Gualinto Return To Mexico Summary

The movie “El Norte “is the one of the most successful and influential movies to represent the immigrants state. Director Gregory Nava’s gives the story of Guatemalan siblings Rosa and Enrique’s journey in a melodramatic way. The movie is divided to three main parts, Guatemala, Mexico and United States. The story of Rosa and Enrique’s shows us community, the power of language and culture in different countries.

Gonzalez opens this chapter with, conceivably, the harshest narrative he could find to support his claims: He writes of a Latina mother forced by a judge to speak English to her daughter at home if she wanted to retain custody (Gonzalez 206). He continues on to describe the three categories of people affected by the

The poem “Finding Home” written by Carolina Hospital tells the story of how Mexicans who come to America try to find their heritage in the United States. Like many who migrate to America, the immigrants miss their country and are concerned about losing their culture. In contrast to Harvey Gomez, this poem shows that many Mexicans in America appreciate their heritage. “I have travelled north again,/to these gray skies/and empty doorways,” (Hospital 101). This shows that they miss their native country and are concerned about forgetting their heritage. Perhaps Harvey’s grandparents thought the same thing when they first came to America from Mexico. Regardless of their arrival in America, they want to return to Mexico someday. “I must travel again soon” (Hospital 102). Despite leaving their native land they have respect for Mexico and will visit again. After the experience that Harvey had in discovering his heritage, I am sure that he will visit Mexico again.

Around sixty ranchers submitted a petition to the Congress protesting the unfair legal process that each landowner had to go through to prove their claims to the lands. Although this petition did not stop the legal structures from continuing to exploit the vulnerability of the Mexicans, it undoubtedly reflected the stark contrast between the lives of Mexicans before and after entering the American society, served as a criticism and a challenge for the unjust legal system, and demonstrated that the Mexicans were very capable of standing up for themselves, as opposed to being submissive. Aside from this petition, many of the dispossessed Mexicans formed “a community of the dispossessed” where they shared their experiences and stories and showed support for each other (Takaki 169). Through sharing their stories with others, their stories were passed down to the future generations and through these stories, history was preserved. Both the petition and the community worked to shed light upon the inequality in United States, and how the legal system contradicted itself by serving as the tool of discrimination while advocating for the equality of all

Patrick J. Carrol’s Felix Longoria’s Wake: bereavement, racism, and the rise of Mexican American activism is a book of significance in the fight for equal rights for all Americans especially people of minority ethnicities like Mexican Americans. Carrol takes the reader on a tour of South Texas, where Mexicans and Anglos are segregated by train tracks whether that be schools, housing and even the cemetery where after death Mexican Americans are being segregated and discriminated against. The Mexican American activism fire grows red hot when Felix Longoria a private in the United States Army is killed in active duty during the Second World War on November 11, 1944 in the Philippines. When his body is set to be reburied in his hometown of Three Rivers, only to be rejected twice by the undertaker Tom Kennedy, who just recently purchased the chapel, because white people in the town would not like a Mexican American to use the chapel. This revelation of discrimination, racism and ethnocentrism in the small town of Three Rivers will lead Felix Longoria family, Dr. Hector P. Garcia and LBJ on a three to four months crusade on a national level and local level fight for Mexican American civil rights in South Texas. Even though Private Felix Longoria never gets the wake he is rightfully deserved, he is buried with full military honors.

     The author of Mexican Lives, Judith Adler Hellman, grapples with the United States’ economic relationship with their neighbors to the south, Mexico. It also considers, through many interviews, the affairs of one nation. It is a work held to high esteem by many critics, who view this work as an essential part in truly understanding and capturing Mexico’s history. In Mexican Lives, Hellman presents us with a cast from all walks of life. This enables a reader to get more than one perspective, which tends to be bias. It also gives a more inclusive view of the nation of Mexico as a whole. Dealing with rebel activity, free trade, assassinations and their transition into the modern age, it justly

Gloria Anzaldúa writes of a Utopic frame of mind, the borderlands created in and lived in by the new mestiza. She describes the preexisting natures of the Anglos, Mexicanos, and Chicanos as seen around the southwest U.S. / Mexican border, indicative of the nations at large. She also probes the borders of language, sexuality, psychology and spirituality. Anzaldúa presents this information in various identifiable ways including the autobiography, historical/informative essay, and poetry. What is unique to Anzaldúa is her ability to weave a ‘perfect’ kind of compromised state of mind that melds together the preexisting cultures while simultaneously formulating a fusion of genres that stretches previously

First of all, the setting of this novel contributes to the Rivera family’s overall perception of what it means to be an American. To start this off, the author chooses a small American city where groups of Latino immigrants with their own language and traditions, lived together in the same apartment building. All these immigrants experienced similar problems since they moved from their countries. For example, in the novel after every other chapter the author

During the Mexican-American War the border moved, but the people didn’t. History has shown us that no matter how thick the border might be Latino Americans have a strong connection to their culture and roots; instead of assimilating, Mexicans live between two worlds. The film, Ballad of Gregorio Cortez gave us a perspective of two cultures; “Two cultures- the Anglo and the Mexican- lived side by side in state of tension and fear” . Cortez is running for his life as he heads north, while the Anglo believe that because of his Mexican ethnicity, he would travel south to Mexico. Throughout the film there were cultural tensions and misunderstandings; language plays an important part of someone’s identity, and for many Latino Americans Spanish is their first language. The Ballad of Gregorio Cortez also shows us that language plays an important role, and can cause confusion between two different groups. For example, Anglos refer to a male

Both Ernesto Galarza’s “Barrio Boy” and Joan Didion’s “Notes From a Native Daughter” write about Sacramento’s past. Both authors talk about Sacramento during two different time periods. Joan Didion talks about the mid-century and Ernesto Galarza talks about the early 20th century. Although both author’s perspective of Sacramento differs from era to era, there are differences in certain characteristics described by both authors. Galarza’s essay focuses on an immigrant point of view arriving into Sacramento versus Didion’s experiences as a native decedent of Sacramento. Joan Didion’s Sacramento is a very different place compared to Ernesto Galarza’s , for him it’s an

The story illustrates the overlapping influences of women’s status and roles in Mexican culture, and the social institutions of family, religion, economics, education, and politics. In addition, issues of physical and mental/emotional health, social deviance and crime, and social and personal identity are

This rapid switch in social order lead to a growing working class, small middle class and an even smaller influential upper class. This is demonstrated though the character of Don Jose Marias, who was an affluent member of the Mexican upper class other wise known as a Rico. Don Jose Marias was able to gain this title and place in upper class at birth due to his families large land holdings that they were granted during the Spanish era. Although the land that Don Jose Marias possessed had been in his family for years, after the revolution his vast land holdings were stripped from him due to the new border of the US and Mexico becoming the Rio Grande River. The frustration of his extensive land loss is expressed on page 24 when he discusses how “much of that land was his by right, if the Americans had not come and stolen it. For the Americans were the first outsiders to come, hungry for land, the land of the Jimenez clan, which once had straddled the river in its pride”. This not only decreased his family’s power but also weakened Don Jose Marias social status as a Rico. But Don Jose Marias was left was the best parcel of his land that was located on the riverbed with the best soil while the remaining land was divided out for agricultural use. The practice of land seizure was not uncommon during this time and caused tensions

Mexican Americans in Texas have a long and detailed history spanning from the arrival of Cortez all the way to the present day. Through historical events, the culture and identity of Mexican Americans have shifted, diverted, and adapted into what people chose to identify as. The rise of the Chicano identity during the Mexican American Civil Rights Movement was an adaptation as a culture to oppressive and unjust treatment from white, Anglos that had almost all political and social power over all minorities. To stop the oppressive voices from silencing and oppressing the Mexican Americans, they had to stand up to fight for their rights as American citizens that also had Mexican or Spanish heritage to be proud of. In Oscar Zeta Acosta’s novel, The Revolt of the Cockroach People, he dives into the Chicano Movement as a witness and an active participant. His larger than life character is on the front lines of the movement and examines the shift in identity among the group. It was particularly rising of their Chicano identity that gave the people cause to organize politically and socially in order to fight for a worthy cause.

The racist connotation that Miss Jimenez associates with who she thinks would “fit in” society’s box is a definite reflection of the hardships Valdez witnessed in his community. For example, the Zoot Suit Riots that occurred in 1944 was rooted by a reaction by young Mexican-American males against a culture that did not want them to be a part of it. Stuart Cosgrove examines this issue when he states, "In the most obvious ways they had been stripped of their customs, beliefs and language.” (*Vargas 317) These youths were going through an identity crisis because they did not know which culture they could identify with. Miss Jimenez is a character that embodies that repression Valdez explains in “Los Vendidos.”

When Octavio Paz first visited the largest Mexican population center outside of Mexico’s international borders, Los Angles, he said the city had a "vague atmosphere" of Mexicanism in that manifested itself through "delight in decorations, carelessness and pomp, negligence, passion and reserve." But he felt that his "ragged but beautiful" ghost of Mexican identity rarely interacted with "the North American world based on precision and efficiency." Instead, this Mexicanism floated above the city, "never quite existing, never quite vanishing.1By the time Paz visited the exterior Mexico, a generation of Mexican revolution immigrants had their children in the United States and they had matured. These people had heard the corridos of the Revolutionary