Grizzly Man And The Cove Analysis

In the documentary “Blackfish”, directed by Gabriela Cowperthwaite, she discussed the harmful events that have occurred when keeping killer whales contained for show and entertainment purposes. Cowperthwaite argued the fact that the killer whales become aggressive when held captive in an area too small for them and separated from their families. Throughout the documentary there were many horrifying stories about the attacks told by people who had saw the tragedies first-hand.

However, the film makes an effort to show that Treadwell has more depth as a person by examining his past and consulting with those close to him for why his life lead up to this point. Though there is an benevolent intention in his actions,

One of the most effective strategies that the director amplifies in the film is pathos. Pathos is shown by phone calls that have been made to dispatch when attacks occurred, actual footage from attacks and baby orcas crying when they were separated from their mothers. This allows the audience to see and hear all of the incidents regarding the killer whales and be able to feel more connected. When the director uses pathos the appeal is to have the sympathy directed for the killer whales. A claim that ties in with all of this is in the documentary when they are saying killer whales are normally peaceful in the wild, and they only attack while in captivity. Detailed facts about how the whales are to an extent, tortured and become agitated with no outlet support this reasoning, since there are documented reports and footage of this as well.

"People always wonder whether I believe SeaWorld should be closed down. I always say no. They have tremendous financial resources and could play a key role in creating sea sanctuaries which could be a profit-making endeavor. I believe people would flock to a site where a killer whale is being a killer whale for the first time -- something infinitely more satisfying than seeing a killer whale dance the Macarena." - Gabriela Cowperthwaite. Cowperthwaite, the director of the documentary film Balckfish, is one of many that urges for change at the infamous marine park SeaWorld. For years on end SeaWorld has been a place of family fun and amazement; using one animal in particular as their spokesman and main attraction, Killer Whales. However, in recent years that image has gotten more than just a meager makeover. Over the past six years, following the tragic death of Dawn Brancheau, SeaWorld and the captivity of Killer Whales has been under serious scrutiny. There have been several findings of how captivity negatively affects these great creatures and the conversation of keeping Killer whales has only been gaining momentum. It is clear that the death of Dawn Brancheau is what sparked societies ideological shift, yet another key part in the start of this discourse is, without a doubt, the release of Gabriela Cowperthwaite 's documentary film Blackfish.

In the truth revealing documentary “Blackfish”, the film reveals what these killer whales in entertainment parks such as SeaWorld go through, along with the trainers who work with them. The documentary shows clips and pictures of the killer whales mauling the trainers, and whales fighting each other resulting in

Documentaries are a form of genre in the film industry that aims to discuss a certain topic in the world, often trying to prove a point or persuade the audience towards a particular cause. The cove (2009), directed by Louie Psihoyos, is about the annual dolphin slaughter in Tai Ji that happens every year in Japan. It shows the ventures of the activist Ric O’ Barry who tries his hardest to expose the injustice within the industry. Blackfish (2013), directed by Gabriela Cowpertha is about the captivity of Orca Whales in public wild life parks such as Sea World. Very much like The Cove, Blackfish attempts to expose a certain dark side of what seems to be a harmless company and show the world that captivity can be dangerous for whales and even

Blackfish (2013), a mesmerizing, psychological documentary with 7 film awards and 38 nominations, presents an extensive look into the negative effects captivity has on Orca whales. The director and writer Gabriela Cowperthwaite calls her audience to action, similar to documentaries such as Food, Inc., The Cove, and Super Size Me. In all of these documentaries, the director and writers reach out to an audience that is not fully knowledgeable on a certain topic, in order to persuade them into taking a stance on a certain topic. In Gabriela’s film, she illustrates the story of Tilikum, a performing Orca who killed many people while at SeaWorld, Orlando. Though at times graphic, the film investigates the harmful effects captivity has had on these wonderful creatures and their trainers. Blackfish uses credible interviewees, powerful voice-overs, and influential outside evidence to persuade those who are un-informed of the negative effects of captivity on killer whales. The ultimate goal in doing this is to urge these individuals to take a stance against aquatic captivity.

Gabriela Cowperthwaite’s documentary Blackfish explores the harm captivity causes to whales and their trainers. Throughout the film the orca whales undergo a transformation from defenseless creatures into molded killers. The orcas in the film are portrayed as intelligent and caring creatures who are capable of grief. Through this character the development the documentary has affected how these animals are treated, as well as the public’s opinion on the issue.

In 2013 a documentary called “Blackfish” (a documentary explaining the illnesses of orcas and the weaknesses of seaworld) was released to inform the world why seaworld was not all fun and games. In fact after the release seaworld lost $31.6 million the second-quarter income. Just one of the many things “Blackfish” told us is that capturing the orcas doesn't always go as smoothly

A documentary is film dedicated to recording an aspect of reality for informational purposes. Documentaries can cover a wide variety of topics, such as the wildlife in the world. A major topic that has become relevant is the discussion of endangered species and the human impact on their lives. In the movie, The Cove, the portrayal of Ric O’Barry creates pathos and ethos to gives the audience a sense of urgency to help the fight against the slaughtering of dolphins in Taiji, Japan. Ric O’Barry, in the 1960’s, was a famous capturer and trainer of dolphins for the popular TV show, Flipper.

Ensuring that the cast of a documentary are real people and not actors is also a technique that The Cove incorporates to create a sense of realism. The entire cast of The Cove are established activists who were well known prior to the film for the work they have contributed towards marine protection in organizations such as ‘The Ocean Preservation Society’ and ‘The Sea Sheppard Conservation Society’. Short clips of Ric O’Barry’s history with Flipper the dolphin, and news clips concerning his several arrests were displayed various times during the documentary. Moreover, the featuring of established politicians such as Japan’s International Whaling Commission (IWC) delegate, Joji Morishita and Japan 's Fisheries Agency Hideki Moronuki, assists in visually showing the audience that the cast and featured people are not actors, and have been working in their current field for years. These codes and conventions of naturalistic aesthetics concerning content, constructs a sense of realism due to the information and footage presented being filmed from ‘the real world’.

Through a collection of research, commercials, and interviews, the documentary, Blackfish, reveals the possible reasons for the number of recent killer whale attacks. Blackfish argues that killer whales experience frustration and abuse when held in captivity. In addition, many theme parks, like Sea World, withhold information about the treatment and natural history from both employees and tourists.

events, as well as the basic nature of the issue which involves a mesmerizing animal and its

Blackfish is a documentary based on killer whales who are captured to serve as performers, confined to small spaces, and mistreated while in captivity. The film features Tilikum, a male killer whale who not only has displayed disturbing behaviors but has also injured and killed people throughout his lifetime. The film also focuses on Sea World who despite their attempts to appear as a safe, and nurturing environment for these animals fails to provide proper training to their employees, accurate information to its guests, and mediocre living conditions for their animals. We meet several former Sea World trainers who recall the personal and emotional struggles they faced during their time at SeaWorld, and the incidents they witnessed which caused them to question not

Werner Herzog directed a documentary film called Grizzly Man to show viewers how much interest Timothy Treadwell demonstrated towards human nature and how he demonstrates human nature through himself. Timothy Treadwell spent thirteen long summers in Alaskan Peninsula. He went to go portray his love and protection to the wild life and grizzly bears, which lead him to his miserable death. Herzog creates a sequence of scenes, comments, and interviews from people who is well connected directly or indirectly with Treadwell. His purpose of directing the Grizzly Man documentary through Treadwell’s own film was to convey the viewers the difference of human beings and the wild life animals. Herzog’s main effective argument was to convey how courageous and how insane Treadwell was to spend thirteen summers in the wild life of grizzly bears.