Essay on Guilt, Duty, And Unrequited Love

“Gabriel had not gone to the door with the others. He was in a dark part of the hall gazing up the staircase. A woman was standing near the top of the first flight, in the shadow also. He could not see her face but he could see the terra-cotta and salmon-pink panels of her skirt which the shadow made appear black and white. It was his wife. She was leaning on the banisters, listening to something. Gabriel was surprised at her stillness and strained his ear to listen also. But he could hear little save the noise of laughter and dispute on the front steps, a few chords struck on the piano and a few notes of a man's voice singing.” (Joyce, 144)

Guilt is a powerful emotion that can greatly affect the course of a person’s life. Dunny’s character, in Robertson Davies’ Fifth Business, first experienced guilt at an early age due to a tragic accident. A snowball that was meant for Dunny hit a pregnant woman, Mrs. Dempster, causing her to go into premature labour. Although her child, Paul Dempster, survived, the guilt that Dunny experienced from his part in the situation would stay with him for the rest of his life. Guilt stayed with Dunny’s character throughout his life, and continually affected all of his actions.

In Atonement, the theme of love is explored in a variety of different ways. McEwan explores many different kinds of love including romantic love, platonic love, self love and family love.

Her death, moreover, comes through the agency of an apparently gratuitous and incomprehensible evil. Her ability to accept such a death is therefore the supreme test of her faith. That the grandmother at the moment of death truly embraces the Christian mystery is her great triumph. Although, in Christian terms, such a moment is always a gift, it is one for which the recipient has prepared throughout her life. The grandmother’s most essential attribute is therefore not her meddlesomeness or her smugness, of which there has been considerable evidence throughout the story, but her maternal compassion and concern, and it is through this maternal love that she has her moment of revelation. As O’Connor once described it, “she realizes . . . that she is responsible for the man before her and joined to him by ties of kinship which have their roots deep in the mystery she has been merely prattling about so far.” The action of grace is not confined altogether to the grandmother but begins to undermine The Misfit’s own egotism and sadism. Insisting on the possibility of redemption for even this most evil of her

Love is defined as the intense feeling of deep affection. In the play, Romeo and Juliet written by William Shakespeare, the attraction between the two protagonists, Romeo and Juliet, does not factually classify as true love. Meanwhile, lust is a concept in which is commonly mistaken for love, which is very apparent throughout this classic “love story” of Romeo and Juliet. While others could debate that Romeo and Juliet’s love, was love at first sight, it is debateable that their feelings towards one another were pure lust. Romeo and Juliet are too immature to fully understand the concept of love as they are too young and hormone-driven, they were both in search for escapism from their present troubles, and they had an excessive amount of

Unfortunately, the connection that Gabriel feels to his wife is the product of illusion. In reality, he doesn’t know her at all—a fact Joyce alludes to when Gabriel fails to recognize his own wife and sees only, “[a] woman standing near the top of the stairs…” (2192). When Gretta begins to reminisce about a boy from her past, Gabriel’s blanket of illusion is snatched away: “While he had been full of…joy and desire, she had been comparing him in her mind with another” (2197). Facing the reality of his wife’s love for another man, Gabriel now begins to question their entire relationship.

Joyce begins the story by illustrating Gabriel’s actions; he’s silently watching his wife sleep. During this time, Gabriel notes what she looks like, her even breaths, and then curiously states that he knows that he was not her first love. It’s intriguing that the author chooses to write all this in third person omniscient. In doing so he reveals aspects of Gabriel to us and to Gabriel himself. For example, in this first paragraph when Gabriel says that, “He did not

Early in the novel, when Jude and Sue are first getting to know each other, she tells him that she "has no fear of men" and that she has "mixed with them almost as one of their own sex" (Hardy 118). In fact, she could be discussing the undergraduate that she lived with for a short time, who wanted to be her lover, but she saw him as a best friend. This passage depicts a woman who has nothing against men and enjoys their company, but who is in no way sexually interested in them. Furthermore, in part three, Sue tells Jude that she is a virgin: 'I have

Love has many different meanings to different people. For a child, love is what he or she feels for his mommy and daddy. To teenage boy, love is what he should feel for his girlfriend of the moment, only because she says she loves him. But as we get older and "wiser," love becomes more and more confusing. Along with poets and philosophers, people have been trying to answer that age-old question for centuries: What is love?

During the Middle Ages, Courtly love was a code which prescribed the conduct between a lady and her lover (Britannica). The relationship of courtly love was very much like the feudal relationship between a knight and his liege. The lover serves his beloved, in the manner a servant would. He owes his devotion and allegiance to her, and she inspires him to perform noble acts of valor (Schwartz). Capellanus writes, in The Art of Courtly Love, “A true lover considers nothing good except what he thinks will please his beloved”. The stories of Marie de France and Chrétien de Troyes illustrate the conventions of courtly love.

Love is difficult to define, difficult to measure, and difficult to understand. Love is what great writers write about, great singers sing about, and great philosophers ponder. Love is a powerful emotion, for which there is no wrong definition, for it suits each and every person differently. Whether love is between family, friends, or lovers, it is an overwhelming emotion that can be experienced in many different ways.

Love is a powerful feeling; it makes you do crazy thing. Many people spend years trying to find it, others give up thinking they’ll never find it. Love has been defined as an intensive feeling of a deep romantic or sexual attachment to someone. Of course, Love doesn 't have to romantic and/or sexual. People who are ace, as in asexual, aromantic and agender, can still be in relationships that are satisfying for them without the needs of a romantic relationship. Familial love is also non-romantic-sexual. However, in this paper, we will be talking about romantic-sexual love, what it is, and why I believe it’s so important to understand and experience.

Novelist Thomas Hardy voiced many strong opinions through his writing about the crushing power of Victorian society and the rules and regulations concerning marriage. Contradicting the expectations of society was something Hardy delighted in, but Hardy’s reader response began to suffer. As his career progressed, his novels became increasingly more pessimistic and his readers heavily criticized his last two novels. After writing Jude the Obscure, he resolved to not write any more novels because of the negative feedback he kept receiving for this and his previous novel. However, Hardy was able to expertly incorporate his beliefs into his narratives and reflect his views upon his characters. This results in the rebellious characters described in Jude the Obscure, particularly the character Sue Bridehead. This character has been described as the first fiction portrayal of a woman associated with the feminist movement (Boumelha, 135). In the novel Jude the Obscure, Hardy present his thoughts on marriage and divorce in the nineteenth century in a way that was radical for his time.

“The Iranian government sees trans and homosexual individuals as people with psychosexual problems, and so provide them with a medical solution”(Neha Thirani Bagri, An Uncomfortable Truth, qz). People around the world do not get the rights they deserve because the government influences and limits people's actions. Nobody should be living in fear, feel held back, or discriminated against because of their sex, race, religion or sexual orientation. Everyone should be given the right of protection, be treated with respect, and not have to live in fear because of who they are.

People use many descriptive words or phrases in an attempt to avoid the term adultery; unfaithfulness, infidelity, playing the field, extramarital relations, and having an affair are just a few. Regardless of how the act is labeled, the net result ends in the destruction of reputation, trust, and respect. Ancient cultures understood adultery to be dangerous, even the writers of the Bible granted the act its own “Thou Shalt Not.” Many societies, including the U.S., have outlawed adultery; in some cultures the penalty for this crime is death by stoning. That being said how is it allowable for adultery to be romanticized on many television shows, movies and novels? Is this a heinous crime, a mortal sin, or not? Adultery is the seductive