Grendel's Movements In The Epic Of Beowulf

In the Epic Poems Beowulf, by an anonymous Anglo-Saxon poet, and Grendel written by John Gardner, Grendel, regardless of what he does, has been seen as unsafe to man. Grendel, perceived as treacherous, is just misunderstood and an outcast to society. The back story of Grendel is crucial to the reader’s understanding of Grendel becoming a monster. Grendel’s life experiences of his environment, men and meeting a dragon contribute to the drastic change.

Beowulf is a great piece of Anglo-Saxon literature that can be, and has been, translated in multiple ways. Of the many outstanding translations, two of which are by Burton Raffel and Seamus Heaney, different ways of writing are portrayed. Grendel’s description is written quite differently in both translations. Heaney’s translation is more similar to the Anglo-Saxon style of writing than Raffel’s translation.

“I won’t shift afoot when I meet the cave-guard.” This quote shows the courage and bravery of a warrior during this time. In the Anglo-Saxon Beowulf and John Gardner’s Grendel, the difference in the point of views give a change to the author’s style and the narration of the two writings. The difference in literary purpose behind the two writings affects the motivation and the language.

Grendel, the offspring of Cain the outcast, is a demon. He is a scaly creature that lives in a swampy area. He is a reptilian human, with spikes on him. He is a human-like figure, in which the way he stands. He stands on two feet, and has arms. In the book Beowulf removes Grendel’s arm and shoulder, defeating him. This must mean he has a shoulder blade and can walk like a human. He also has razor-sharp talons as it says in the book “Venturing closer, his talon was raised to attack Beowulf where he lay on the bed” (Heaney 51). One night when he is prowling around, he hears the King and his kinsmen singing out to the Lord. He hears the songs of how great God is, and is outraged. As the outcast of God, Grendel despised of God. The songs and happiness, pushes him over the edge. He plans the downfall of the hall, in spite of their songs. He will attack at night, as everyone sleeps, and butcher them dead. He sneaks in at night, watching over the guards, ready to pounce. He rips apart the men eating them alive. “Suddenly then the God-cursed brute was creating havoc: greedy and grim, he grabbed thirty men from their resting place and rushed them to his lair” (Heaney 11). This shows just how When the king awoke the next morning he grieved for his men, but little did he know Grendel would attack every night for 12 winters. Once again Grendel sets of for a night of ravishing, but the king has a plan. He has set out more guards to keep watch over the kingdom, as he sleeps. When Grendel

Grendel is a novel dominated by forces of good and evil, religious allusions, heroism, and nature. These themes are the primary go-to’s for thoughts on significant themes in a novel such as this, but one overlooked theme plays a larger role in the context of the novel. The importance and power of language is arguably one of the most significant themes of the novel. This theme is demonstrated within 3 main scenes within the novel including; Grendel’s first encounter with men, The Shaper’s words and effect, and in the battles between Grendel, Unferth, and Beowulf.

There are two sides to every story. The events may be the same, but the tone in which the story is told shapes the reader’s understanding of the events. This idea is never more evident than through the disparity between Burton Raffel’s translation of Beowulf and John Gardner’s Grendel. Both novels are based on the idea of Beowulf killing Grendel. However, the two different points of view telling the story create vastly different novels. Beowulf highlights the heroic and positive world in which Beowulf lives. Whereas Grendel elucidates on the miserable life that Grendel is circumscribed to. The consistent variance in tone skews the events in two completely different directions. The tone between Beowulf and Grendel differ in

In his three major battles, Beowulf fights for many different reasons. His motivation varies, and as he grows older and wiser his attitude toward these battles also changes. Throughout the epic, Beowulf bradoshously beats Grendel, then more methodically murders Grendel’s mother, and with his last breathes humbly hollers for help to slay the dragon. This shows that Beowulf’s early focuses of glory and riches changes as he becomes a weathered warrior acknowledges that he cannot defeat his enemies alone and must utilize the resources provided to him such as armor, magical items, and companions.

In what other book is the monster, the character with more nobility? Both monsters, Grendel and Beowulf, are brave in what they do but being brave is not all it takes to be noble. Grendel is more noble than Beowulf because of the truth he portrays through what he believes in, the perseverance he has when put into a dangerous situation or position, and the fidelity he shows toward his mother.

The story of Beowulf is one of a great hero. Beowulf is a very generous person who is always willing to help out when people are in need. Over the course of the story, Beowulf ends up in three major battles: the battle with Grendel, with Grendel’s mother, and with the dragon. All of these battles were different in their style and the way Beowulf approached them was different. Beowulf also had different reasons to participate in each of the battles.

The book was an originally a story that orally passed down for generations. From elders to the younger generation. No one knows who the people who originated the story were but they were pagans that believed that when you died there was no after life that you had to do great deeds to be remembered after you died.

     Contrasting points of view in Grendel and Beowulf significantly alter the reader’s perception of religion, good and evil, and the character Grendel. John Gardner’s book, Grendel, is written in first person. The book translated by Burton Raffel, Beowulf, is written in third person.

In the fictional epic poem Beowulf, Beowulf is a hero that can defeat any monsters and he saves towns from their wraths. Although the battles between Beowulf and the various monsters may seem clear cut as good versus evil, Beowulf has a mix of both humble and selfish intentions behind each battle. In each of the three battles in the book, Beowulf does something to create a more difficult battle for himself to appear stronger and better. Against Grendel, Beowulf restricted himself from using weapons because when he would win, he would look that much better. When Grendel’s mother fought Beowulf, he kept his men from helping him and fought the beast himself. Against the dragon in his final battle, he used weapons and the help of his men and quantified it because he was older than he was against Grendel. Beowulf set the bar too high and each battle after the first made him seem weaker and weaker. But in each battle, Beowulf challenges himself unnecessarily to appear as a better warrior.

The poem Beowulf presents the transformation of Beowulf from a brave warrior to an honorable King. The evolution of Beowulf shows how he fulfills his obligations to the warrior’s heroic code and then transcends into a King who loyally protects his Kingdom. Beowulf’s transformation is shown through a progression of three increasingly more difficult conflicts he must overcome- first with Grendel, then Grendel’s mother and finally against the mighty dragon. These three events are seen "as the three agons in the hero 's life"(Chickering 64). Through these adverse events Beowulf will change from brave young warrior to noble King. This paper will examine the manifestation of heroism in the poem

Long ago, there was a forest right where the beloved Herot now claims the land. This was a truly beautiful forest, which had all different kinds of trees and bushes. A group of animals known as the Jentals ruled the land at this time. They were fierce, but fair creatures who are similar to humans. The newly appointed leader and his wife had an offspring, naming him Grendel. All of the Jentals loved Grendel, often doing him favors and giving him gifts. One day, Humans started to invade the Jentals land, specifically the Danes. Grendel’s father made the decision to leave the forest to find a new home. This angered Grendel that his father would just abandon his home in the forest to let some stupid humans claim it. Grendel decided to stay and fight, leaving him to be an outcast among all the other Jentals that left. When he discovered that the Danes would have it their way, Grendel’s blood actually began to boil inside him. Every tree they cut, every pond they polluted, it all made Grendel turn into to a bitter, mean creature.

Another literary element that offer meaning to the poem is imagery, by simply allowing the readers to envision the events of the story. In the first part of the story (129-134), Beowulf is described as coming over “seas beating at the sand” while “the ship foamed through the sea like a bird.” This scene truly guides the readers to admire the vivid description of how proud and tough the ship looks. This ship in this case, becomes a metonymy for Beowulf himself, who is certainly proud and strong, resulting in the readers’ admiration. Additional imagery is used describing the mere, or lake, discussed above, with “storms [an] waves splash[ing] towards the sky, as dark as the air as black as the rain that the heavens weep” (440-442). This clearly illustrates how dreadful Grendel and his mothers’ home is. It intensely aids us to picture how grotesquely unpleasant the lake actually is. Near the end of the tale (lines 651-653], Beowulf “[strides] with his shield at his side and a mail shirt of his breast….. Toward the tower, under the rocky cliffs.” While Beowulf awaits the battle, the description of his armor and the details of each entry help us to respect how ready he is for his concluding battle. Even as an elderly man, Beowulf is a hero beyond compare. In closing, the use of imagery greatly enriches the readers’ experience of this heroic epic.