Greek Tragedy Written By Euripides And Sophocles

From a prideful, heroic king at the beginning of the play, to a tyrant in denial towards the middle, and finally to a fearful, condemned man, humbled by his tragic fate, Oedipus’ change personifies that which makes an unforgettable drama. When Oedipus is first introduced, he appears to be a confident, valiant hero and reasonably so. Taking into mind the background of the drama, we learn that this foreigner to Thebes arrives at the city limits, braves death, solves the Sphinx’s riddle and releases the city from the horrible terror. Only a man like Oedipus, a man possessing tremendous intelligence and self-confidence could have such courage. Although at times Oedipus questions the gods’ accuracy and authority, the people don’t mind because of the great deed he had done.

Greek drama was performed in the late 6th century BCE in ancient Greece. Tragedians like Euripides wrote very influential and popular plays such as the Bacchae. Greek tragedies lead to Greek comedies such as Aristophanes’ Lysistrata. Many of the Greek dramas have similar concepts, one of being duality. Without duality, the nature of our lives and the environment around us remains unbalanced.

“Oedipus Rex” was a Greek Tragedy written by Sophocles in the fifth century BC. It was the first of a trilogy of plays surrounding the life of Oedipus. Sophocles wrote over 120 plays approximately 100 years before Aristotle even defined a tragedy and the tragic hero. Aristotle’s definition of a tragedy is “… an imitation of an action of high importance, complete and of some amplitude; in language enhanced by distinct and varying beauties; acted not narrated; by means of pity and fear effecting its purgation of these emotions” (Kennedy and Gioa 2010). According to Aristotle there were six elements to a tragedy: the plot, the character, the

Greek tragedies Oedipus the King and Euripides’ Bacchae are both timeless stories in Greek literature. The engaging plot of both is what is most rememberable however the significance of the chorus is overlooked. The chorus can be defined simply as a group of dancers and singers that participate in dramas by singing poetically and lyrically in certain pauses of the play. The music, movements and gestures of the chorus symbolically define the mood and the themes of the play as the story line develops. The flow of Oedipus the King and Bacchae are dependent on the chorus, proving their significance.

In the Poetics, Aristotle provides an outline of how the artist is to portray or represent the perfect Tragedy. A Tragedy, of course, was nothing more than a drama, in which the characters appeared "better" than in real life (in a comedy, they appeared "worse," according to Aristotle). Aristotle's Poetics makes several references to other dramatic works to illustrate his points, but he most commonly calls upon The Odyssey to support his argument for how a dramatic structure should be designed. However, along with the Odyssey, Aristotle extensively references Sophocles' Oedipus Rex. Both poetic works were enormously popular in their time (the former had been passed down orally for generations, and the latter won the top prizes at the dramatic festivals). Therefore, Aristotle is comfortable using both to support his viewpoint concerning Tragedy and the Tragic Hero. This paper will analyze the standards that Aristotle sets out concerning the definition of the Tragic Hero and show how Sophocles' Oedipus exemplifies Aristotle's definition of a Tragic Hero.

Sophocles, a famous and renowned Greek dramatist, is the playwright to both the play Oedipus the King and Antigone. Along with Antigone and Oedipus Sophocles had also wrote Electra and Fete. Sophocles wrote many Greek tragedies which are plays in which the main character in the play suffers a tragedy due to some flaw of theirs. An example would be how Oedipus (thinking he is defying a prophecy) murders his father and weds his mother. His flaw was him trying to defy fate if he had not just stayed where he was he would’ve been fine. His works are referred to and taught all over the world in many schools along with colleges; this should give light to how will written his plays are and how

exercising his free choice by making bad decisions . Oedipus certainly meets these portrayals of a tragic hero. The dialect of tragedy consists of two circles: one is a relative point and the other is impacted and the effect on its audience. Sophocles and Aristotle’s achieve that task with absolute clearness. The modern reader, coming to the classic drama not entirely to the enjoyment, will not always surrender himself to the emotional effect. He is apt to worry about Greek ‘fatalism’ and the justice of the downfall of Oedipus, and, finding no satisfactory solution for these intellectual difficulties, loses half the pleasure that the drama was intended to produce . In dramatizing stories, there will dependably blends of passionate sentiments, suspense, and fervor to discover what’s

Hundreds of years ago Greek plays were very popular. People would plan to go to these plays for entertainment and to have fun with their friends. These plays would also help to teach the audience all about Greek mythology. The main character in these plays often had something tragic occur at the end, such as death. This character was the referred to as the “tragic hero.” A couple hundred years later a Greek philosopher named Aristotle described tragedy with 4 simple elements, nobility of the character, the flaws of the tragic hero, the start of the tragic hero’s downfall, and his/her punishment. In Things Fall Apart, Oedipus, and Antigone there is a character that shows this definition of tragedy by the end of the book and or play. This is usually caused by something called hubris, excessive pride. Things Fall Apart, Oedipus, and Antigone all fulfill Aristotle 's definition of tragedy.

Aristotle asserted that all tragic heroes had fundamental flaws that were the source of their undoing, and that were typically the source of their initial success, as well. Oedipus thinks he acts with justice, wisdom, and the assurance of success, and these things also cause him to completely destroy himself when he discovers the truth of his situation, as one prominent example. The idea, then, that tragic heroes are in some way the source of their own undoing is not new, but rather is a foundational feature of the Western dramatic and literary traditions. From the time of the earliest recorded Western plays and some of the earliest recorded pieces of Western literature, a specific fascination the hero's character in relation to his or her eventual crumbling has been a strong recurrent theme in literature and in criticism.

The three Greek plays compared in this paper are the famously known Greek tragedies; Oedipus Rex and Antigone by Sophocles and Medea by Euripides that not only have the common genre of tragedy, but share the same motifs; homicide, suicide, and suffering. What is intriguing about these commonalities is that these playwrights, Sophocles and Euripides, use them.

Literature and theatre arts throughout the ages have created many memorable tales and many unforgettable characters that withstand the test of time, while many others will likely fade away. Oedipus Rex is a tragic tale set in Ancient Greece. Greek thinker, Aristotle, said there were certain elements that would make a person qualified as a “tragic hero.” (Adade-Ywboah, Ahenkora & Amankwah, 2012). We think of heroes being larger than life, possessing impeccable honor, integrity, strong leadership and having the higher moral ground. However, tragic heroes are different; they are imperfect and will inevitably face a tragic downfall. Per Aristotle, there are several different specific attributes necessary in a tragic hero, including noble status, tragic flaw, extreme awareness or self-knowledge, punishments that do not fit their crime, the plight of the hero evokes emotions and there is an element of free choice that send the character down the wrong path; the tragic path. After reviewing the relevant material and the analysis of the title character, Oedipus, is essentially a perfect example of the traits identified by Aristotle as indicative of a tragic hero in Ancient Greek literature and theatre.

Nearly every Greek play has a clear central theme that is emphasized by both its characters and its structure. The everlasting Theban plays are no exception to this. Of the three Theban plays, Oedipus the King is the finest example of how a drama’s structure and characters heavily contribute to the development of the theme. In the prologue of Oedipus the King by Sophocles, the audience learns that the city-state of Thebes, ruled by a beloved man by the name of Oedipus, is in shambles. However, almost immediately after the audience discovers this, the supposed solution is revealed. In order to cure the city of Thebes, Oedipus must delve deeper into the mysterious death of the previous king, Laius, and punish whoever is responsible for his

The Greeks considered tragedy the greatest form for literature.  However, the tragic ends for the characters were not ordained or set by fate, but rather caused by certain characteristics belonging to that person.  Such is the case with the characters of Sophocles' plays Oedipus the King and Antigone.  Oedipus from King Oedipus, and Antigone and Creon from Antigone posses characteristics, especially pride, that caused their tragic ends.  As the play progress, other characteristics appear and further add to the problem to such a point that it is inevitable that it will end in tragedy.  Therefore the tragedies were not a result of a plot by the fates, but rather a result of the

Throughout Poetics, Aristotle describes what traits a tragedy must have to be successful. To support these choices, he makes use of a small analysis of many tragedies, including many of Sophocles’ plays; Oedipus Rex is one of the plays mentioned in Aristotle’s Poetics. Some of these traits include a successful plot structure, recognition scenes, and a correct choice for its hero. In Oedipus Rex, Sophocles fulfills all of these requirements.

greeks, and Sophocles noted for his writing abilites of the time, made one such play about tragedy. This