Grendel's Visit To The Dragon Analysis

In the Epic Poems Beowulf, by an anonymous Anglo-Saxon poet, and Grendel written by John Gardner, Grendel, regardless of what he does, has been seen as unsafe to man. Grendel, perceived as treacherous, is just misunderstood and an outcast to society. The back story of Grendel is crucial to the reader’s understanding of Grendel becoming a monster. Grendel’s life experiences of his environment, men and meeting a dragon contribute to the drastic change.

Grendel’s violence stems from his belief that all things in the universe, including people, have no reason to exist. After meeting the dragon, an omniscient creature with knowledge of the past and the future, Grendel tries to change his own ways by repressing his animal nature and not harming the humans. The dragon asserts that everything that the humans do in the search for meaning, including religion and art, is pointless. During the talk, the dragon suggests to Grendel that he should find something tangible in the world and hold on to it, saying “my advice to you, my violent friend, is to seek out gold and sit on it.” (Gardner 74).

Grendel discovers and begins to gain the understanding/knowledge of different concepts such as power, etc. In addition, he observes how humans interact with one another throughout the twelve years of war; Yet, his attempt to communicate with humans gives him the title horrific monster. This leads to his loneliness and isolation from everyone. Furthermore, Grendel is left without any companion. Grendel can be best described as a monster who has human qualities but can be both rational and irrational. In Chapter 1, Grendel has an outburst because of the ram that appears.. “I stamp. I hammer the ground with my fists. I hurl and skull-size stone at him. He will not budge. I shake my two hairy fists at the sky and let out a howl so unspeakable that the water at my feet turns sudden ice and even I myself am I left uneasy.” This demonstrates how Grendel is hostile and belligerent. His emotions get the best of him and blinds his consciousness and awareness of how harmful he can be towards

In the novel, Grendel by John Gardener, Grendel is a human-like creature capable of rational thought as well as feeling emotions. Early on in the story Gardener depicts Grendel as being very observant, critical and somewhat spiteful of the world around him. He describes himself as a murderous monster who smells of death and crouches in the shadows. Grendel watches the humans from the shadows of the trees and at first it seems as though they are the real monsters, slaughtering and pillaging all for the sake of their leaders and for power. This light that the humans are put in gives Grendel a certain charisma about him, making him seem like the one to side with in this novel. Later in the story, however, things change. Grendel seeks out the

Like many whom suffer the same disorder, Grendel completely changed his mind, extending from one topic to the exact opposite. He goes against his own ideas as if he were two totally opposing characters. He also always thought the dragon was near. Grendel allowed the ways and beliefs of the dragon to get in his head. He would claim he could “smell the dragon’s scent” whenever something sinister occurred. All of these symptoms, in addition to the isolation from Hrothgar’s people lead to the overall cause in withdrawal from society. Grendel’s emotional disturbances caused him to react completely unreasonable and rather foolish many times within his life.

As a result of this emotional pain, the Dragon’s statement to just find gold and sit on it serves to produce an alternate path for Grendel - a path of true disdain for humans and their development. However, signs that Grendel may have been tormented by these demons present themselves early in the book, with the quote, “So it goes with me day by day and age by age, I tell myself. Locked in the deadly progression of moon and stars. I shake my head, muttering darkly on shaded paths, holding conversation with the only friend and comfort this world allows, my shadow” (8). The Dragon discusses these same concepts with Grendel (being locked in the progression of life, holding conversations with shadows) and continues to question the reason behind caring, and promotes a life of lethargy, a self-destructive

In contrast to the Danes of “Beowulf”, Grendel searched for his very reason of existence by asking the questions “Why?” and “How?” for answers. Grendel started off in the book struggling with finding meaning in his life while watching the people clearly doing things that gave their lives meaning. He became upset as he saw that he couldn’t deter their spirits no matter what he did and started to feel jealous of their self-found purpose. He realized that through various ways the people attained meaning. In response to his confusion over their self-discovered purpose, Grendel started listening to the Shaper’s words when he spoke to the people shaping their very beliefs which confused Grendel even more on the meaning of life. After listening to the Shaper for a while, readers can see Grendel in a state of contradiction. He started off killing people as a simple, bestial monstrosity but in the end he is shown as quite intelligent and capable of choosing whether to kill or not. Soon, Grendel started seeking answers to his questions from a dragon. The dragon’s very philosophy on life was that there is no meaning of life which started to influence Grendel. Upon Grendel’s persistent questions of “Why?”, the dragon told him “You improve them, my boy! Can’t you see that yourself? You stimulate them! You make them think and scheme…You are, so to speak, the brute existent by which they learn to define themselves

Although he describes her as a “life-bloated, baffled, long-suffering hag” (11), Grendel realizes that “she would gladly have given her life to end my [his] suffering… with useless, mindless love” (102). He also believes that “she must have some human in her” (11), furthering Grendel’s character as one that derived from humankind at the very least. The novel acts as a witness to the fact that Grendel did have a childhood. Although his childhood brought on some struggles, this is a part of all life, including that of people. He finds his purpose in life when “at an early age [he] is forced to deal with a brutal and meaningless reality” (Butts) and he begins he finds his purpose. Throughout Gardner’s novel, Grendel tries to learn “how best to deal with the world” (Butts). As Grendel grows up, he learns from and is influenced by many different people who act as his teachers and role models. These interactions are Grendel’s closest alternative to the relations that the average human has. Grendel has three unique influences in his life: his mother, the Shaper, and the dragon. Grendel views his mother with disgust and she provides the inspiration and motivation for him to do better with his own life. The Shaper’s influence brings out Grendel’s ability of

"The sky says nothing, predictably. I make a face, uplift a defiant middle finger, and give an obscene little kick. The sky ignores me, forever unimpressed. Him too I hate, the same as I hate these brainless budding trees, these brattling birds (Gardner 6)." He also developed a hatred toward humans after getting stuck in the tree. On that dark night, he learned that humans were dangerous because they tried to hurt him instead of helping him. "It wasn't because he threw that battle-ax that I turned on Hrothgar. That was mere midnight foolishness... It wasn't until later, when I was full-grown and Hrothgar was an old, old man, that I settled my soul on destroying him—slowly and cruelly (Gardner 30).” The humans were not as innocent as the Shaper perceived them to be. Grendel lurked in the darkness and watched them as they battled and destroyed their own kind. Ultimately, the dragon with the dark scales made an immense impact on Grendel’s character. Grendel was not sure of his purpose in life, and the dragon confirmed that he should be evil by killing the humans. At first, Grendel resisted. However, hatred led to Grendel’s determination to punish mankind.

Grendel in a situation where he is feeling different emotions that make him act a certain way. Every time Grendel terrorizes human beings, it seems vile and full of hate, but that is not the intention. People fail to acknowledge why the relationship between Grendel and humans is full of hate. The awful relationship started off when they started off with a negative impression due to the lack of communication. Grendel became scared of the humans and the only thing the humans can do is defend themselves when they see an enormous monster. While Grendel knows of his evil deeds he is still confused about what his true identity is. This failure to figure out his identity is what Grendel seems to try and achieve throughout the novel. It is not easy for him because of the position he has in life. Grendel does not truly know his place in the world and he strives throughout his life to find the answer.

Anxiety is portrayed throughout “Grendel” is multiple parts of the novel, Danish philosopher Søren Kierkegaard once stated “Anxiety is the dizziness of freedom.” This means that you feel anxiety because you recognize that you and you alone are responsible for your actions. This produces the two-sided feeling of simultaneous dread and exhilaration. The most noticeable view of this portrays itself at the end of chapter nine with Grendel feeling immense dread as he stumbles through the forest. In this moment, Grendel wants to go through time to see the dragon. Everything alive is asleep or dying. He is waiting for winter to move on, so everything can be alive again. Grendel yearns for life to show itself again come spring due to that his life

"The mountains are what I define them as.... What I see I inspire with usefulness... and all that I do not see is useless, a void." [28-29] Grendel then sees that the world is how he views it, and his senses make up everything: reality is dynamic. This important conclusion leads him to begin to look around him and form thoughts and opinions on all that he sees, as well as placing him at the first step down the road of the cynical death he suffers. His first impressions

“That shadow of death hunted in the darkness, stalked Hrothgar 's warriors, old and young, lying in waiting, hidden in mist, invisibly following them from the edge of the marsh, always there, unseen” (Beowulf 2: Line 74). Grendel was smart and a slithery serpent. He did not wish

Grendel, is thus seen as the descendant of an individual who epitomizes resentment and malice in Beowulf. The author states Grendel lives in exile and is seen as “mankind’s enemy”(Raffel, 22). Grendel is the representation of all that is evil and he is declared to be the “shepherd of evil and the “guardian of crime”(Raffel, 33) by the Danes in Beowulf. The author describes Grendel to be an evil, cruel, apathetic creature who’s pleasure lies in attacking and devouring Hrothgar’s men. The author describes Grendel’s malice by painting a gruesome picture of Grendel’s countless attacks on the mead hall in which he exhibits Grendel as a heartless, greedy, and violent being who mercilessly murders the men at the mead hall by tearing them apart, cutting their body into bits and drinking the blood from their veins. The author describes Grendel’s greed by stating Grendel’s thoughts were as “quick as his greed or his claws”(Raffel, 21). He describes Grendel’s as having eyes that “gleamed in the darkness and burned with a gruesome light”, swift hard claws and great sharp teeth which paints a picture of Grendel’s frightening appearance in the reader’s mind. In contrast to the traditional story of Beowulf, Grendel in John Gardner’s novel, Grendel is not depicted as a monster but as an intelligent creature capable of human thought, feelings and speech. John Gardner portrays Grendel as an outcast

The killing of Grendel lets the reader experience a combination of the vital elements. The pity is experienced from the reader not towards the death of Grendel but towards the Danes and Geats who have been harmed by his attacks. Fear is experienced as no one would like to be terrorized and live in fear of another. Fear, as well as Mimesis is found in the form of Grendel’s attack on Heorot. The vivid language that the unknown author of Beowulf uses to describe Grendel’s vicious descent on Heorot not only places the reader in the shoes of the victims and allows them, in a way, imitation of fear experienced by those being attacked at Heorot. As Aristotle points out, reversal and suffering are two critical components in the nature of tragedy (Poetics 30). Reversal being the change in direction of events from good fortune at Heorot to bad fortune; although this should be expected as only good fortune in a poem, or any written work for that matter, would make for a monotonous story. Suffering is another part that makes a poem a tragedy. It involves the pain or destruction of something (Poetics 30). Suffering will also cause the reader to experience mimesis as it involves extreme agony not unlike in the case of the Danes the night after Grendel’s attack. After Grendel’s attack, the reader sees the downfall of the Danish society under King Hrothgar, the king lost hope and was “numb with grief” (134). Even the people were hopeless as they turned to pagan gods and feared raids from