Guardian Figure Essay

Then there is a sculpture called ‘Kouros/statue of Standing Youth’ which represents the meant back in the day and age. The sculpture is a very young, athletic, toned man. This man has the body every man wants. This sculpture is desirable to every women. This man represents power, and desire. Unlike the sculpture of the woman this man has a face and a very powerful looking

Standing in front of this sculpture, the viewer can feel the wind whipping around them and the sea spraying you in the face. The energy and motion add to the dramatic effect that immediately draws the viewer in. This dramatic effect is created by the lines of the figure. Nike’s elongated wings catch your eye and create a lengthy transverse line which adds to the drama. The drapery that clothes the figure has the same

I can only tell by body language that they want to spread heroism between men and women. The use of marble links the sculpture to the glow and smoothness of the male skin. In this sculpture, it appears to be characterized by imagery aimed at the sense of the marble statue. The standing sculpture appears to be relaxed, while the median line makes an angle. While standing upright, the figure’s feet are place in a certain way that brings a shifting effect or movement and a stable poise.

The statue is made of limestone, which is the easiest type of stone to obtain and one of the easiest to carve. It is not carved in the round and has a flat back as most New Kingdom Egyptian sculptures are. There are many straight, diagonal, and curved lines that make up the detailing on Nehy’s gown, wig, and headbands. The texture of the sculpture looked to be both smooth and rough, the Nehy’s face, arms and seat all appeared to be smooth while all the detailing such as the lines in the Nehy’s gown and the Nehy’s wig appeared to have more the most texture because it was carved in such detail in order to make the curls of the wig more visible. The side of the chair has deep carving marks that add to the rough and bumpy texture that the white limestone already have. The deep carvings in the chair also signify that the statue was intended to be in a niche of Nehy’s tomb where the sides would not be too

This sculpture is comprised of marble, and due to its large size it was easier for me to develop an impression about the piece because I can focus on specific parts in more detail. To understand the piece, a very visual and detailed perspective is needed. Judging by the way the thighs are represented, it appears as though she is striking a contrapposto pose, which makes her appear static. She has most of her weight shifted on her left leg, but not all of it The focal point of this piece I believe is her robe. It skillfully falls down her left side, while leaving other parts exposed, drawing the main attention of this piece. Few different types of shapes are displayed, except the shape of her legs and the form of the robe. The physical texture was smooth throughout the entire piece, partly due to the material it is made of. There is only this one texture, as her robe and body parts all feel the same.

This sculpture falls in the modern art category and the style is abstract expressionism. This sculpture is very large it is actually 110cm. The artist that created this sculpture was one of the many fine French Sculptors, he was one of the younger generation who started out as a Symbolist painter as well as a tapestry designer but he got an eye disease around the age of 40 and he had to give these things up but then found love for sculpting . This artist had a love for Greek sculpture but he rejected some of what it stood for. This piece of

Pentelic marble is used in sculptures as well as architecture. (Seth) The figure is 21 inches tall, 3115/16 inches long. (Art) The object is meant to be viewed from the front. In this piece of sculpture, we see a muscular barrel-chested Greek man centered in the middle with a larger rounded shield next to him, while his right arm placed behind his squared faced head. His full chest muscles carefully polished smoothly and delicately. Based on the warrior’s sinking pose, it has been thought that he is falling to the ground after dealing a mortal blow from behind. The strong, solid linear of the large geometric rounded shield is in contrast to the serpentine, subtle and smooth lines appear on this organic body figure of the warrior. It appears as though the sculpture itself is not painted for the most

The work is a three-dimensional additive statue made entirely of bronze. The statue is life-size, although it is not too obvious because of its seated position. Being made of gray-ish bronze, the statue is monochromatic, no other colors are present, but due to

The marble used to create the sculpture brings out the fine quality of such material. It also adds elegance and sensuous grace to the whole sculpture. The use of marble links the sculpture to the radiance and softness of the female skin. The hips of the

The woman depicted in the sculpture stands straight and tall. Her large scale along with her posture gives her a powerful appearance. Her expression is serene and composed. She does not exhibit much emotion. Instead, she is shown as being stoic and controlled. She looks straight ahead, and her entire body points forward.

The body of the statue is supported by the left leg while the right leg is bent, in a relaxing state, his head is slightly turned to the right and tilted. It also represents ideal heroic male nude. The Kritios Boy is much smaller compared to the Kouros. It is more relaxed and lifelike figure where the Kouros is a stiff figure. He has soft rounded body form, broad facial features, and calm expression. This work doesn’t include archaic smile, but the significant characteristic of the work is contrapposto, which means that the weight of the statue is concentrated and balanced on one side, there is a “S” shaped curve in his back or spin causing slight shift in hips and subtle drop of one shoulder. It represents more comfortable and realistic pose. So, the use of contrapposto makes the work

It is a very large piece made from Limestone. Limestone is a sedimentary rock which means it is formed by the accumulation of sediments, and it is very hard. The statue itself is not very detailed and is pretty simplistic. It is a statue of a human body. The statue is 71 in. (180.4 cm) which is

From an historical perspective, this piece is an excellent example of early classical Rome. You can sense the respect and admiration that the average Roman citizen had for Augustus, in the fine details of the sculpture.

The terroocotta sculptures depicting the armies of Qin Shi Huang the first Emperor of China. It brought success and that had been buried with Qin, the first Emperor of China But instead of reaping the rewards of finding the treasures, they are bewildered at the greed and destruction the warriors brought to the surface with them. The human statue weight between three and four hundred pounds or one hundred and eighty kilos.

It is moreover pyramidal in structure with the vertex coinciding with Mary’s head. The base of the sculpture depicts the rock of Golgotha and is broader than the progressive