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Greek Theatre Research Paper

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Crudely, the possibility that the glamour of Hollywood evolved from an ugly goat creature comes across as not being very prestigious; however, this actuality may not be too preposterous. Various commentators have puzzled over the intertwining of the theater originating from both “tragedy” and “comedy.” Perpetually, its first phase becomes appropriately formulated from the Greek Tragedy Plays; which follows after the shadows generated by Pan.

“Tragedy” and “Comedy” = “Song Sung by the Goatmen” …show more content…

It originated from (Classical Greek τραγῳδία), contracted from trig (o)-aoidiā = ‘goat song,’ which comes from tragos = ‘he-goat’ and aeidein = to sing (cf. “ode”); whereby developed from the “Song sung by goatmen.” Tragedy endures as a form of drama based on human suffering that invokes to its audience an accompanying catharsis (pity and fear). Fundamentally, developed in the sixth century B.C., as a result of the performances of the original lyric recitations; therefore, ‘tragedy’ transpired from a compound of dramatic poems or plays in formal or stately language and actions that turned into an unhappy resolution. Moreover, the connection with a goat in Greek tragedies exists due to the actors originally persisted in the wearing of goatskins to represent Pan/satyrs; which developed into actors performing satire’s drama from where the art of tragedy emerges …show more content…

In addition, the word ‘captious,’ which means, intended to entrap or confuse, as in an argument; also means “he-goat,” as panic induces fear and emotional insatiability. Long after the golden age of the 5th century’s of the Athenian tragedies, Aristotle provides the earliest-surviving account for the origin of the dramatic art-form in his Poetics. Whereupon, he traces the tragedy back to ritual rites, the worship of Dionysus and Pan; and, subsequently, he argues that tragedy developed from the improvisations of hymns sung and danced in praise of Dionysus, the god of wine and fertility. The goat song of Pan became perhaps the ‘fear’ generated, producing a kind of “tragedy,” along with his constant presence of sexual impute. Furthermore, this meaning evokes rural stories or ‘Bucolic,’ that is, inducing a kind of tragedy of Pan and

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