Guerilla Girls Research Paper

In the twenty first century there are a few men in this world that admits when you think of artist, you don’t typically think of women. Women rights and racism play a strong role when it comes to African American female artist. For decades’ African American woman have always had a permanent double bull’s eye on their back. Their skin and gender was their worst enemy. In the 1700 century women rights movements started to rise. But if you look up women right movements starting in the 1700 century, the face of women rights is predominantly white women. Between books and the internet, they show that it was mostly white women who helped woman rights. If we still struggle to shine light on African American Women now in the 21st century, you cannot

When it comes to combat assignments and the needs of the military, men take precedence over all other considerations, including career prospects of female service members. Female military members have been encouraged to pursue opportunities and career enhancement within the armed forces, which limit them only to the needs and good of the service due to women being not as “similarly situated” as their male counterparts when it comes to strength or aggressiveness, and are not able to handle combat situations.

The Guerrilla Girls speak about sexism in art galleries and the non appreciation of women 's art in the most prestigious galleries of New York. “a very big problem is the fact women don 't collect. ... Men buy the art and call the shots museums. Until women support women and collect each things will never change" (Withers 287). Women artists new to the art world were not accepted, men artist bought their art to present as their own. This way women artist do not get the chance to be recognized for their talent. Making the assumption women are only valued as the model but cannot aspire to be artists and create exceptional work as men would. This is of importance because only 1% or none of the art presented was of women artists. “not only in their appeals to principles of equality, but also, say, in their gesture of adopting the names of deceased female artists as aliases, a gambit tacitly

Instead, if we look at art as the total of toleration and production and purpose, we see that there was a whole system in place that excluded women from creating the type of work that made artists like Michelangelo and Raphael famous. So, why haven't there been any great women artists? Nochlin's answer is two-fold: first, the myth of artistic genius, which has been a part of art writing since Pliny, makes it seem that anyone with true artistic gifts would naturally make

Today it is not uncommon to see women enlist into the military service, in fact today they make up 15% of the active force . It was not always this way, however. During the Revolutionary War the key role of women was to care for the soldiers. Meaning they were nurses, cooks, laundresses, water bearers, and saboteurs . It wasn’t until the 1940s when the argument began whether women should be allowed to serve in combat units or not. Clearly, we can now see that the women won this argument, since they are many women serving today. But what led up to this victory? Understanding the jobs women had earlier on, along with the political units will help one grasp the reasons why so many women are enlisted today.

Uniting both male and female service members despite the different tasks each one faces, is one of the goals Gayle Tzemach Lemmon, author of Ashley’s War: The Untold Story of a Team of Women Soldiers on the Special Ops Battlefield, faces to elaborate. The preface opens up by listing the set of events Second Lieutenant Ashley White completed before going out on a mission that would not only change her life but many female personnel serving for the United States Armed Forces as well. Other then uniting military personnel, another major goal or theme is educating the reader of affairs usually not displayed on the news. From my perspective, Lemmon had taught me something that I probably wouldn’t have found out, if it weren’t for this book. I have always been under the impression that women can’t serve on the frontline, but this is not until the introduction of Cultural Support Teams, or better known as CST’s. Using both a pathos and logos approach the author introduces some of the first females to make a change in combat history. In the end the author makes a clear statement to the public and male service members that women are competent both mentally and physically to serve on a Special Operations Mission.

Nearly %75 of the mill workforce was single women between the ages of 15 and 30.These women were called “mill girls” and they only made about half of what the men made in wages. They generally worked 14 hours a day, six days a week. Mill girls would usually work 3 or 4 years before getting married and starting families of their own.

     Women have played a tremendous role in many countries' armed forces from the past to the present. Women have thoroughly integrated into the armed forces; all positions in the armed forces should be fully accessible to women who can compete with men intellectually and physically.

The performance artist Ana Mendieta was a focal point of both the art scene and the feminist movement of the 1980’s. Even 30 years after her controversial death, there is a cult following of Mendieta. Her work, which sold for around $2,000 during her prime in the ‘80’s, has sold for as much as $200,000 in the present day. Her story, influences, message, and mysterious death have all contributed to her impact and fame.

The study of why women artists have systematically been erased from history and why currently the exhibition of women's art is not valued as much as the male artists' continues. There have been many theories behind the eradication of women artists from history. At the beginning of the Women's Liberation Movement, an art historian by the name of Linda Nochlin published an article called, "Why have there been no great women artists?" In here article, she addressed her own question offering one of the first consciously feminist challenges to the established canons of art history. Her query proved to be a rallying cry for women artists in the fervent days of the Women's Liberation movement and offered fragments of a manifesto to women artists, and others, intent on reexamining and ultimately restructuring the discipline (Morse, 1992). Nochlin argues that contemporary feminists contend that there is a different "greatness" between men's art and women's art. This view of art undermines the general discipline. It categorizes its value in order to give it a higher classification among gender. Many women are trying to delve back into history and recapture any trace of artistic women in order to document and arrange their

“Why Have There Been No Great Women Artists?” was written with a passion both intense and familiar. Reading Nochlin’s words, I found myself thinking, several times, “I’d always wondered the same thing,” or “I feel the same way.” I even formulated some of my own thoughts on the subject, responding to the title question with another, asking, “What makes an artist an artist?” Upsettingly, it would seem it is not by her own choice or talent. It is decided by the world around her, including the men and “social institutions.” However, it would also appear that hope is always in reach for those who will wake up and grab it. Nochlin left us with this stirring advice:

When I visited the Museum of Fine Arts I saw several art sculptures and pieces that were interesting. Two pieces of work spoke to me the most. The work I like the most is called Moises by Frida Kahlo, this piece was made in 1945 and the mediums are masonite and oil. The work I dislike is called Niña Madre also known as Girl Mother by David Alfaro Siqueiros. It was made in 1936 in the mediums are pyroxylin and masonite. I will be analyzing both pieces closely and giving my interpretation of both pieces

In the today’s society, it may appear that women’s rights have been propelled forward by equal opportunity sanctions. However, taking a more concise look at different spectrums, such as the art world, it appears that many women are still being snubbed despite their artistic abilities. In

The question “Why have there been no great women artists?” has been debated since the 1970’s, when historian Linda Nochlin released her book of a similar name. In the decades that have followed, the number of women pursuing education and

The Guerrilla Girls are a feminist group whose aim is to make the public better aware of sexism against women in our culture and the challenges they have to face as women in art. The first piece that I decided to look at is titled “The Advantages of Being a Woman Artist”. This poster is simply a list of things they feel are discriminatory toward women in the art world and is an entirely sarcastic poster. One of the points that they make is that women are not expected to be as good as men in our culture. Women do not have to “undergo the embarrassment of being called a genius” (as stated on the poster). This implies that only men can be geniuses and therefore women are not as intelligent. This issue can be rooted in many of the problems