Grant Wood’s "American Gothic" Essay

Then there are also many psychological lines to be seen in the work. One such line is of the woman and the floor, where she is staring down towards it. Another is from the young child and the store clerk, showing a defiance between the two. Next, light and value are not very contrasting in this painting, with only the basic highlights and the shadows seen. It isn’t completely contrasting or contradicting since the colors blend well together with close to the same value ranges, dark colors seen throughout except for the people’s pale faces. There also seems to be a variety of light sources since the woman’s face along with the shop clerk and the young boy’s is lit up by what seems to be a light bulb since they’re much brighter and highlighted and then the men and women in the back aren’t really as bright, except for the ones who close to the open door, creating a blue tinge from the outside light. The shapes shown through the painting is shown to be either very round or very geometrical. There are organic shapes in things such as the umbrella or even the back of the chair, but mostly it is either straight lines and geometrical shapes. The volume shown in the painting is very much implied, correctly showing the

Texture and pattern are very easy to identify in this painting. The street’s cobblestones show texture and pattern in the way that they are arranged. Texture is also demonstrated through the paint strokes on the buildings, the tree, and even the sky. These thick, uneven strokes add a layer of depth and texture to all elements of the painting.

The lines within the composition draws the viewer into several directions. The ruffles draw the eyes upward to the Daniel’s finger as it points to the right. Daniel’s finger directs the viewer horizontally as it does the king. The table with its array of dishes is another example of a horizontal line. The king’s hands are holding a fork and knife. The fork is also pointing right where as the knife is pointing left diagonally towards the king. The courtesan, leaning against the king’s right shoulder, is another example of a diagonal line. The painting also has a vertical feel to it. This is evident in the composition of Daniel standing, the candle and the arm holding the cigar. Like every line, every color used draw attention to the object.

In normal life, people will sometimes suffer from depression or sickness caused by the loss of a loved one in a romantic or family relationship. This has been a part of life for hundreds of years and it is a way that authors like Edgar Allan Poe, William Faulkner and Horacio Quiroga connect with people all throughout the world. Using exaggerated scenarios, these authors communicate how much of an impact isolation or abandonment can have on a person physically or mentally decaying.

The first thing one should notice is the emphasis on titular house. It completely stands out from the rest of the painting, not because

There is also a mirror placed on the table allowing the viewers to link with space beyond the frame. Also in the far back right of the painting you can see a young man talking to an elderly. The artist created an very old or old-fashioned look by using opposing colors, red and green. “The second half of the fifteenth century in northern Europe saw an expansion of genre

The medium used for this work of art is oil. In this technique the oil acts as a binder and causes a quick drying layer that can built upon. The formal elements of a painting include line, color, space, light, texture and pattern. The line appears to be an implied line in which the work creates directional movements from top to bottom. But also forces the viewer to see how the figures stand out and there importance in the painting. The color shows a subtle spectrum with a detailed background from the skies to the mountains to the artist table canvas. The light is somewhat even throughout the painting showing emphasis on every figure holding something in their hands; and more so the final product of the artist that are being captured on the canvas. The visual texture of the painting appears to be smooth and the pattern is decorative and somewhat vibrant. The principle of unity and variety are evident in this painting, the design itself shows a sense of community of important figures throughout African American history. I was drawn to this piece because it embodied the heritage of African American art through history. This painting by Hale Woodruff displays many of the significant contributions that African Americans made to the world of Art. Not necessarily “picture art” but all realms of life art: cooking, liberal arts, politics, labor, law and many more through his vibrant

The painting American Gothic by Grant Wood is a painting with many meanings. Each artifact in the in the painting has a large meaning. Grant Wood artwork is a painting of his sister and his dentist Dr. B. H. Mckeeby. The house in the painting is the main influence of the painting. Wood had intended to do a portrait of the Midwestern “types but instead he saw the house which inspired the painting Wood called American Gothic.

The horizontal line in the middle of the painting give the art piece the trick of depth. Also, the horizontal line infers to relax, rest, sleep, and calm, thus tie the theme of the painting together. Repetition of the small lines and the wavy look on the sand by the base of the mill lead to the impression of sinking whole. Long vertical lines a long both side of the painting were also present, it depicted the illusion of moving away or leaving behind the main object which is the farm. many other lines were presented it on the sand and wood all gives the delusion of movements. Natural light was present gave the painting the feeling of warmth and shades of some of the features in the painting. The overall presentation of this painting is asymmetrical balance, but in my opinion the Hogue tried to balance the overall appearance of the painting. For instance, items that were painting in one side, were also balance by different object on the other side. Looking even further in the balancing of the painting, the shadow of the mills on the sand were balance by the skinny cow on the other side.

The ingenuity of the composition is that it used a lot of tricks in the layout of the elements, meanwhile being rendered very simply and concisely. The artist realized that the eye does not settle naturally on the center of a painting and that

In nutshell, this painting is altogether amazing and beautiful. I remember staring at it for a couple minutes trying to

Grant Wood was born and raised on a small farm in Anamosa, Iowa in the 1891s. Wood ‘s work was of regionalism because it reflected the time period and place in which the artist lived when he was younger. Some of Grant Wood’s other creation consist of “Appraisal and Victorian Survival”, “Woman with Plants, among other”, “Fall

Everything in the painting is smoothed surface. The painter did not use texture in the paint but only in very few areas like in the oil of the candle. The tones in this painting are warm. There are a lot of browns and ambers. A few cool colors were used to define the shadows of the shapes with blue. The attention getter is the candle light. It’s almost hard to ignore because it is so bright. The second brightest thing in the painting is the woman’s shirt, but even that is not as bright because of all the shadows and creases in it. Another reason why

Edgar Allan Poe was born in Boston, Massachusetts on January 19, 1809. His parents were actors. After he was born, his father abandoned him and his mother died before he was three. This left Edgar Allan Poe a foster child. Poe 's father was an alcoholic and an insovent actor. Thus, Poe had a miserable life, starting with his childhood, he lost his parents since he was a little child, and I would say that affected his mind; he became focused on death, because of the effect of all those lost that he had, and his obsession with death and loss can be seen in most of his writing, we can see that most of his writing there are patters and

This painting is divided into three equal parts by the arches in the background and the characters correspond to each of these arches (TV12). The father is in the middle portion of the painting. The lines of perspective created by the tiled floor, draws our attention to the swords that the father is holding and the vanishing point lies just behind the handles of the sword. Our angle of vision is such that we are looking directly at the main figures groups, particularly the father. A single light source from the left of the picture illuminates the characters and also focuses our attention to the father holding the sword. This creates a ‘theatrical’ effect. The background is simple and stark so our attention is focussed on the figure groups in the painting. The painting has a wide tonal range that makes the composition logical and balanced. The colours used in this