Greek Art Reflection

The New Acropolis Museum was inaugurated in the year 2009, near the base of the Acropolis with a view of the Parthenon. The museum was a facility of around 226,000 square feet of glass and concrete, which cost $200 million dollars. The design was introduced in 2001, so it could be completed in time for the Olympics in 2004. This goal was unsuccessful due to legal battles that delayed the construction process for years said The New York Times. Since the museum opened it is running strong with an average of 5 million visitors per year, coming to see all the different collections. The museum is broken into three floors, offering different historical artwork. The first floor is divided into two sections, one from the archaic period and the other from Propylaia with objects that date around the classical time period to antiquity. On the first floor the visitors are greeted by magnificent sculptures of the first temples on the Acropolis. Displayed here also are votive offerings from worshippers. Some of these offerings include the archaic Korai, the Hippeis, statues of Athena the goddess, Sculptures of male figures, marble reliefs, and smaller bronze and clay offerings. The Acropolis Museum wants to conduct research on this small collection of archaic statues, which keep their color. In figure #1 I present the archaic Korai, which is white skinned and expresses grace- radiance youth. As opposed to the brown skinned warriors and athletes who are a sign of virtue. Then as we

First off, Oedipus and his family had really rough times. Oedipus’ sons killed each other for the throne, his daughter killed herself, he killed himself, so it was a very weird family. To start off, Eteocles Oedipus’ son he was heroic because he saved his family and country from the enemies who tried to kill the people of Thebes. Eteocles of course saves them from the ruthless and ferocious Argive army. “Against our seven gates in a yawning ring the famished spears came onward in the night; but before his jaws were sated with our blood, or pine fire took the garland of our towers, he was thrown back, and as he turned, great Thebes no tender victim for his noisy power rose like a dragon behind him, shouting war.” This shows that the priest and chorus were talking about the war and how Thebes won at the end of the battle and Eteocles died with honor fighting for his country men and family. He was brave because he went into war against his own brother and he was not afraid that in the end of the battle he would probably kill his brother. “For God hates utterly The bray of bragging tongues; and when he beheld their

As Susy Kassem once said, “Just like freedom, truth is not cheap. Yet both are worth more than all the gold in the world. But what is freedom, if there is no truth? And what is truth, if there is no freedom? Both are worth fighting for – because one without the other would be hell” (Kassem). In the beginning of 1980, the Cultural Revolution began, and with it the people of Iran fought back against the existing regime. The government oppressed the citizens by changing their education into a religious based system and forcing the women to wear veils, stripping them of both their truth and their freedom. Refusing to conform, the revolutionists had to secretly rebel while hiding from the government and their neighbors. In Marjane Satrapi’s

Pottery is very beneficial and advantageous to archaeologists as it is a very common and widespread product that leads us to have a greater understanding about the everyday life of the area inhabitants. “Pottery is one of the most common artefacts in ancient sites. Once broken, unlike glass and metal, it cannot be recycled. This makes it very useful to archaeologists,” said Pont. Pont made the conclusion that the red slip pottery was used by the Pompeian’s as tableware with the main purpose of serving food and drink given its characteristically glossy surface. By dipping ceramics in liquid clay and later firing it in an oxygenating kiln is how this gloss is created (Kalnins, 2004) (see figure

The durability of clay has brought forth an immense abundance of Greek pottery, a craft mastered by Athenian artists. Archeologists have found hundreds of varieties in creation, shape, function, style, and artwork in Archaic vases. The museum has been blessed with one of these priceless artifacts; it is the duty of this establishment to accumulate as much data as possible surrounding the vase. In first identifying technique, dimensions, and condition, as well as describing shape, ornament, and figural scenery, one may then begin to analyze the vase. This serves the general purpose of understanding where the artifact stands in Greek culture and history. Through the examination and research of figural scenes, it is then possible to compare

Our journey begins when the Amasis Painter starts painting at the end of the sixth century. The Amasis Painter paints on small and large vessels. He starts with attic black-figure vase-painting that was first produced in Corinth around 700 B.C. Attic black-figure vase-painting depicts animals and human silhouette figures in a naturalistic detail. Additionally, attic black-figure vases have vessel borders and edges that are decorated with floral, lotus, and palmette designs. The Amasis Painter includes these details to every vase and sometimes adds white to his paintings.

“Persepolis” is an autobiographical graphic novel written by Marjane Satrapi that shows her childhood in Iran during and after the Islamic revolution. (Wikipedia). The book was originally published in 2000, and translations later published in 2003, 2004, and 2005. (Wikipedia). The book was made into a film, co-directed by Marjane. She also directed three more movies after. (Garvin, Kerry). I chose this book because I wasn’t familiar with the topic and never heard stories about the Islamic revolution. I also thought it was really cool how it was made into a comic book and even a major motion picture. The topic was really intriguing because the topic was hardly talked about and the author personally experienced the whole thing and I got to see her point of view during it. The fact that the author was actively involved during the whole war and got to write it down and turn it into a comic book makes it more fun and exciting to read.

Cleveland Museum of Art (Ohio) has in its collection a very valuable piece – an Athenian neck-amphora produced in c. 550 – 500 BC. The vase was executed in the black-figure technique, and it is attributed to Antimenes Painter. The amphora is richly decorated. One part represents Herakles and the lion between Iolaos holding club and Athena with Boeotian shield. The other part features Dionysos standing with satyrs and maenads. I like the amphora very much, especially its decoration and an interesting subject matter.

I’ve been on a trip with my friend Lily Wagner to my grandmothers in Arizona, we’re both in this class and so we went to the Tucson Museum of Arts together a few days ago. They have a couple exhibits going at the moment, and some really interesting ones coming soon that I wish I could’ve seen. Currently they have “Horses of the West: Power, Freedom, and Friendship” which I really thought I’d be into since I rode horses up until a bit ago, but as it turns out horse art really isn’t my thing. They also had “Welcome to the American West” which had some lovely paintings and “Of Earth and Sand: Ceramics and Glasswork” which was my personal favorite, but I’ve always loved ceramics and anything to do with glass art.

In the fourth and third century BCE, the Etruscans produced many engraved mirrors decorated with scenes from Greek or local mythology. A characteristic product of the Etruscans, they provide a great deal of information about Etruscan bronze technology and the development of Etruscan art. An example at the Walters Museum, "Mirror with Heracles, Dionysus, Ariadne, and Eros," allows the viewer to see such an object and come to an appreciation of the skilled and intricate work required by an artisan to make it. Many Etruscan mirrors are decorated with a similar scene, which also appeared in Greece during the fifth century BCE, often on painted terra cotta vases. Art historians at the British Museum have undertaken a project to catalogue all known existing Etruscan mirrors.

Although I interned with a charitable organization called Athentikos for the Fall of 2016, I am no longer receiving institutional credits for my time with Athentikos. I now volunteer approximately 4 hours per week for Athentikos writing and editing blogs, social media management, and attending weekly staff meetings to address other logistics for their Art Camp programs in Guatemala.

The excavations of Pompeii and Herculaneum in the 18th century provided the world with an incredible source of artworks ranging from fresco’s, paintings, sculptures, mosaics and ceramics.

The Black Figure style included painting black figures upon an orange background and then incising additional details for further distinction of the characters. Flower-like patterns were used to decorate the brims of the pottery, and specific colours were painted on for particular purpose. (White was generally used when painting female skin, black was used when painting a male’s skin, and purple and red were used for clothing and embellishments.) Pottery artists also first begun inscribing their signatures on their own work throughout this era. These features can all evidently be identified on the amphora as there are two wealthy women using a Greek loom to spin and weave cloth. The designs on the amphora have been painted with relevant colours and the appropriate use of floral patterns have been illustrated around the edges of the amphora. The artist’s signature is also evident on the base. The first signed amphora dates back to 570 BC. A large number of other individual painters have been identified with confidence through their signatures. (artists usually signed their name as ‘...... made this’.) as time progressed, Black Figure pottery became exceedingly popular all through the rest of Greece and was used by many other Greek artists when painting Greek

First off we are going to learn about ancient Greek art. The Greeks mastered the idea of sculpture, in earlier times the sculptures looked fake but by the classical period they started looking more natural with realistic-looking faces. The Greeks also liked to make pottery out of stone and clay, they usually would have mythological or religious scenes on them and grew more realistic over time. The first ancient Greek art that we will be learning about today is the Winged Victory of Samothrace. It was created around 220-185 BC made from parian and rhodian marble. On April 15, 1863 workers were excavating and uncovered parts of a statue. They then sent it to the Louvre, where it is currently on display.You can’t tell from the picture, but can you believe that this statue is over 18 feet tall!! It has been suggested that she was once holding something in her right hand, such as a trumpet, wreath, or a fillet. The base of the sculpture is made up of 23 blocks of marble.

Whether in the fifth century B.C.E or the first century C.E, Greek art has maintained continuity among its theories since its inception. Throughout history, the Greeks have been perfecting their human sculptures. The Metropolitan Kouros (600 B.C.E) and the Spear Bearer (450 B.C.E) are made centuries apart but have the same Greek interest of the human anatomy. However, because of the time difference, it is clear that the Spear Bearer is more advanced. The same idea goes to the marble grave Stele of a Little Girl (440 B.C.E) and the bronze statue of Eros Sleeping (1st century C.E). They share many similarities such as the Greek touch; conversely, they have their differences.