Grendel: The 1971 Sequel To The Epic Of Beowulf

In the Epic Poems Beowulf, by an anonymous Anglo-Saxon poet, and Grendel written by John Gardner, Grendel, regardless of what he does, has been seen as unsafe to man. Grendel, perceived as treacherous, is just misunderstood and an outcast to society. The back story of Grendel is crucial to the reader’s understanding of Grendel becoming a monster. Grendel’s life experiences of his environment, men and meeting a dragon contribute to the drastic change.

Grendel discovers and begins to gain the understanding/knowledge of different concepts such as power, etc. In addition, he observes how humans interact with one another throughout the twelve years of war; Yet, his attempt to communicate with humans gives him the title horrific monster. This leads to his loneliness and isolation from everyone. Furthermore, Grendel is left without any companion. Grendel can be best described as a monster who has human qualities but can be both rational and irrational. In Chapter 1, Grendel has an outburst because of the ram that appears.. “I stamp. I hammer the ground with my fists. I hurl and skull-size stone at him. He will not budge. I shake my two hairy fists at the sky and let out a howl so unspeakable that the water at my feet turns sudden ice and even I myself am I left uneasy.” This demonstrates how Grendel is hostile and belligerent. His emotions get the best of him and blinds his consciousness and awareness of how harmful he can be towards

why the book “Beowulf” is so well known is because of the fact that it is one of the first

Movies and books are never the exact same, sometimes even the whole plot is changed around. In the book Beowulf the plot, characters, and setting are a lot different than they are when the movie was created. If a person watched the movie before they read the book, it may be totally confusing to read. In the book, Beowulf shows up and plans to fight with his men, then leaves to go back to his own kingdom. In the movie Beowulf, Beowulf ends up staying and becoming king of Dane Land.

The story of Beowulf is a heroic epic, chronicling the distinguished deeds of the great Geatish warrior, Beowulf, who travels across the seas to rid the Danes of the evil monster Grendel, who has been inflicting destruction and terrorizing the kingdom. Beowulf is glorified for his heroic deeds of ridding the land fiendish monsters and stopping the scourge of evil, while the monster, Grendel, is portrayed as a repugnant creature who deserves death for its evil actions. However, many have disagreed with such a simplistic and biased representation of Grendel and his role in the epic poem. John Gardner in his book, Grendel, sets out to change the reader’s perception of Grendel and his role in Beowulf by narrating the story through Grendel’s point of view. John Gardner transforms Grendel, once perceived as an evil fiend in Beowulf, into a lonely but intelligent outcast who is actually quite similar to humans, due to his intelligence capacity for rational thought and his real, and at times irrational emotions. Gardner portrays Grendel as a hurt individual and as a victim of oppression, ostracized from civilization. Although the two works revolve around the same basic plot,, the themes and characters in Beowulf and Grendel are often different and sometimes contradictory.

In contrast to the Danes of “Beowulf”, Grendel searched for his very reason of existence by asking the questions “Why?” and “How?” for answers. Grendel started off in the book struggling with finding meaning in his life while watching the people clearly doing things that gave their lives meaning. He became upset as he saw that he couldn’t deter their spirits no matter what he did and started to feel jealous of their self-found purpose. He realized that through various ways the people attained meaning. In response to his confusion over their self-discovered purpose, Grendel started listening to the Shaper’s words when he spoke to the people shaping their very beliefs which confused Grendel even more on the meaning of life. After listening to the Shaper for a while, readers can see Grendel in a state of contradiction. He started off killing people as a simple, bestial monstrosity but in the end he is shown as quite intelligent and capable of choosing whether to kill or not. Soon, Grendel started seeking answers to his questions from a dragon. The dragon’s very philosophy on life was that there is no meaning of life which started to influence Grendel. Upon Grendel’s persistent questions of “Why?”, the dragon told him “You improve them, my boy! Can’t you see that yourself? You stimulate them! You make them think and scheme…You are, so to speak, the brute existent by which they learn to define themselves

Although he describes her as a “life-bloated, baffled, long-suffering hag” (11), Grendel realizes that “she would gladly have given her life to end my [his] suffering… with useless, mindless love” (102). He also believes that “she must have some human in her” (11), furthering Grendel’s character as one that derived from humankind at the very least. The novel acts as a witness to the fact that Grendel did have a childhood. Although his childhood brought on some struggles, this is a part of all life, including that of people. He finds his purpose in life when “at an early age [he] is forced to deal with a brutal and meaningless reality” (Butts) and he begins he finds his purpose. Throughout Gardner’s novel, Grendel tries to learn “how best to deal with the world” (Butts). As Grendel grows up, he learns from and is influenced by many different people who act as his teachers and role models. These interactions are Grendel’s closest alternative to the relations that the average human has. Grendel has three unique influences in his life: his mother, the Shaper, and the dragon. Grendel views his mother with disgust and she provides the inspiration and motivation for him to do better with his own life. The Shaper’s influence brings out Grendel’s ability of

“[Grendel’s] mother had sallied forth on a savage journey,/ grief-racked and ravenous, desperate for revenge” (Beowulf, 1276-1278). Her desire to avenge her son is carried out, but it ultimately leads to her death. Beowulf’s desire to garner fame and respect overpowers all of the raw emotion and anger felt by Grendel’s mother. She serves the purpose of showing the purest form of revenge, and how its blindness can lead to one’s demise.

When Beowulf hears about Grendel, he feels that it is his duty to stop Grendel from killing anymore, Beowulf leaves to go to Herot to destroy him. Beowulf is mostly being applaud for his long journey to face this terrible monster. Beowulf says, “Grendel is no braver, no stronger than I am! I could kill him with my sword: I shall not” (line 677). Beowulf feels

In Seamus Heaney’s translation of Beowulf, Grendel is nothing but an evil fiend that needs to be slain, “a fiend out of hell, began to work his evil in the world” (Heaney 9). Grendel is portrayed as an evil monster that has only been wreaking havoc and terrorizing a kingdom for an extended amount of time because it thrives on the pain of others. Seamus states, “Malignant by nature, he never showed remorse” (Heaney 10). Grendel is made out to appear as little more than a monster, “insensible to pain and human sorrow” (Heaney 11). He is portrayed to have little to no human qualities, to be the furthest thing from

In John Gardner’s Grendel, his theme can be interpreted in several manners. I see it as the author is trying to have the reader sympathize with Grendel. Others may think that Gardner is trying to make Grendel seem more monstrous; more evil. The author’s intentions are portrayed by explaining Grendel’s experiences prior to facing off Beowulf.

Grendel is characterized as a lonely creature who is trying to figure out the meaning of life around him. Grendel is an unhappy soul because he feels useless in society and doesn’t want to accept his given role. Throughout the novel Grendel feels as if he has no friends and nobody else accepts him but his mother. Humans have always been a problem in Grendel’s life and they affect how he lives life each day. Grendel is not an evil creature, he is just unhappy because of the way he is treated. We should sympathize for Grendel because he is suffering on Earth and he does not know what to do about it. The author shows that Grendel is in a place where he needs love and does not get punished because he uses his emotion to escape from his punishment.

After meeting with the Dragon and being given an immense amount of knowledge, Grendel walks away with only one thing, he must be the monster humans need to survive, "Whatever I may have understood or misunderstood in the dragon's talk, something much deeper stayed with me, became my aura. Futility, doom, became a smell in the air, pervasive and acrid as the dead smell after a fire" (Gardner 75). The dragon sought to assist a lost soul, yet when he realized Grendel was not understanding his lessons, he took an opportunity to create a monster. Grendel finally accepts this answer to his question of "how should I live", yet it sinks him deeper into a Nihilistic way of thinking. He begins to understand that life had no real value, neither do the humans surrounding him, " It leads gradually to his increasing isolation: he finds fault with all the great human values (and the fault is legitimate; nothing in this world is perfect...)" (Gardner's Letter). However, this life of destruction is pointless and begins to bore Grendel. Both of his encounters with Unferth demonstrate how "over it" Grendel has become. Rather than entertain Unferth and fight, he decides to have fun and mock him instead, " And now I was raining apples at him and laughing myself weak." (Gardner 85). This interaction with a man who is supposed to encompass all human values, leads Grendel to doubt the words

The purpose of Beowulf shines through it’s Old English roots. While reading the novel, the reader may notice the use of Old English on the left side pages. Although this may be confusing to some, to others it connects the book to the original ancient story that was portrayed in song form long ago. This connection to the past creates a sense of urgency to the new writing, as if the Old English writing, though meaning the same thing as the new writing, has importance to the overall story as a whole. Without the use of Old English in the novel, the overall purpose and importance of the story that was once told hundreds of years ago would begin to fade. The use of Old English also brings a seriousness to the novel, as though to remind those who read it that the words were once true to those who believed the stories. Thus leading the reader to believe that the story of Beowulf was made and explained out of honesty and made to inform the people that it was told to.

Grendel, is thus seen as the descendant of an individual who epitomizes resentment and malice in Beowulf. The author states Grendel lives in exile and is seen as “mankind’s enemy”(Raffel, 22). Grendel is the representation of all that is evil and he is declared to be the “shepherd of evil and the “guardian of crime”(Raffel, 33) by the Danes in Beowulf. The author describes Grendel to be an evil, cruel, apathetic creature who’s pleasure lies in attacking and devouring Hrothgar’s men. The author describes Grendel’s malice by painting a gruesome picture of Grendel’s countless attacks on the mead hall in which he exhibits Grendel as a heartless, greedy, and violent being who mercilessly murders the men at the mead hall by tearing them apart, cutting their body into bits and drinking the blood from their veins. The author describes Grendel’s greed by stating Grendel’s thoughts were as “quick as his greed or his claws”(Raffel, 21). He describes Grendel’s as having eyes that “gleamed in the darkness and burned with a gruesome light”, swift hard claws and great sharp teeth which paints a picture of Grendel’s frightening appearance in the reader’s mind. In contrast to the traditional story of Beowulf, Grendel in John Gardner’s novel, Grendel is not depicted as a monster but as an intelligent creature capable of human thought, feelings and speech. John Gardner portrays Grendel as an outcast