Great Forest Chapter 3

The Wild Trees is a book by Richard Preston about a small group of botanists that are curious about what the canopy of the redwood holds. The redwood tree comes from the sequoia family and is the largest single organism in the world. A group of people that include Michael Taylor, Steve Sillett, and Marie Antoine. Michael Taylor came from a wealthy family. His father did not want Michael to grow up spoiled. He tried to raise him as a middle class child who did not get whatever he wanted. Eventually when Michael went to college he did not pass his classes and decided to change his major. Michaels father was not very happy about this and gave him one last chance. Eventually when the time came again, Michael did not complete his classes for the

She became accustomed to the perception of a desert being portrayed as dull and lifeless (Being raised in Kentucky) until this trip. Throughout this scene, she expresses her fascination for nature, and uses a tone of awe and allurement while describing the attributes about the land with metaphors. This narration occurred following the first rainfall, when Mattie and Taylor decided to go to the desert. This passage which is distinctive of Kingsolver’s portrayal of the natural landscape shows her sudden awareness diverse atmospheres. By linking to the scenery to “the palm of a human hand”, the author uses the literary device of personification with the mountains and the town. Her phrase “resting in its cradle of mountains” associates the basin to a child, and the phrases “city like a palm”and“life lines and heart lines hints a grown-up. The terrain exemplifies a life from the beginning to end. Taylor describes the land my linking each attribute with lots of metaphors, which then confirms that the tone is “wonder and allurement” because it demonstrates that she is emotionally connected to the

Eaton presents both settings as hostile and daunting. The desert is depicted as being a dangerous prison from which escape is impossible as described as “Dry, thorny bushes formed a natural, almost impenetrable wall of spinifex.” (Pg.145) and Port Barren as described as “A hot, dusty, dry hole with flies.” (Pg.17) by Jamie. The reader is positioned to sympathize with Jamie’s predicament of being stuck in this unfriendly environment. Jamie’s relationship with the setting by the end as he is accepted by the locals and earns a sense of belonging. As a short extract from the story represents: “I meant to ask you, what do you reckon I am? Neither mate. You’re local.” (Pg.

When Stephen visits Sachi’s garden for the first time, he finds that “There were no trees, flowers, or water, only a landscape made of sand, stones, rocks, and some pale green moss . . . Sachi had created mountains from arranged rocks, surrounded by gravel and elongated stones flowing down like a rocky stream leading to a lake or the sea” (40). Unlike Matsu’s very green and tree-filled garden, Sachi’s garden is very dry, and simplistic, yet has a peculiarly admirable feeling when one is able to see the subtle details. Although it is very different from a typical garden, its components harmonize to create a new and beautiful pattern. At first, Stephen is overwhelmed by the unfamiliar concept of a dry landscape, but after taking it in, he says it is beautiful. This garden is has a fresh taste to it, leaving Stephen to decide the effect it has on him, whether it be positive or negative. When creating the garden, Sachi insisted that it should not have flowers. However, eventually, “between two large rocks grew a neat cluster of blooming flowers, startlingly beautiful, a splash of blue-purple . . . thriving among the muted, gray stones.” The way that the bright colors contrast against the dull gray shows that something unfamiliar and novel can appear beautiful in its own way. Since Sachi’s garden is filled with pebbles and stones, the dainty flowers stand out comely, and to

, both of these questions set up the argument and make the reader immediately question what is wrong with the desert? The author repeats the word “Why” throughout the piece to assist him in making the audience think hard about the desert. Another use of repetition is shown in paragraph one on weed, “ragweed, tumble weed, jimson weed, snake weed” by repeating the word weed, Abbey puts a stress on the commonly recognized nuisance of weeds. The author

Chapter 10 Grass: Thirteen Ways of Looking at a Pasture. This chapter would turn out to be my favorite chapter of all. I never would have thought I would be so interested in learning about grass. Me, the person who couldn’t stay awake in her Agriculture class to save her life but Pollan exceeded my expectations when helping me visualize what he described. I especially loved how he

Before reading the third chapter of “The Forest and the Trees”, I remember learning in the second chapter about symbolism, ideology and the construction of life in different cultures and societies around the world. For example, something interesting I remember learning was how every social system has a culture, consisting primarily of symbols (including words), ideas and practices. I believe this also connects and refers to how we tend to build our own sense of reality through the words and ideas that we use to mean something and people may use to name interpret what they experience and how cultures consist of symbols of ideas or words being portrayed. Based on what I read in the second chapter and the title of the third chapter, “The Structures

“The gentle green hills which on either hand enclosed the village, tufted here and there with magnificent trees, the village itself, straggling and wide, each cottage being far apart from its neighbors and each ornamented with flower beds and shrubberies; these with a lovely stream which would through the valley, formed, as far as my memory may be trusted, one of the most exquisite panoramas, on which it has ever been my good fortune to

“The landscape, the whole great circle of it, grassheads, scrub, water, sky, quite took his breath away.” (Pg 17)

By this time there had been four generations of farmers who had worked the land, but they did not realize they needed to keep some of the natural prairie grasses because that was what held the dirt down and kept it from blowing away. All the loose topsoil was exposed and at the mercy of the winds.

Spirit of the Rainforest is a book written by Mark Andrew Ritchie about the Yanomamö people of the Amazon. However, the story is told from the perspective of “Jungleman” a shaman of the people. Jungleman is a powerful shaman who knows the realities of both the spirit world and the physical world. His narrative helps the reader understand how important the spirit world is for the Yanomamö people. Through his storytelling, he highlights the role of shamans in the culture, customs of his people, and how those customs were affected when the nabas came.

He describes it in such detail because he wants to describe the setting in a way that appeals to the reader. Opinions may vary, but when I read the first page I automatically thought of a place abundant in greenery and animals. Maybe even a forest with a running river. But then later on in the book he describes the setting in a very opposite manner.

As I recall, the author doesn 't describe anything about the disaster or tell us why the earth is in that dreadful condition. However, this opens a mystery and fear to the unknown to the reader because

In Allen Johnson’s “The Forest, The Trees, and The One Thing”, he expresses that in order to understand sociology we need to be able to understand the relationship between biography and history. To explain this, Johnson uses five rules to sociology called the sociological imagination. These rules explain how an individual relates to social systems.

Yet were being held down, giving a silent rhapsody of joy and grieving. Along the way fallen timber accompanied thickets of weeds. A lazy mist hazed my vision, making the horizon seem like one from a story book. The area was imperturbable, as if it was keeping a secret hidden deep within itself.