Gran Torino Nasw Code Of Ethics

Gran Torino, directed by Clint Eastwood, is a very moving and captivating drama. When the story opens we see Walt Kowalski residing on his front porch drinking beer, while simultaneously watching the world with a squint and a torrent of harsh criticism. Walt has essentially no remaining family members, as his wife had just recently passed away, and he wants nothing to do with his two successful sons. It's a story about tolerance and cultural differences, but also one of hope, and unlikely friendships.

Finally, one of the most important moral values a human being can possess is selflessness. It is when a person puts someone else’s needs before their own. In Gran Torino, one of the most heartfelt and saddest moments was when Walt sacrificed his life for Thao and the neighbourhood. He knew that if Thao went after his

In the Film, “The Gran Torino” directed by Clint Eastwood, a character that has presented his/her attitude and view of the world is Walt. Throughout the film, we can see the expression and many changes of his attitude and view of the world over time. In the beginning Walt’s attitude was a grumpy. old, intolerant man who hated everything around him. Then at the end of the film he changed his attitude into a more forgiving, calm, and peaceful person and shared his love with people around him.

For example, Kennedy the construction supervisor asks Walt when he can have “the keys” to his Gran Torino, and looks down on Thao for getting a lift. Without a car, Thao is dependent and still a boy. When Walt lends him the Gran Torino to take Youa on a date, he is giving Thao independence and the possibility of a girlfriend. Furthermore, the Gran Torino represents being a genuine American man. Walt built the car when he worked for Ford, and despises the “Jap-burners” that his son Mitch drives around in and sells. Likewise, Spider (an ‘anti-citizen’) drives a white Honda in every scene he appears in, except the last one. When Walt leaves the Gran Torino to Thao in his will, he is giving him more than a car. He is giving him a reward for work, a source of prestige, independence, and an American identity. The closing scene of the film shows Thao driving the car down an esplanade, a young man with a future, and hope.

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In the National Association for Social Workers (NASW) Code of Ethics, there are many standards a social worker should uphold in order to promote a healthy and helpful relationship with the client. One such aptitude is Cultural Competence and Social Diversity, which is in section 1.05 of the NASW code of ethics (National Association of Social Workers, 2008). There are three sections associated with this competency “Social workers should understand culture and its function in human behavior and society, recognizing the strengths in all cultures”. It is assumed that “social workers should have a knowledge base of their clients’ cultures and be able to demonstrate competence in the provision of services that are sensitive to clients”. As a

Walt Kowalski is a Korean War veteran who has just been widowed. His Michigan neighbourhood is being populated by Asian gangs. The Lor family moves in next door. He found Thao trying to steal his car during a initation by the gang members. The gang gets mad at Thao for messing up, but Walt backs up Thao and scares them off.

In addition to that, of course, there are other factors that could cause the inharmonic interactions and then the later change. For example, Walt viewed himself as a person who lost the best wife, a person who had killed a Korean boy during the wartime, a former auto worker, and many more. All theses self-concepts, meaning how you evaluate yourself (p.70), that Walt held on before everything changed might explain his irritable temper and why he had a hard time getting along with the neighbor until he discovered a new self-concept compatible with the family. The environment also plays a role in terms of why the communication

“As an initiation, Thao is asked to steal Walt’s prized 1972 Ford Gran Torino. He botches the attempt, as Walt, rather stumblingly, chases his out of his garage with his M1 rifle. Later, Thao’s sister, Sue (Ahney Her) is set upon by some stereotypically predatory young black man and Walt, brandishing a pistol, rescues her.

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That night, Walt wakes up, hearing a noise in his garage. Seeing a light inside the garage, he goes to investigate, armed with his army rifle. He walks into the garage and sees Thao inside, trying to steal the car. He holds him at gunpoint. There's a tense moment, but they both slip and fall. Thao jumps to his feet and runs.

"Gran Torino" tackles racism head on. Although the main character Walt Kowalski, played by Clint Eastwood, is prejudiced against almost everyone, the film focuses on an Asian neighborhood, uncovering racism and violence. The neighborhood has gone down hill since it has become immigrant-dominated. The house next door is now owned by a Hmong family, a widespread South-east Asian minority, and Walt does not trouble to distinguish them from the Koreans he fought in the 1950s. Throughout the film, we learn Walt had to kill many Koreans as part as his duty as a soldier during that period of time. The film takes a twist when the bitter old war veteran's life takes an unexpected turn after Thao, a shy, teenage boy who lives next door to Walt is bullied by his

In the movie, Walt teaches a boy who named Thao to drive his classic car to go to the movie. Walt is the man who let Thao know how to be a man and is the man who tell him not to live like a coward. After Thao have experienced so many things with Walt Thao knows he must be strong in the world . After the gang event， Walt dose not choose to solve those people violence must be met by violence but

Walt’s oldest son and his wife bring birthday gifts for Walt they think are thoughtful and will make Walt’s life “easier.” Entirely out of touch with Walt and his goals and values, the gifts and retirement home suggestions are rejected, as is their presence. “No one can say we didn’t try” (Eastwood, 2008), but the audience knows better. Had they been more perceptive years ago about Walt’s communication/language culture, their presence would have been the best gift

The opening of the film introduces us to WALT KOWALSKI at the funeral of his wife. The opening scene and the next (the wake) show us that Walt has no desire to belong either to his family or to his religion. Everything jars with Walt, from the young priest giving the eulogy to his granddaughters belly button ring, from the Japanese car driven by his son to his granddaughters crass selfishness. He perceives his family as selfish, materialistic and shallow. His family also reject and are intolerant of him. He also rejects the ties of belonging represented by religion though we only learn the real reason for this later. It’s quite plain he thinks