Greek Mythology : The Desire For Power In The Titans

In Hesiod’s Theogony, the Greek family relationships were often a repeated cycle between the husband, wife and their children. Based on the generations including Ouranos, all the men that came to rule automatically loathed their child, because they believed their children would take away their power. Since this behavior was similarly recurring every generation, the women were often forced to create wicked plans involving their children’s rise to power. The cycle of power, deceit and achievement created by the families in the first generation of Greek mythology became dominant characteristics that future generations would inherit.

The relationships between parents and their sons in the Iliad are not relationships we expect to see in today’s society. The Iliad portrays the relationships between fathers and sons as something more than just physical and emotional. It is based on pride and respect for one another. The expectations of their son are more so to pass on their fathers reputable name and to follow in their father’s footsteps of being noble warriors. These relationships are the driving forces in the Iliad, making each son in the Iliad identifiable first by their father’s name. An outcome of the father–son relationships is ancestral loyalty among the characters which play a prominent role in war. Therefore, not only does the Iliad share a major war story, but

Hesiod’s gods lost their carelessness and gaiety of the Homeric gods, became the moral forces, severe guardians of order and justice, born of Zeus. The role of gods according to Hesiod belongs not only the Olympian gods with human form, like Zeus or Apollo, but the Earth, Sky, Star, Wind, Fight, Lies, Victory, Wisdom, violence, etc. Zeus as for Hesiod is not just carrier of the power, as Uranus and Kronus, but also the embodiment of a long-awaited order, keeper and guardian of ethics. The desire to have a better life and a constant feeling of dissatisfaction are natural for people, and the gods tend, on the contrary, to complicate people’s lives and create new difficulties. Thus, the Hesiod’s style of poetry is close to Homer’s one, but because of the general didactic orientation Hesiod’s poetry is almost out of bright Homeric metaphors, similes and epithets.

In parallel to the argument between the Just and Unjust speeches, ‘new’ triumphs over ‘old’ once again in the fight between Strepsiades and Pheidippides. Pheidippides declares to his father, “I will make it clearly apparent, by Zeus, that I was beating you with justice (Clouds, 1332). Throughout their argument, Pheidippides was applying the same techniques to his speech that the Unjust speech utilized. Their apparently cynical disrespect for social mores emphasizes the fact that what is ‘old’ is losing its strength within society. What is right is in palpable contrast to what is currently occurring in the social order. Strepsiades broached the suggestion that as a father he has nurtured Pheidippides from infancy to his adulthood. Because of this, Strepsiades insists that he has earned his son’s respect. However, Pheidippides is convinced

The relationships between Odysseus and Telemachus and also of Poseidon and Polyphemus in The Odyssey gives us several examples for the aspects in which the Greeks valued in father son relationships. If you think about it, people admire similar aspects today. Fathers can still be relied upon to defend their sons and are motivated to help raise them into good men. However, we can compare them to how we view father and son relationships today and see how they may have changed and why. Nevertheless, the bond a father has with his son can impact the lives of them and the people around them

Homer’s Odyssey is an epic tale set in the world of ancient Greece - a world dominated by men. Admirable men such as Odysseus, the story’s protagonist, are strong, cunning, and wise; they have control over their lives and the people within them. In The Odyssey, the quintessential man is characterized by his authority, including control of the women who surround him. As is suggested throughout the novel, the patriarchal world would fall into disarray without the force of intrinsic male authority. Odysseus’s struggles with his wife, his son’s search for manhood, and the wiles of cunning women like Clytemnestra and Calypso highlight the disordering powers of women. These disordering powers justify, to the men within this world, the necessity

Numerous mythologies we have read throughout this semester have had an underlying message. Those who are loyal to their beliefs, their spouses, and the gods are rewarded, but those who prove to be unfaithful are dealt with harshly. From the multitude of examples in mythology, I have chosen four to discuss: Cupid & Psyche, Odysseus & Penelope, Medea & Jason, and Antigone & Creon. Each of these characters and their stories exemplify either rewards or punishments for their actions from the gods and fates. First, we must discuss how to define loyalty in a way the Greek and Romans would agree with. Loyalty wasn’t just wives obeying husbands, or servants obeying masters, but also the people obeying the rules of the gods. Obedience is a key part of the ancient concept of loyalty, as you cannot be truly loyal to a person or to the gods without respecting their wishes and being obeying them.

It is inferred that the parents should take care of their children and have their best interest at heart. This however, is not the case in Greek and Roman mythology. The killing of ones own children, or filicide, was not viewed as negative upon in their era. The contemporary times contrast with the ancient Greek and Roman’s because it was justified to use any means necessary to obtain a higher status. The Greeks and Romans valued keeping a high social reputation and having respect for those of great power. The motherly union between their children conflict with the reality that the father strives to retain or gain control. These circumstances cause a tense bond between the members of the family. The strained parent to child relationship in

The Aeneid, the famous epic poem written by Virgil, depicts the struggle of establishing an empire. The beginning of The Aeneid introduces Aeneas, son of the goddess Venus, whose fate is to find a new home in Italy after the fall of Troy. Throughout the perilous journey, Aeneas faces great obstacles as he strives to fulfill his prophecy and gradually transform into the ideal Virgilian hero. To emphasize his growth, I will discuss three themes in this essay: the extent of free will as it relates to fate, the influence of divine beings on mortals, and the principles of morality. All of these ideas serve as an understanding as to why Aeneas is unable to act on his own accord. This leads me to defend the view that humans require the positive guidance of a mentor figure to resist their self-indulgence.

In ancient Greece, it was crucial that men proved their masculinity in order to uphold their worth and earn them a place in social establishments. An important aspect of human life is a man’s masculine identity and how it plays a role in society. However with this idea of masculinity came limitations that were not to be crossed. Ancient Greek epics, the Iliad and the Odyssey, both function to provide their own view on masculinity in society through the reverse sex similes. In the Iliad the crucial role of Achilles as a warrior and his association with maternal protection, as represented through it’s reverse sex maternal similes, ultimately proves problematic. This intrinsic part of man to fight on the battlefield to win timê and kleos is ultimately

Athena also spoke of father and sons as. “Few sons are like their fathers: most are worse, a few excel their parents.” As shown the role of fatherhood is significant, just as the quest of the son is to learn from his father

The Greco-Roman society was a very patriarchal society. This is reflected throughout the myths in classical mythology. By looking at the classic mythology we will see that the roles women portrayed are very different than women’s roles in today’s society. Although there are a few similarities to women’s roles in today’s society, their roles are more like those women in the past. We can see this by looking at the attributes of Greco-Roman female gods and looking at the roles women play in the myths. By comparing the roles of women in the myths with women’s roles today we will see that the roles have many differences and few similarities.

In Harry Mark Petrakis's short story "Song of Rodanthe" and Amanda Michalopoulou's short story "The Firefly Hunt" the themes revolve around how parent's decisions affect their children. In "Song of Rodanthe" the main character is not allowed to choose the man she wants to marry unless her father approves. In "The Firefly Hunt" the main character attempts to reconnect with his children after divorcing their mother. The subject of male figures that attempt to control the women around them is common in Greek culture and writing. In Petrakis and Michalopoulou's stories the reader is shown how daughters are influenced by the choices their fathers make.

Women in ancient Greece had very few rights in comparison to male citizens. Women were unable to vote, own property, or inherit wealth. A woman’s place was in the home and her purpose in life was to rear children. Considering this limited role in society, we see a diverse cast of female characters in Greek mythology. We are presented with women that are powerful and warlike, or sexualized, submissive and emotionally unstable. In many myths, we encounter subversive behavior from women, suggesting, perhaps, the possibility of female empowerment. While produced in an ostensibly misogynistic and oppressive society, these myths consider the possibility for a collapse of male power and the patriarchal system. In Homer’s epic poem The Odyssey,

Is it feasible that through the loss of one’s life and being, one would be able to gain influence and power? Does this fatal gain of power show a previous lack of it? Does forgoing one’s life for an honorable cause improve a woman’s reputation in turn giving her more power? Through our studies, we have discovered that typically women exhibit a limited amount of agency in ancient Greece. Women occasionally assert dominance in the household; although, even within the home they posses limited influence over their husbands. An interesting theme runs though Euripides theatrical tragedies Alcestis and Hippolytus. In each play the lead female character forgoes her life for the sake of love. In Alcestis, Alcestis willingly