Great Expectations : Character Analysis

The first character to play a big part in shaping Pip’s personality is his sister, Mrs. Joe Gargery. His sister’s vicious attitude and harsh punishments force Pip to have an unfriendly childhood. This bringing up “by hand” has caused him to be a “sensitive” boy. The constant threat of being beaten with the Tickler has also instilled the fear of speaking out against adult’s treatment of him because it would send his sister into a “terrible Rage.” However, her brutality has also made Pip able to feel when something was a “keen injustice” because he himself feels so about her actions and words towards himself.

3. Why has Joe not learned to read as a child? What makes him marry Pip’s sister?

Home in today’s society can be described in many ways, but is ultimately expressed as more of a feeling of safety and love. Sonsyrea Tate claims "You can leave home all you want, but home will never leave you." In essence, the feeling of home is a part of the character and who he/she will become. In Charles Dickens' Great Expectations, Pip examines the true meaning of home and how the subjective opinion of home can reflect who a person becomes. He illustrates this idea using recurring appearances of home-like symbols, the way Pip’s definition of home changes throughout the novel, and how he shows Pip’s acquired feelings after moving into higher society.

   No novel boasts more varied and unique character relationships than Great Expectations by Charles Dickens. This essay will serve to analyze three different relationships, paying special attention to the qualities that each uphold. Dickens created three types of character relationships: true friends, betrayed friends, and loving relatives.

Pip does not tell Joe because he fears he will lose his companionship. In the future, Pip will struggle with telling the truth because of the fear that society will think less of him. Later that same day, the police are engaged in a search party to find the criminal. Joe and Pip accompany them; although, they do not believe that he must be apprehended. Once Magwitch is taken into custody, Joe and Pip both shed a tear. Pip's life at the forge is difficult due to Mrs. Joe's harsh nature, but he is also surrounded by the goodness and love of Joe. He has been taught that humans of all societal levels are important.

Although it seemed Pip was the only one being afflicted by cruelty, he wasn't. On the contrary he had gave some of it in return to Joe, a person who didn't deserve to be treated in that manner, especially after always being there for Pip. Pip developed a new type of egotism resulting form the frequent visits to Ms. Havisham's residence. He felt that he was now higher in social class and had stated that "he was much grater than Joe" ironically. this false accusation bothered Joe and caused him to behave differently with Pip by calling

The entire story is told through the eyes of an adult Pip, even though Pip is a small child during parts of it. In his early years, Pip was strongly influenced by his guardians, Joe Gargery and his wife, Mrs. Joe. Joe instills a sense of honesty, industry, and friendliness in Pip, while Mrs. Joe does a great deal to contribute to his desires and ambitions through her constant emphasis on pomp and property. Pip is generally good-natured and thoughtful, and very imaginative. His false values, which are bolstered by his love of Estella, decrease the amount of respect that he has for Joe. His alienation from Joe and Joe's values builds through the second part of the novel, as Pip becomes selfish, greedy, and foolish. During the period when his expectations are intact, his only morally positive act was to secretly help Herbert Pocket into a good position. Upon discovering that Magwitch is his benefactor, a new phase begins in Pip's moral evolution. At first, Pip no longer feels the same human compassion for Magwitch that he did the first time he saw him out on the marshes. Gradually, Pip changes his perception of Magwitch, unlearning what he has learned. Pip becomes concerned with the man, and not the expectations that he could provide. When Jaggers presents the thought that there may be a way for Pip to get his hands on Magwitch's property, the idea sounds hollow and utterly empty to Pip. Pip learns about Estella's parentage through

The relationship between Pip and Mrs.Joe Gargery is not like a typical brother-sister bond. Mrs.Joe is very hateful towards Pip, she doesn’t appreciate him, Pip is a burden to her; an extra mouth to feed. On page 9, “If it warn’t for me you’d have been to the churchyard long ago and stayed there.” Mrs.Joe continues to say “I’d never do it again! I know that I’ve never had this apron of mine off since you were born. It’s bad enough to be a blacksmith’s wife without being your mother too.” Mrs. Joe makes very snide comments to Pip, such as on page 25, “ If you bring the boy back with his head blown to his bits by a musket, don’t expect me to put it together again.” Pip is scared of Mrs.Joe because of her “hard and heavy hand.” On page 8, Joe tells Pip about how Mrs.Joe went out with her tickler, “Tickler was a stick, worn smooth from hitting my tickled body.” Mrs.Joe was very brutal towards Pip and using the tickler frightened him. Mrs. Joe makes very snide comments to Pip, such as on page 25, “ If you bring the boy back with his head blown to his bits by a musket, don’t expect me to put it together again.

They both felt the wrath of Mrs. Joe; she frequently “knocked his (Joe) head…against the wall” or the Tickler for Pip. Knowledgeable critics have referred to Pip’s experience as that of a "Dickensian childhood - stripped of his rights, found guilty of being himself, and rendered invisible by all those around.

4). Even though he aids the convict, the reader's sympathy for Pip soon increases, as his robbery of his own home weighs greatly on his conscience. For example, when Mrs. Joe leaves the Sunday dinner to retrieve the "savoury pork pie," which Magwitch had enjoyed heartily, Pip is tortured by the thought of his actions, while his mind screams, "Must they! Let them not hope to taste it!" (p. 27). He seems to sincerely regret his actions and the fact that he "had been too cowardly to avoid doing what I knew to be wrong" (p. 40). Approximately one year after his encounter with the convict, Pip is still shown to be an innocent, caring boy. One night, when Pip and Joe are alone at the forge, Joe explains his various reasons for enduring Mrs. Joe's constant abuse. After their conversation, Pip realizes that he cares deeply for Joe and appreciates everything that the blacksmith does for him. Also, he develops "a new admiration of Joe from that night" and "a new sensation of feeling conscious that I was looking up to Joe in my heart" (p. 48). Unfortunately, as Pip develops unrealistic hopes and expectations for his life, these positive characteristics are replaced by undesirable ones.

The theme of family is shown mainly through Pip’s relationship with his brother-in-law, Joe Gargery. In the beginning of the novel, Pip makes it obvious that he dislikes his sister, and takes more of a liking to her husband Joe because Pip is able to sympathize with him (Dickens 40). Joe becomes his confidant, a fact that becomes apparent when Pip comes home to face a harsh interrogation by Mrs. Joe and Uncle Pumblechook after his first visit to Miss Havisham’s. Pip lies to the both of them about his experience, but feels guilty about doing the same to Joe and confesses his wrongdoing. Joe shows understanding towards Pip, and instead of sternly rebuking him for lying, he simply but seriously Pip about the dangers of lying, saying “if you can’t get to be oncommon (uncommon) through going straight, you’ll never get to do it through going crooked” (Dickens 100). While Pip’s relationship with Joe is being tested by his desire to gain a higher social standing, Pip shows significant guilt over his mistreatment of Joe ( Dickens 296), proving that deep down, Pip never loses his deep love for Joe. It can be safely assumed that the point that Dickens wants to make through Pip and Joe’s relationship is that family is not necessarily determined by biological connections, but by who a person is closest to and feels most comfortable sharing their life with through the best and worst times.

“I wanted to make Joe less ignorant and common, that he might be worthier of my society and less open to Estella’s reproach” (111). This quote shows how Pip’s need for Estella’s approval and affection outweighs his love for the man that raised him. The reader begins to understand from Pip’s statements that Pip has a skewed perception of which people are good to him and which are bad to him. Joe never hurts Pip in any way and Estella thrives on Pip’s pain. Yet, Pip chooses Estella over Joe. He does the same concerning Biddy. “Biddy was never insulting, or capricious, or Biddy to-day and somebody else to-morrow; she would have derived only pain, and no pleasure, from giving me pain; she would far rather have wounded her own breast than mine” (130). Even though Pip knows this about Biddy, he still yells at her, saying how envious she is of his fortune and rise in status (148). Biddy allows Pip to yell at her and even tells him that she will not let his hurtful words affect her view of him. Biddy really cares for Pip. Being away from Joe and Biddy just helped Pip forget about them more easily. The only time that the two of them even crossed his mind is when they would contact him. When Biddy writes a letter to Pip saying that Joe will be in town, she even reinforces how much she is sure that the gentleman Pip is not too prestigious for an old friend. Pip’s reaction says something else though. “Not with pleasure, though I was bound to him by so many

and this is shown in the house they live in and the clothes they wear.

The literary criticism “Patterns of Communication in Great Expectations” is an effective literary criticism, it proves there is evidently more communication between characters in the novel than most critics let onto. Ruth M. Vande Kieft, who is the author of this piece, suggests that the majority of the characters in Dickens novels have a substantial amount of communication among themselves. But, the dialogue in the novel depicted is not what we typically observe in the majority Victorian novels. Vande Kieft uses evidence in her writing from Dorothy Van Ghent, who suggests there is little interaction and the majority of the main characters attempts fail when they do try and communicate amongst each other. This article is effective in showing examples of certain patterns between the many characters in the novel. The article was also effective because it showed a different way of looking at communication in the way writers aim for when writing stories. This literary criticism was an interesting because it made me think about other novels that I have read and how Vande Kieft would have depicted them. In Great Expectations, we saw a different pattern in how characters communicate. Most family communication patterns are usually easy to follow. Although this novel was easy to read, I understand where critics state the contrary. I valued this work because of the examples stated throughout, and I will analyze some of the examples stated in my paper.

Question 4.) Although literary critics have tended to praise the unique and litereray characterization many authors have employed the sterotype characters successfully. Select a novel or play and analyze how a conventional or stereotype character function to achieve the authors purposes.