities themselves, who seek to control their own self-image by regulating the cultural production and aesthetic practices that occur within their walls.

In this regard, graffiti is a paradigmatic case. Due to its status of borderline art, its ability to speak the language of the street, and, above all, due to its iconoclastic nature, since its first appearance on the social arena, graffiti has always represented an important channel and opportunity for the unheard voices of society to express their claims (Daniele Bolazzi 2012:1).

The origin and history of graffiti is not what one might expect. Believed to have been created by a Philadelphia high school student named Cornbread in 1967, it was a bold effort to catch the attention of a girl (De Melker). In this same time period, graffiti sprung up in New York as well. It was “one among many forms of social protest” during

Graffiti is any type of drawing, painting design and writing on a wall. The history of graffiti goes back to the late 1960’s and came from New York City in the United States. Graffiti is a multisided issue that is open for a debate because people see it differently. Some people consider it as a type of art, while others say that it is a vandalism and illegal. Currently, it has become a widely spread trend and an effective mean of communication for many youths and talents around the world. The materials used for drawing a graffiti are as simple as spray paints and markers. In consideration of this aspect, young people are taking advantage of these simple tools to express themselves and present society issues through painting walls and drawing artworks on the streets.

Apparently ,moving from prehistoric time since now , graffiti has undergone a complex process of development under impact of various factors ,like growth of civilization , advancing technologies , public shifts, and socio - political events. In fact contemporary graffiti presents a great range of types and styles , each differ in technical aspects of production from one side , and conceptual approaches from the other . Contemporary graffiti may provide a great deal of data on social climate of any specific locale

“Art is an evolutionary act. The shape of art and its role in society is constantly changing. At no point is art static. There are no rules” (Raymond Harmon). In 1966 a man named Cornbread was the first known person to ever create a piece of art called graffiti and tagging it. Later, people started tagging subways, and everyone wanted to have their own unique tag. So, they started to become creative and become different from each other. Now it has evolved over several years and become something beautiful and eye opening, something that means the world to people without saying a single word. This something is known as graffiti. An article written by Mark Halsey Alison Young, “brings to light the complex and creative aspects of graffiti