Act. 1: Jerusalem
In Jerusalem in the Salomon`s temple, the Hebrews were praying to God for protection from the Babylonians, who are ready to attack the temple, led by their cruel king, Nabucco. The presence of a vital hostage, Fenena, Nabucco`s daugther, may yet secure peace. Leaving her in the care of the Hebrew prince, Ismaele nephew of the king of Judah, Zaccaria leads his people into battle. Fenena and Ismaele fell in love. Nabucco’s other daughter, Abigaille, breaks in with a group of Babylonian soldiers in disguise. Abigaille also loves Ismaele and offers to save the Hebrew people if he will love her in return. Ismaele refuses Abigaille and she vows revenge. The Hebrews are defeated and pursued by the Babylonians to the Temple, Zaccaria threatens to kill Fenena if Nabucco attacks the temple. Ismaele intervenes to save Fenena, and Nabucco orders the destruction of the Temple while Zaccaria and the Israelites curse Ismaele as a
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She swears revenge against the king and against Fenena. The High Priest of Baal brings news to Abigaille that Fenena has set the Israelite captives free. He has also spread the rumour that Nabucco has died in battle and he urges Abigaille to seize the throne. Zaccaria returns with Fenena and his sister Anna. Zaccaria intends to convert Fenena to Judaism.
The Hebrews are astounded to discover that Fenena has been converted. As the High Priest of Baal and Abigaille attempt to usurp Fenena’s position as regent, Nabucco enters unexpectedly he seizes the crown and declares that he himself is the only true god. The high priest Zaccaria curses him and warns of divine vengeance. At these words he is struck down, the crown falls from his head and he goes mad. Abigaille grabs the crown and proclaims herself ruler of
Abigail's deception toward the people is driven by her lust for power. Abigail begins to accuse others of being witches, so she can build up her power and reliability. She carefully selects defenseless targets at first to accuse, only those that would be believable when in court. Each of the innocent people that Abigail condemns to hang gives her more credibility, gaining her more power over the court and the people. Abigail continues to grow closer to the big picture every time she gains power. Abigail is viewed as a threat; since her lust for power made her into a ruthless person. Abigail in the manner of a leader convinces the other girls to follow her; those who are frightened by her are the ones who join her. She needs more people on her
To begin, Abigail’s background story must be explained for anybody to truly understand her character. Abigail is an orphan who witnessed her parents’ brutal murder as a young child and was taken in by her uncle Reverend Parris (148). Abigail has grown up without a proper mother and father figure to guide her through the trials of life. When Abigail is first introduced into the scene, the narrator uses an intriguing choice of words to describe her. Some literary analysts may argue that Abigail’s childhood living situation is the reason that she behaves the way she does; however this is not the case. Abigail has a tendency to victimize herself to gain and receive attention whenever she pleases. Throughout acts I and II, Abigail has made herself the victim in a multitude of different ways. For example, Reverend Parris accuses Abigail of having a blemished reputation around the town of Salem. She denies this statement; however, when Parris calls her bluff, she blames the
Abigail manipulates Salem’s puritan beliefs to create a mass hysteria about witchcraft, and uses the possible impending death sentence to blackmail and ruin others in the community.
Abigail wants to get rid of Elizabeth, who she describes as John Proctor’s “sniveling envious wife” (Optional scene Pg. 158)! One can infer how Abigail is jealous and is doing anything to steel Elizabeth’s place in Proctor’s bed. It reaches a degree were Abigail is lies so much she starts to believe her lies, and stabs herself in the stomach with a pin to blame Elizabeth for attempting to kill her. She later goes on trying to convince Proctor that “the jab your wife gave me’s not healed yet” (Optional scene Pg. 155). The revenge that Abigail is seeking to find is directly related to the theme of vengeance that is profound throughout the play. Additionally, other people in Salem, such as the Putnam’s, take advantage of the crisis to help achieve their
She is sent into a spiral of confusion for her lust of John Proctor and is sent by her beast to do irrational thinking and send out a spell asked of by Abigail to Tituba who's is the creator of the demons within herself and others. The actions to come from Abigail will not only get her sent out of the Proctor house but only swirl like a hurricane and suck others into the eye to grab there attention and escalate the true happenings of false accusations to behold the uncertainty of others in the village. Although Abigail did go to face her demon John himself but had failed to overcome her most desired need of him to be with her she did not have the strength inside her to overcome the fear of rejection in the end which lead her to think irrationally when this demon walks in her body like a devils play ground to do as he pleases so she may have her most desired possession. No matter what the demon wants what it wants so she lies and proclaims false hoods on her fellow citizens and obtains followers to fall to her own cult which these demon uses to its advantage to cause the deaths of many citizens to gets it way. Although Abigail is still within the demon has taken control her worst fear has happened proctor no longer wants her so the demons reign has ended. She runs from the false hoods that
In Chapter 1, the author assesses the unique and eternal achievements of 5th century BCE Athenian culture. She introduces several basic dichotomies that define her understanding of the writers and events of the period in the later chapters.
all faith in him, she feels that he does not want to prove Abigail is
Elizabeth, finds out about the affair she banishes Abigail from the house and from then on she
At the very beginning it starts off having Antigone and her sister talking about how she had heard they had a new rule that was going around. They are trying to talk in private with each other because her sister hasn’t heard anything yet. After Antigone has told her sister everything that she has heard she then tells her to tell everyone in the streets and to spread the news out to everyone because they needed to be warned.
However Abigail takes pride in her hysteria. This highlights the fact that the age difference between these 2 women is phenomenal. “He have his goodness now. God forbid I take it from him!” Elizabeth is much more composed than Abigail, even though she is losing her husband she is happy for him, as she believes he is now at peace. Throughout the play John struggles with his feelings that he was not a good man. Hale tried his best to save John from being hanged to death but Elizabeth believes that he is finally going to be cleansed of his sins, as he has finally come out the dark about his affair. She loves him so much that she is willing to let him go. She feels that he is doing the right thing. She takes the name of God to justify herself.
During this essay I will introduce the main points involved in answering the proposed question. I will explore the certain aspects of Abigail’s personality and how it is an important role in portraying her reasons for her actions. I will also analyse the ways in which Abigail’s personality changes through the progression of the play. I will sum up which points have a bigger effect on her intentions and motivations and the effect she has on the characters of the play. I will support my reasons with quotations to justify its relevance.
1. During the Mycenaean civilization, who was the great poet and what were his two important literary works that influenced the Greeks and formed part of Western literature? Homer, The Iliad, The Odyssey
Abigail, herself says “I want the light of God, I want the sweet love of Jesus! I danced for the Devil; I saw him; I wrote in his book; I go back to Jesus; I kiss His hand.” After proclaiming this, the religious officials of Salem are left, in essence, with no choice but to believe her.
The scene that I chose to illustrate and direct was act 4 scene 1, when Othello slapped Desdemona. Here you can really grasp Othello’s controlling attitude as he insists on Desdemona lying, even though she didn’t know what she was necessarily lying about. We really witness the manipulative portion of Othello’s personality, and that’s why I'm focusing on this scene.
Just when it looks to the crowd as though Jesus will prove He is the Messiah by overthrowing the Roman government of Israel, the King is arrested, betrayed by a