Growing My Hair Again

He was once kind, but now he’s a mean man. Kino looked down at her and his teeth were bared. He hissed at her like a snake, and Juana stared at him with wide unfrightened eyes, like a sheep before the butcher. She knew there was murder in him, and it was all right; she had accepted it, and she would not resist or even protest. And then the rage left him and a sick disgust took its place.

Family is a strong connection to life. I feel that family roles in the book The Pearl show how they can affect the main character such as, Kino with the problems that he’s going through. In the book Kino murders a man with his knife in chapter five. The loyalty with Kino and his family members is that the all support him if he make any decisions on his own. Even though, Kino wants to make his own decisions he also want support from Juana and Juan to make sure he’s doing the right actions. Juan and Kino are true family members and his loyalty to Kino are capable by helping him shield Kino from committing murder even though it’s a crime. It is appropriate for Juana to take submissive to Kino because when taking a massive problem such as, murder

The author moves to her actual realization that she has been misunderstood her entire lifetime along with the Western world by extending her vocabulary and appealing to emotional diction. These are seen clearly through “’aina” meaning culture and “the great bloodiness of memory: genealogy” (Trask 118). These few examples show how her language is connecting with the audience on an emotional level by using native terms and powerful language such as “bloodiness.” She appeals to the ideals of pathos by employing meaningful words when describing the traits of her people. She

But, as the story progresses and he discovers “the Pearl of the World,” (p22) Kino tries to sell it so that he can rise above his poverty and procure a better life for his son. Kino’s newfound motivation to ameliorate his family 's conditions alienates him from others including his wife. Driven by the new "Song of Evil” (p5) and the "music of the enemy,” (p5) Kino finds himself making extraordinary sacrifices to attain tangible wealth. Juana, because of her strong instincts, senses the evil vibes coming off of the pearl and concludes that it “is like sin” (p38) and that “it will destroy” (p38) them. Kino, however, is oblivious to the pearl’s negative effect as he assumes the pearl to be their “only chance.” (p38)

This story is told through a first person perspective as each refugee has their own secrets to keep while seeking a new life. This was a highly effective choice as it enabled the reader to “be in their shoes” and witness the brutal journey these refugees have faced. In order to show us the severity of the journey, imagery is needed since it helps the audience picture the situation as most of us cannot imagine what life at this time was. When Joana arrived at the port, as “animals roamed helplessly in the streets and people screamed out for food and lost family members” (152). This description shows how this war has torn apart everyone physically and emotionally as complete chaos unfolds. It is also an appeal to pathos as her audience would feel devastated by having to witness such a scene. This is because nobody should have no food to eat or not know whether they were safe. As a result, the description of the port upon Joana’s arrival proves that even after their journey was completed, the fight for survival was not over. Instead, it was just beginning as everyone fought for a boarding pass that one hoped would allow them to

When Kino suggests that he goes and Juana hides she refuses. When he commands and says it is his wish she still does not agree. This is the first time she has openly disagreed with Kino and the first time she is taking charge. It shows importance because it is the primary shift of gender roles between the couple even though it is minor. After Coyotito dies in the hands of Juana, Kino is left heartbroken and torn.

The authors do an excellent job providing extensive detailed accounts of the events and are so meticulous in this endeavor, that at times it can become excessive to the point of irrelevancy if the reader’s desire is to acquire a basic synopsis of the story. If the reader is seeking a dry and monotonous academic account, they will certainly not find it here as the history is brilliantly retold in a page-turning and dramatic fashion. Complete with an exhausted list of characters, who at many times, can be difficult to keep up with but are nonetheless instrumental to understanding the intricacy and complexity of the story. Filled with anecdotes and side notes enriched by just about every relevant character and figure of the story whose roles and significance can often be confusing if not followed carefully, the story plays out as a dramatic and theatrical performance that jumps between geography and time. The authors do a remarkable job in providing character profiles, though at times, may teeter tediously as they dive into personal histories and anecdotes that have the potential for both swaying the reader’s attention and content’s intention. However, one must undoubtedly appreciate the journalistic style employed by the authors to weave a story of deep convolution, one that thoroughly investigates every aspect and

At the beginning of the story they both felt content and happy as show in this quote “Sometimes it rose to an aching chord that caught the throat, saying this is safety, this is warmth, this is the Whole.”. They did not even speak because their understanding was so great. But after Kino found the pearl his relationship steadily deteriorates as shown in this quote “"Kino," she said huskily, "I am afraid. A man can be killed. Let us throw the pearl back into the sea." "Hush," he said fiercely. "I am a man. Hush.”. That shows that as time goes by Kino is acting ruder and harshly to Juana all because of the greed the pearl caused. Another example is "This thing is evil," she cried harshly. "This pearl is like a sin! It will destroy us," and her voice rose shrilly. "Throw it away, Kino. Let us break it between stones. Let us bury it and forget the place. Let us throw it back into the sea. It has brought evil. Kino, my husband, it will destroy us." And in the firelight her lips and her eyes were alive with her fear. But Kino's face was set, and his mind and his will were set” this quote shows that Juana is becoming increasingly fearful yet Kino is sure this is the way and is willing to do whatever is necessary to become wealthy. This causes a strain between their relation. Finally the worst thing Kino commits is the act of attacked Juana. He is described as a snake hissing at her and hitting her that makes her fall. He even continues to kick her after she has fallen and she accepts it and knows he may even murder her. This shows that Kino has broken all limits of humanity and is being consumed by

“Kino could see Juana in a shawl, stiff with newness and a new skirt, he could see himself dressed in new white clothes with a new hat, holding a new harpoon better than the one he had previously broken. He could see Coyotito, he wore a blue sailor suit from the United States and a little yachting cap, these are all things he wanted, that he could now have.” Kino states everything he wants and can now get in life which makes him more arrogant, leading him on a path of destruction. This also gives Kino something to look back on after it's too late. “In the moonlight he could see the frantic, frightened eyes, and Kino aimed and fired between the eyes. Suddenly he heard the keening, moaning, rising hysterical cry from the little cave in the side of the stone mountain, the cry of death. He hastily scaled the mountain and entered the cave to bear the sight of a small limp heavy bundle. The shawl was dried with blood, and the bundle swayed a little swayed a little as it was held.” Kino has sacrificed the one thing he cares most in the world about for a simple pearl which again proves the point that Kino is truly a tragic hero. Kino believes that if he can come out safely with both his family and the pearl intact that he can live happily ever after, but with the pearl comes evil and death. Later in the novel when Kino is forced to choose between his family and

After all this analysis, it becomes clearer and clearer that Imelda’s true dedications lie in her desire to control her little world and the people within it, rather than in her conviction for her vocation to religious life. Therefore, it is safe to say that Imelda has little conviction for her vocation because of her relationship with the

After discovering the pearl, however, Kino begins to dream of possibilities for his family, most importantly an education for his son, which was something he previously never thought of as he considered it absolutely out of reach. His dreams gradually start becoming more and more materialistic as he stares at the pearl’s surface. Consequently, he drifts apart from his culture and family customs, he escapes town and ends up killing a man, being inherently deceived by the pearl. When he returns to the village, wrecked by the death of his son, he first offers Juana the chance to throw the pearl into the sea. This indicates that he has learned to value her sense of judgement and is, in a sense, yielding to her. But she insists on Kinoo throwing the pearl into the sea instead and that shows that she remains faithful to their previous alignment of life and as always, seek and strives s to preserve

Oppression is a very difficult obstacle for people to overcome and conquer. In The Pearl, the town people suffer many economic and social oppressions in their lives. Kino, a townsman, lives with his wife, Juana, and his newborn son, Coyotito in Mexico. They are a very poor family who cannot afford the best materials life has to offer them. Thier friends, the town people, help encourage and support them with their everyday lives. They soon learn to adapt to the rocky lifestyle, but still struggle to rid the oppression that haunts them. Major problems Kino’s family has are they do not have money, education, and equality.

Kino a loving father and husband whom had dreams for his family, as shown in steinbeck’s The Pearl. But fate led him to a pearl of exqwizit magnificence. This pearl assured the dreams he wanted for his family, to marry ied to his wife Juana, and for his son Coyotito to get a proper education. But because of Kino’s obsessive attitude over the pearl it doomed his family to a different path, one with fear, death, and corruption. Juana his loving wife whom was spectacle of what Kino was doing and questioned him “Who do you fear?” (35) Kino answered with “Everyone”(36). You may argue that Kino’s actions are being based on greed therefore greed is responsible for the death of Coyotito and the destruction of the family, I invalidate that argument because greed is an emotion. Greed, is an emotion and emotions cannot control you, you have the ability control your emotions. DO NOT READ THE RED “In my target essay, I argued that emotions can be controlled, in the sense that we can shape or influence which emotions we have, when we have them, and how we experience and express these emotions.”

In the novella, The Pearl, Kino is faced with many decisions that later impact his life in ways that he could never image. The Pearl tells the tale of a great pearl that could change the life of any man. Kino happened to be this man, but this great pearl caused nothing but havoc and harm to come upon his family. When they were running from all of the trouble the pearl had caused them, Kino’s son died, their hut burned down in the attempt to get away, and Kino had become a man of anger and violence.

The pearl then makes Kino impatient and desperate for good luck, therefore he resorts to violence. He “strike[s] [Juana] in the face with his clenched fist and she fell among the boulders, and he kicked her in the side” (Steinbeck 59). These violent outbursts of anger are unlike Kino. He has resorted to beating his wife, who he