Greek Parthenon Essay

Building the Parthenon was a greater feat than they ever would have known. Work on the Parthenon began in 477 BC. A much smaller shrine already stood on this site, one to which we can attribute various pieces of surviving decorative material--lions and snakes, a cornice incised with flying birds, and a blue-bearded trinity that may conceivably represent Cecrops, Erechtheus, and Poseidon. If such an edifice in fact existed, it was torn down to make way for a huge limestone platform, roughly 252 by 103 feet in size, that was built as a base for the new temple. The slope of the Acropolis was such that while on the north side the foundations rested directly on bedrocks, the southeast corner needed to be built up with no

The Athenian Greeks at the height of their power built a temple called the Parthenon which was a monument to their core values of perfectionism, humanism, and rationalism. It is important to understand that the human eye has imperfections which deceive the mind, so one can understand the unique steps that were taken to achieve the illusion of perfection to the human eye. The Greeks loved perfection, and as seen in the Parthenon, the Greek architects purposely made the Parthenon imperfect to account for the imperfections in the human eye. This was done so that when one views the Parthenon with the naked eye, it appears to be perfectly symmetrical, straight, and proportional. The entire Parthenon does not have a single right angle. An example of the Greeks compensating for the imperfections of the human eye is seen in the base of the Parthenon, which from a picture or in real life looks perfectly straight, but in reality it is actually curved slightly upward. It is curved because the Greeks knew that if you have a perfectly flat base for a building, it appears curved to the human eye. To account for that, the Greeks made it so that the base was already curved. The Greeks also curved the columns of the Parthenon inward, because if the columns were straight, it would appear to be curving outward. Again, the Greeks knew about how the human eye deceives the mind, and decided that they must trick the eye to please the mind. This was all done because the Greeks strived for

The philosophical ideas of Plato that relate to the Parthenon include whether the structure is an element of the Visible World or the Intelligible World. In my opinion, Plato would view the Parthenon as an object in the Visible World. The Parthenon is a one of a kind monument that is tangible and exists in our real world. The Parthenon is an architectural project and deals with forms of science and mathematics. Plato's view of science and mathematics are categorized as forms in the Intelligible World, which are intangible. Through analysis of illusory tactics, the Tripartite Soul, the simile of the line, and the artistic qualities of architecture, Plato's, as well as my view of the Parthenon will become evident.

The ancient Greek civilization contributed many great new ideas and aspects to everyday life that shaped and inspired the modern day society. The Greeks are well known for their construction of temples, acropolis’ and other grand architectural structures. Among these structures stood one of the most famous, the Parthenon. The Parthenon was a symbol of Greek society and culture as it stood as one of Greece’s most important architectural buildings.

The philosophical ideas of Plato that relate to the Parthenon include whether the structure is an element of the Visible World or the Intelligible World. In my opinion, Plato would view the Parthenon as an object in the Visible World. The Parthenon is a one of a kind monument that is tangible and exists in our real world. The Parthenon is an architectural project and deals with forms of science and mathematics. Plato's view of science and mathematics are categorized as forms in the Intelligible World, which are intangible. Through analysis of illusory tactics, the Tripartite Soul, the simile of the line, and the artistic qualities of architecture, Plato's, as well as my view of the Parthenon will become

Ancient art is pivotal to understanding the societies they came from. The subject, the methods used, and even the materials are all indicative of the culture and environment in which the art was produced. The Stela of Iku and Mer-imat and a marble statue of Venus exemplify this very idea. Both works act as windows to the mindset of the different cultures that contributed to their establishment.

Most every great culture in history has something for which they are famous. The Mayan civilization has the calendar, the Romans have the Colosseum, and I would like to suggest that the epitome of Greek culture is the Parthenon. It reflects the ideas and religious beliefs of the Greeks and incorporates the architectural brilliance seen first with the Greek people. The frieze, the religious idea behind the building of the temple, and the attention to detail in the Parthenon shows a genius that can only be claimed by the Greeks.

After standing for approximately 2500 years, the Greek Parthenon is still a marvel of engineering and even though it is in disrepair, one can still see the ultimate beauty of the personification of classical Greek architecture. Construction began in 448 B.C.E., 32 years after most of Athens was destroyed by the Persian Army, Perikles with the guidance from Phidias employed the best artist and artisans to rebuild the grand acropolis. Architects Iktinos and Kallikrates, started building on the highest point on the Acropolis with the Parthenon standing as the largest Doric building on the Greek Mainland. What makes the Parthenon look so beautiful is the facade based on the Golden Section. The Golden Section is defined as a structure with a

Parthenon is the biggest temple ever built in Greece. It is considered as world is greatest cultural monuments. It was dedicated to Athena, the goddess of wisdom and crafts. It is located on high rocky outcrop above the city of Athens. It is called Parthenon, a Greek word which means “unmarried women is apartment”. The temple was built in better understanding of how is sky is perceived. Initially the temple was used for treasury, later became the Athenian empire, then converted into Christian church dedicated to Virgin Mary and in final turned into a mosque. Parthenon and its sculptures was severely damaged in the Persian invasion. Some of the surviving Parthenon is sculptures were removed by Bruce Thomas , 7th Earl of Elgin which he was

The differences in ancient cultures are prominent. From different civilizations we see different creations taking place. Through studying these differences we can see what is different between civilizations and their culture, values and art. We are also able to study these and make connections between them. Some items which we can compare and contrast are sculptures and relief sculptures, paintings in the old, middle and new kingdoms, innovations of the new kingdom and basic conventions early art endures.

Guarded in phalanx formation with a wooden shield on my side, I bellowed. With my Corinthian-style helmet and a spear on my side, I was a ferocious Athenian soldier guarding the Parthenon. The topic of world history intrigues me greatly. The Parthenon, an archaeological landmark known for its intricate designs, demonstrates the historical wonders of human life in ancient Greece. However, this historical enthusiasm does not result from the indefinite timeline of history; it comes from my amazement with the ingenuity of past architects and their legacy mark on the modern day, allowing the viewer a glimpse into the past. This appreciation of history ignited a fire inside of me that led me to take AP World History during my sophomore year of high

" The Parthenon is a non - architectural work, but no longer a masterpiece of art, and in the case of the history of sculpture, we can say that who does not like the Parthenon, no aesthetic sensibility. If, going to Roman architecture, we see many reconstructions of monuments of the Empire and imagine the space and taste of the Forums in their primitive state, we can conclude that many Roman buildings were not works of art, but we can never say they were not architecture. the internal space is present in great way, and while the Romans had not the sensitive refinement of the sculptors-architects Greeks, had, on the contrary, the genius of builders-architects, which basically is the genius of architecture. Even though they did not know prolong

The Parthenon in Athens is the most important and characteristic monument of ancient Greek civilization, it is a universal symbol of freedom and democracy. It shows the finest point of Greek architecture, history and ancient Greek religious beliefs. The Parthenon is a temple dedicated to Athens patron goddess, Athena (Herbert, 2006:3). Athena was the goddess of civilization, wisdom, weaving, crafts and war. She never had a consort or lover, and so she was often known as Athena Parthenos ("Athena the virgin") which is were the Parthenon's name, derives from.

One of the most impressive accomplishments of Ancient Greece is the remarkable structure of the Parthenon on the Acropolis. The Parthenon is one of the most inspiring works of architecture known to mankind. The project of the extraordinary Acropolis was taken on by one of the most influential leaders of history, Pericles. Pericles influenced not only the building of one of the grandest works but the example of democracy displayed by the Greeks. The architecture was unique for its time, it featured excellent structure,the breathtaking Metopes featuring the epic battles of the gods, the Frieze a detailed sculpture displaying a procession of Greeks, and was built to house the magnificent statue of Athena adorned in gold. The Parthenon was

Works of art, especially sculpture, were part of everyday life in ancient cities. Sculptures and painting gave form to the gods, commemorated the great men of the State, celebrated the events of history, depicted the dead on their tombs. In Rome they took on an even greater significance. They became an essential part of political propaganda, of public display, indeed, of any architectural design, an in private settings they became commonplace and, in many contexts, inevitable; and inevitably the appreciation of art for itself is subordinated to purpose or setting.