Gregor Samsa As A Modernist Figure

In the first part of the book, Gregor wakes up and has evolved into a huge bug, or so he thinks. Doubting his ability to get out of bed, he looks for answers for the cause, but can not find any. Then, his mom comes to his room and is only concerned at the fact he is late for work and does not ask if he is all right. As said on page 5, by Gregor’s mother, “Gregor—it’s a quarter to seven. Didn’t you want to catch the train?” This is the only thing she asks her son Gregor when he wakes up unusually late. Expectedly Gregor was looking for a careful remark but this shows us that his mom is only concerned about the money Gregor makes instead of his well-being. In accordance, Gregor is starting to feel ashamed of this condition he must deal with, “Just don’t stay in bed being useless” (Kafka, 7). This shows us, Gregor feels useless because he cannot work for his family and help them at all. He made a ginormous effort to get out of his bed to work and yet is family is only worried about him losing his job instead of his well being. As we see, his family doesn’t love him genuinely and do not love Gregor like they should, being his family.

Although Gregor’s mother defends him throughout most of the story, she starts to have her doubts once she sees how difficult Gregor has made life for the rest of the family. Before his transformation into this vermin, Gregor and his mother have a stable relationship. But, after Gregor’s metamorphosis is complete it was not until after “two weeks…[that] his parents could not bring themselves to come into see him,” (Kafka 29). The strength of the mother’s unconditional love for Gregor has diminished over the process of his metamorphosis, so much so, that she is repulsed by Gregor’s presence and is afraid to even be in the same room as him. The mother further rejects the physical state of her son by “pointing to Gregor’s room,” (Kafka 40) and telling Grete to “close that door,” (Kafka 40), therefore leaving Gregor in isolated and in the dark. Gregor’s mother has now caught on to the idea of distancing herself from her deformed son by

To fully understand the depths of Gregor’s family’s betrayal, it must be mentioned how much he does for his family. His father had once owned a very unsuccessful small business, and when the business went under the family’s financial woes were unimaginable. Gregor saw this and wanted to bring joy to his family again. Kafka states, “At that time Gregor’s sole desire was to do his utmost to help the family to forget as soon as possible the catastrophe that had overwhelmed the business and thrown them all into a state of complete despair” (Kafka 25) He found a job so that

As soon as the Samsa’s returned to their flat, the family reminisces of the trials and ordeals which they were forced to endure upon their Gregor’s revolting transformation. Subsequent to discussing the matter the Samsa’s felt they could each hover above ground from the amount of anxiety which had been lifted from their shoulders. The Samsa’s decide they should clean their home and dispose of anything that brings the thought of Gregor to their minds. Mr. Samsa consumed with anger and disgust does not dare to go inside of Gregor’s dormitory. When the time comes however, to re-arrange what used to belong to their son, Gregor’s mother and sister enter the room.

With this in mind, Gregor, being an allegory for Kafka, portrays his feelings towards his family and his involvement with them. He portrays most of his feelings through his sister, and father, who are mainly static characters

In the novella, Gregor transforms into an insect; he and his family must navigate his new life as a bug. As Gregor undergoes a physical transformation, there is also a shift in financial power in his family. Kafka shows that a capitalist society dehumanizes the working class, this is seen through the characterization of Gregor, the symbolism of food, and diction surrounding Gregor’s father

So concerned with ensuring his parents and sister were taken care of, he forgot his own needs. It was apparent to everyone that he was no longer thought of as a son or an extension of the family, but merely as a "support system." The tragic fact is that "everyone had grown accustomed to it, his family as much as himself; they took the money gratefully, he gave it willingly but the act was accompanied by no remarkable effusiveness" (Kafka 48). It appears that in the course of his hectic work schedule, he overlooks that in return for dedication to his family, he remains unloved and unappreciated. Yet Gregor still "believed he had to provide his family with a pleasant, contented, secure life" (Emrich 149), regardless of how they treated him.

A nuclear family: a mother, father, sister, and brother the basic outline of every family worldwide. The Samsa’s fit within this shell yet many grow and change and need new shells. Gregor attempts to follow in the footsteps of his family and the historical stereotypes during Gregor's early adulthood. By having to obtain a job and provide for the entire family can be seen as a major responsibility and Gregor seems overwhelmed hence his chance in physical and emotional demeanor. Kafka states: “He felt very proud that he had been able to provide such as a life in so nice an apartment for his parents and his sister. But what now if all the peace, the comfort, the contentment were to come to a horrible end?” (Kafka 22). Gregor embodies the typical young man in a growing home where the men are sent out to work and the women stay home to cook, clean, and assist the men. Kafka continues to add pressure on Gregor with feelings of guilt, pride,

Born on July 3, 1883, in the Jewish ghetto of Prague in the Czech Republic, Franz Kafka was the eldest son in his Jewish middle class, German speaking, family. From the start he was shaping out to be an outsider which was

Gregor allowed his family to harass, bully and degrade him, in the same manner that Kafka had allowed his family to do. The similarity of Kafka’s relationship with his father was also portrayed with Gregor and his relationship with his father. Kafka intended to reflect and highlight the decisions that were made by Gregor being influenced by his family, by making them important protagonists within the novel. Gregor expresses from the beginning of the novel how his father intended on raising him, “from the first day of his new life that his father considered only the strictest treatment called for in dealing with him”38, much like Kafka’s father had. Gregor’s father was rather tough on him and his duties, and would take no clear- minded steps into understanding what Gregor, as a bug, did or tried to communicate through the actions he took. As he jumped to conclusions the second he saw Gregor out of his room, and would beat him with a cane trying to pressure him back to staying in his room as if he wasn’t even his son, or throwing apples at him. This provokes Gregor, allowing him to think more rationally, becoming more introverted, yet inside he was suffering with such sadness and crying desperately for some kind of recognition, much like Kafka did.

Franz Kafka was born in Prague, Czechoslovakia in 1883 to a middle class Jewish family (Biography). Much of his writing was influenced by his relationship with his father and probably by being a Jew in Germany and Austria until his death in 1924. One of these writings is “The Metamorphosis”. People felt confined in the roles of society, in family life, and have difficulty in handling the pressures with the stress of everyday life.

To begin with, Gregor already isn’t too happy with his dad because he is out of work and leaves Gregor as the only one supporting the family. After Gregor’s transformation, Mr. Samsa takes charge of the family. He gets a job and the family takes in a group of boarders for extra money. Mr. Samsa orders Gregor to stay in his room so that the boarders don’t discover that Gregor is now an insect, and he constantly throws insults at Gregor which emotionally hurts him.

Imagine this: waking us as a bug, not a small bug but a bug the size of a human. Now what would one think about? Of course not how to become human again but how work is so maddening. This is how Gregor Sampsa, the protagonist, reacts when he wakes up as a bug. Gregor after trying to go to sleep his mind wonders to “‘Oh, God’ he thought ‘What a strenuous career it is that I’ve chosen!’” (Kafka 28-29). Instead of facing the problem at hand, Sampsa decides to ignore it and think of how work is so stressful. Which leaves him to stress of work rather than fix his problem. Still dazed and knowing the time, knowing he missed the train, and still is a bug, he thinks “seven o’clock, and still a fog like this” (Kafka 169). Gregor is unable to focus on

One morning Gregor awakens to find himself transformed into a beetle. Although the reader is never

Furthermore, Gregor’s descent into social and physical abjection then forces his family to change radically in order to support themselves. In the beginning, Gregor starts off as the provider for his family. He hates his job, but he still goes above and beyond the call of duty to give his family a more comfortable life, even indulging the expensive endeavour of his sisters’ dream of studying the violin. However, after the metamorphosis, he is thrust into the role of a dependant – forcing his family to take responsibility and support themselves. His sister steps up to the plate in the beginning, giving him a selection of foodstuffs to find what he likes and even cleaning up after him. His parents are still in denial at this point, so much so that they refuse to see him at all. But as time goes by, his family begins to accept the situation and even try to help Grete out. His father produces some money from his previous failed business venture and his mother and sister try to make life more comfortable for Gregor. Grete in particular changes the most noticeably; Gregor himself notes at the beginning that her life up till that point had been “enviable”, consisting of “wearing nice