Grand Rapids Art Museum Analysis

When I came to the museum, the first thing that impressed me was the astonishing building: it was a masterpiece itself. The exterior of the Tampa Museum of Art has a light installation, and all I wanted at that moment is night to come so I could see thousands of colored lights reflected in the surface of the river that flows near the museum. What’s more, I liked the design of the museum inside as well. There were white walls and perfect lighting, and nothing would bother contemplation. In many museums I have visited before there was a lot of distractions, but in this museum everything was done on the principle of simplicity, and that was very pleasing to me. Moreover, when we came inside of the museum, it was almost empty. There were just a few visitors, who were fascinated by various drawings and statues. Most of the visitors were teenagers, what slightly surprised me. I

There is no denying that the fast-paced life so that their monotonous life and no momentum. Art adds vivid colors to our dull and monotonous daily routines. It is not required that art is something static in motion but in thought. A single painting could mean millions of different things to different people. It is the value of possibility and of perception that is so important. Tampa Museum of Art which is a good platform to show the glamor of art. On October 28, 2016, I visited the Tampa Museum of Art in downtown Tampa. Located in the heart of downtown Tampa, the museum serves as the focal point of Tampa Bay’s lively creative art district. With three main exhibits set up, the Tampa Museum of Art highlights important pieces representing different time periods. Today, I want to talk about the Classical World section. There are many characteristics of art, including the ancient cultural relics, images, and sculpture from the ancient Rome, Greece, and other Mediterranean regions. Ancient objects from these areas such as pots, jewelry, and sculptures. Many of the pots had scenes and figures painted on them, many of which were significant historical events and mythological events.

This museum is the first time Johnson started to move away from the influence of Mies and the International Style. The international style of architecture emerged in the 1920’s and 1930’s. You can see this style of architecture in photo A. Common characteristics of International Style buildings are said to be rectilinear forms, ligh taut plane surfaces that have been completely stripped of applied ornamentation and decoration, and open interior spaces. The typical materials of this style are glass and steel usually combined with less visible reinforced concrete. In picture number four you can see Munson Williams Proctor museum has opaque stone-clad walls, and uses luxuriant materials such as granite and statuary bronze, and a very balanced and symmetrical design. These aspects were all part of Johnson’s growing new interest in neo classical typologies, or what would be known as New Formalism in modern architecture. Neo formalism emerged in the 1950s and really took off in the 1960s, it remained popular in the third quarter of the twentieth

when I first entered the museum, it felt very dark and it smelled of wood. It gave me the feeling of being at the house when it was up and running. What I noticed about the way the paintings were displayed was that in each hallway, one painting in every room would appear right in front of you, which also portrays the value of each of those paintings because

The main building of the Art Institute is constructed mostly of masonry, with few windows, and feels very heavy and overpowering. Grand staircases and large columns dwarf visitors as they move through the galleries. This is similar to the way the art in the space makes you feel: small, unimportant, and sometimes even afraid. The Modern wing in constructed of steel and glass, and is very open and bright (except when intended not to be). The large north wall facing Millenium Park is one large expanse of windows, letting in plenty of indirect sunlight, and opening the gallery to the park. The space feels very light, in both senses of the word. As with the old building, the art feels similar to the space in that it is more open and less opressive.

“The museum has changed people’s perception of museums, about the connections between art, architecture, and collecting.” (Freshome). Admiring the Architect, Frank O. Gehry, and how he would not just design, but how he would blend previous designs with his own and create a building made his work unforgettable.

When I attend the Oklahoma Art Museum this morning, I was completely blown away by the different styles, technique, and artistic abilities that artist have. Art can come in many forms and can involve many different things. From paintings, sculptures, and abstract pieces of the modern world. Along with my visit, I got to experience a new collection of blown glass that was absolute remarkable. As I walked though the museum, it was as I walked though time and got to see how each period’s art changed throughout time. From the different shades of color to the different types of technique that filled the halls of the Oklahoma City Art Museum, each piece was genuine in its own way. I was starstruck as I witnessed Lowell Nesbitt’s Parrot Tulip, Richard Diebenkorn’s Albuquerque, and Dale Chihuly’s blown glass.

The Museum of Fine Art in Houston (MFAH) is the oldest art museum in the state of Texas. The very first museum building opened to the public in 1924, known as The Caroline Wiess Building, which was designed by William Ward Watkin. The building itself represents the neoclassical style that was prominent in the eighteenth and nineteenth centuries. The formation of the building represented the determination of Houstonians to transform their growing city into a rich, cultural center. It’s function is to bring art into the everyday life of the citizens of Houston. These elements are instilled in the architectural design of the building. The setting, space, location, and lighting of the building all play a role in its overall function.

The St. Petersburg Museum of Fine Arts stands out from its surrounding with is dimensions alone, being only two-stories it is dramatically shorter than any other building and its width covering near a city block makes it wider than any other building in the vicinity. The exterior of the museum constructed in a similar design to that of Greek

The Grand Rapids Public Museum is a wonderful museum full of exhibits that both the young and the old can enjoy. There are not very many paintings hung throughout the public corridors. This was a little dissatisfying for someone who not only is looking to write a paper about a visual piece of art, but also for someone who enjoys looking deep into the paintings story. Luckily, I had already

The Museum of Fine Arts is one of the largest museums in the United States. Walking throughout the museum one will see more than six thousand years of history and about sixty four thousand works from six continents. Houston has one of the largest and most diverse art collection in the Southwestern United States. The main reason behind my museum choice is my love and fascination towards all the different art pieces from around the world.

With exhibitions of the most thought-provoking art, The Museum of Contemporary Art in Chicago is one of the Nation’s largest facilities devoted to the art of our time (“About the MCA”) . The mission of the MCA is to offer a direct experience to the public of modern day art and living artists. German architect Joseph Paul Kleihues designed the new building with seven times the square feet of its previous facility (“The Building”) . October of 1967 the museum opened its doors to the public for the first time. The Museum of Contemporary Art is a symbol of modern art, culture, and the artist of our time. It is a stepping stone in history and will leave footprints in the heart of Chicago for many generations to come.

The Bauhaus has a facade of windows that represent the transparency of the design, the modern aspects of the open design, and indicate the honesty of the building and its materials (Sveiven). The building rejects superfluous aesthetic designs that cloak the building with ambiguity. The result is a very straightforward and honest presentation. The plan of the Bauhaus resembles a pinwheel-like configuration, three L-geometries connected at the center by the void with the spanning bridge.

Barr submitted the concept of what was to become of the museum. It had to be organized as a multi-departmental structure each devoted for Architecture and Design, Photography, Film and Video, and they should stand side by side with traditional arts such as Painting and Sculpture. Architect Philip Johnson built on this idea. The multi-departmental structure seemed to best fit with the burgeoning International Style, a modernist architectural movement from which Philip Johnson belonged. In this architecture, buildings are designed with simple geometric lines and clean, precise surfaces and with minimum decoration. Walls are made almost entirely of glass, known as curtain walls—a signature Johnson was known for—that are used to give the building a light and airy appearance.

I am only going to talk about the outside of Frank Geary's museum because I have never been there, and I have only seen pictures on the internet. This building is surprisingly attractive because the other building that we saw in class of his, his house in Santa Monica, had a great deal of "ugliness," to use an official term. His house in Santa Monica was supposed to look unfinished, with an emphasis on the materials used in construction. This building, however, looks as if it has been wrapped in silver. It looks very futuristic, and angular, so it could be functional as a museum as a museum because people will know it holds modern art. I like the way that it catches reflections, almost mirroring the surrounding buildings.