Greater Of Two Evils By Edgar Allan Poe

During the late 18th century and the beginning of the 19th century, a new movement in both literature and art swept the nation: Romanticism. This period set a heavy emphasis on emotion and individualism, and while many artists and authors explored the beautiful and fantastical side of the human mind, many more explored the darker, horror-filled side. Two authors especially famous for these kinds of stories were Nathaniel Hawthorne and Edgar Allan Poe. In Nathaniel Hawthorne’s short story “Young Goodman Brown” (“YGB”), Goodman Brown traverses into the forest to meet with the devil and discovers many haunting things about the people in his town. In Edgar Allan Poe’s short story “Masque of the Red Death” (“Masque”), Prince Prospero, the ruling monarch of a country besieged by death, refuses to accept his mortality. Goodman Brown takes pride in his and his town members’ spiritual goodness and refuses to accept the idea that he or anyone else could commit sins, but is psychologically destroyed when he discovers the true nature of the people around him. Prince Prospero similarly takes pride in his wealth and fortune and will not accept his death, but the disease he was trying to avoid arrives and takes his life. Through their initial rejections, the two characters cause the destruction of a critical part of themselves, whether it be their faith in humanity or their physical body. Hawthorne and Poe both establish how pride causes an unwillingness to accept one’s fate, and how the

In both “Masque of the Red Death” and “Annabel Lee” by Edgar Allan Poe, the author uses specific elements to express meaning and to develop a theme. He is portraying the idea that neither love nor death has a limit, no matter what we want to imagine. We have no control of either, especially death. In “The Masque of The Red Death” Poe makes the inference that death is inevitable or inescapable. In “Annabel Lee” he uses the power of two character’s love to show that death is not preventable no matter what you do. Also, he shows that love never vanishes even after death. In both selections, Poe uses rhetorical devices such as parallelism, symbolism, and imagery to draw the reader into the story.

Edgar Allen Poe's “The Masque of the Red Death” is an extravagant allegory of the futility of trying to escape death. In the story, a prince named Prospero tries to avoid the Red Death through isolation and seclusion. He hides behind the impenetrable walls of his castle and turns his back on the rest of the world. But no walls can stop death because it is unavoidable and inevitable. Through the use of character, setting, point of view, and symbol, Poe reveals the theme that no one, regardless of status, wealth or power can stay the passing of time and the inevitable conclusion of life itself, death.

Isolation is a main component in Poe’s writings. In “The Masque of the Red Death,” the Prince Prospero isolates everybody

Edgar Allan Poe is a famous well known writer known for his dark and gothic horror stories such as “The Tell-Tale Heart” and many others. The well-known author had a rough life which dealt with a lot of death, so most of his stories revolve around this idea. In “The Cask of Amontillado” and “The Masque of the Red Death” Poe uses similar themes or darkness to convey tone and conflict throughout the story. His writing style is dark and revolves around one main concept: death. Edgar Allan Poe uses diction and syntax, setting and conflict, and characterization in his writing style to develop his stories.

In a classic Edgar Allen Poe story, Prince Prospero locks himself and other upper class away from the outside world where the red death is running rampid. While some may view this decision as Prince Prospero being fearful of death, there is a strong argument for this action being his attempt at controlling death. Even though Prince Prospero dies at the end of the story along with everyone else, his actions demonstrated his attempt at control. In “The Masque of the Red Death” by Edgar Allen Poe, Prince Prospero is not afraid of death, on the contrary, his is trying to conquer mortality. Understanding this story from the author’s perspective and considering multiple opinions will lend clarity to this theory.

In the genre of gothic literature, two American authors, Edgar Allan Poe and William Faulkner are best known for their stories. And both authors excel at creating gothic settings to draw attention to problems in life. Even though Poe and Faulkner lived years apart, their skill in creating stories filled with symbolism is clear. In “The Masque of the Red Death” by Poe, and “A Rose for Emily” by Faulkner, the similarities in their writing are plain using death in both plots. Poe's tale, “The Masque of the Red Death”, has many symbols for life and death.

When it comes to reading literature the most challenging yet important task is to understand the purpose of the author's writing. In Romantic era literature understanding the emotions and thoughts that are created in the reader's mind are essential to gaining a clear message that the writer is trying to send. In Edgar Allen Poe’s short story “The Masque of the Red Death” the narrator immediately introduces the “Red Death”; a disease that has been spreading throughout Prince Prospero’s country; killing his people within half an hour of contracting the disease. Throughout the story the author continuously uses diction and syntax to create suspense and evoke a grim tone to the reader. In the “Masque of The Red Death” Poe produces fearful imagery in the reader's mind through creating a supernatural presence in the setting.

Death is an important theme in Edgar Allan Poe’s short stories, “The Pit and the Pendulum” and “The Masque of the Red Death”.

Prince Prospero does not care for the outside world and leaves them to die at the plague’s hands. Poe details Prince Prospero’s response to the plague with, “When his dominions were half-depopulated, he summoned to his presence a thousand hale and light-hearted friends from among the knights and dames of his court, and with these retired to the deep seclusion of one of his castellated abbeys.” (Poe) Prince Prospero makes no effort to aid his people, instead, isolating himself and his friends to seek protection from the disease. Isolation plays a powerful role here in providing a means of protection that ultimately proves false when the Red Death itself comes into the abbey and all succumb to it. Isolation also serves to prove the failings of self-importance in that no one is above one another. In attempting to shield only themselves, those in the court exhibited a selfish importance that isolation fails to corroborate. Even isolating themselves, Prince Prospero and his courtiers fall victim to the Red Death the same as the rest of the world. As a theme in “The Masque of the Red Death”, isolation does not equate protection and to seek it with a self-important worldview is to bring destruction to yourself. In seeking isolated protection, Prince Prospero is thus exposed in his cowardice and is proven as equal to those dying outside the walls, for he falls victim to the Red Death as well.

Edgar Allan Poe was a writer who believed every single word contained meaning and in his own words expressed this idea in brevity only he is capable, "…there should be no word written, of which tendency, direct or indirect, is not to the one pre-established design." (Poe 244). To this effect, Poe drenches his works in symbolism and allegory. Especially in shorter works, Poe assigns meaning to the smallest object, explicitly deriving exurbanite significance within concise descriptions. "The Masque of the Red Death" tells the story of a Prince Prospero who along with his one thousand friends sought a haven from the plague that was ravishing their country. They lived together in the prince's luxurious abbey with all the amenities and

the Red Death shows the futile attempts by a prince and his guests of a party,

The beginning of the short story Edgar Allan Poe uses a metaphor catalog of macabre details usually Gothic fiction (Osipova 25). Edgar Allan Poe comes out with very strong details to how the red death kills the people from the start he has a gruesome tone to the story. This is shown at the beginning to help the tone progress as the story goes on. All the macabre detailing throughout the story helped convey how unpleasant and terrifying the red death is and why Prospero desire to conceal from it. When he decides to take people with him to the palace he thinks that he will be safe however since the red death is all the peoples guilt and fears it goes after them because Prospero fears it the most. “Poe’s use of ambiguity here is masterful; the physical reactions he describes could very well be consistent with terror, distaste, and rage, but they could just as likely be symptomatic of the disease”.(Bennett 46). Poe select to make The Mask Of The Red Death a very terrorizing story conveying that you can't hide from fear because sooner or later it will get you. The way the people feel whenever they get the disease is very crucial to the story because they are being taken over by their guilt. All of the terror that people feel could just be some sign of the disease which is the red death. The narrator plays an important role in The Mask of The Red Death because it is 3rd person which whose everyone's feelings. In the end scene where the Red Death is actually shown as the Grim Reaper is three things omniscient narrator, supernatural being, and the dreaded plague itself (Guercio 76). Edgar Allan Poe changes the point of view throughout the story to give it a different effect and angle to how the tone is set. At the part when the red death uses third person omniscient it shows the people reading the book how important it is. He uses that type of view to show that he is over everyone else. The narrator is the only one that uses third person and the fact that the red death uses it tells everyone that is has a higher value that how they have portrayed him the entire story. It shows its real self in other words takes off his mask to reveal his true power over people.

Sadness, guilt, and fear are some of the most negative emotions that humanity can experience, however they are also the strongest. Edgar Allan Poe, a nineteenth century author and poet, is known primarily for his use of these emotions, as well as the results that may come from these emotions, such as substance abuse, depression, and death. However, the ability to write such elegant, sophisticated works that delve into the very dark recesses of the human mind reflects greatly upon the author himself. Repetitive themes found both in Poe’s stories and in his life deliver insight on the inspiration for this author’s stories. Poe uses themes of death, illness, and depression in order to reflect his own experiences within his writing.

The works of Edgar Allan Poe and Sylvia Plath convey feelings of sorrow, in attempt to release their emotions and show the reader their true mental struggles. Although these writers were alive at extremely different time periods, they shared characteristics in the way they wrote and the messages emanate in their poems and other writings. However, their works vary from each other as Sylvia often focuses on her depression through pathetic fallacy and nature while Poe focuses on the evil within and the acceptance of death of the people closest to him. Edgar Allan Poe and Sylvia Plath similarly dealt with various obstacles in which they wrote about, but the way in which they expressed these issues in their works of literature differed immensely.