Guilt In Mosquito, By John Updike

To be engaged in war is to be engaged in an armed conflict. Death is an all too ordinary product of war. It is an unsolicited reward for many soldiers that are fighting for their country’s own fictitious freedom. For some of these men, the battlefield is a glimpse into hell, and for others, it is a means to heaven. Many people worry about what happens during war and what will become of their loved ones while they’re fighting, but few realize what happens to those soldiers once they come home. The short stories "Soldier's Home” by Ernest Hemingway and "Speaking of Courage” by Tim O'Brien explore the thematic after effects of war and how it impacts a young person's life. Young people who

In the poems of “Dulce et Decorum Est” and “Facing It” written by Wilfred Owen and Yusef Komunyakaa respectively, two entirely different yet similar stories of war are told. “Dulce et Decorum Est” is told through the perspective of our narrator as he’s directly in the middle of a war and of the horrors he sees. From the unforgiving terrain to the description of the already beaten down soldiers, and quickly followed up with a gas attack, it is not a pretty picture. The poem tells of the soldiers scrambling to put their helmets on to shield them from the gas, but not all of them make it. One soldier helplessly fumbles with his helmet and does not manage to put it on in time. The images of his friend choking and drowning are all too real for

Imagine you’re lying on the muddy, damp Earth and all around you can hear the screams of people you know dying. Shells explode, bullets race through the air, and poisonous gas seeps around you, all with the intent to harm you in some way. Yet, you willingly put yourself in that position day after day, year after year. The question surrounding this situation is, why? Who would be masochistic enough to choose to put their lives in danger and live in the most perilous environment possible? Two very different books give us insight into the thoughts of the soldiers who continuously put themselves in these environments. Your Death Would Be Mine by Martha Hanna and All Quiet on the Western Front by Erich Remarque lets us into the minds of Paul Pireaud and Paul Baumer as they try to survive life as a soldier in the Great War. I argue that Pireaud and Baumer had very different reasons for continuing to fight despite having suffered beyond belief. In this paper I will analyze how the varying degrees of patriotism, brotherhood, family life at home, and age affected how these two men endured the treacherous life on the front of World War I.

The deranged, but brilliant Edgar Allan Poe once said “The scariest monsters are the ones that lurk within our souls...” Poe’s notions of the evil within are found in both “The Cask Of Amontillado” by Poe, and “A Poison Tree” by William Blake. The authors write about how revenge can create this insane creature within that will only settle for betrayal and destruction. For example, the speakers in both features are wronged by someone and their way of handling it is deceitful murder. The killers on the outside are characterized as calm people; while on the inside, they are characterized truly as people who enjoy watching those who “deserve it” suffer. Poe and Blake use characterization to convey a theme that man takes violent revenge when they are wronged.

The text, ‘The Things They Carried', is an excellent example which reveals how individuals are changed for the worse through their first hand experience of war. Following the lives of the men both during and after the war in a series of short stories, the impact of the war is accurately portrayed, and provides a rare insight into the guilt stricken minds of soldiers. ‘The Things They Carried' shows the impact of the war in its many forms: the suicide of an ex-soldier upon his return home; the lessening sanity of a medic as the constant death surrounds him; the trauma and guilt of all the soldiers after seeing their friends die, and feeling as if they could have saved them; and the deaths of the soldiers, the most negative impact a war

Andre Dubus’s “Killings” is a very interesting look into the psychology that goes on after a person has been killed. The story discusses the ramifications of the original murder, the subsequent actions of “justice,” and finally what is left when it is all said and done.

Since the beginning of mankind, war and the horrors that come with it have had devastating effects on both the minds and the bodies of human beings. Mentally, war drains soldiers of their ability to think properly. During a battle, soldiers witness bloody battles which frequently result in demise. Day after day of witnessing deceased fall to the ground, a soldier can do nothing but think about blood, gore, and his or her fallen comrades. Additionally, a war can be physically taxing on whomever takes part in it. Dodging or being hit by fists, swords, or bullets will inevitably cause pain and may disable somebody for the rest of their life. In All Quiet on the Western Front, Erich Maria Remarque demonstrates through characterization, imagery,

In The Black Cat, the narrator admits that it was an “unfathomable longing of the soul to vex itself – to offer violence to its own nature – to do wrong for the wrong’s sake only…” that made him carry out the merciless killing of his most favourite pet.

The collection of poems “Theater”, “Water”, and “Safe House” by Solmaz Sharif shows the varied viewpoints of how war affects the speakers and how death is all too common in the midst of warfare. The author uses a spectrum of literary techniques to enhance the experience of the reader, so we can fully grasp the severity of each speaker’s plight. All of Sharif’s poems differ in form with the use of white space and indentations in “Theater”, colons in “Water”, and a style of abecedarian using the letter S in “Safe House”. While her diverse use of forms generate different emotions from the reader, they share the same notion of how violence is problematic. Each poem has a unique outlook to the sight of war: “Theater” being in the position of a victim and an assailant of war, “Water” explaining a war mission and fatalities in terse terms, and “Safe House” as an observer of an activist against war. Sharif’s strategy to exemplify the effects of how war affects the victim and the civilian is particularly critical because mass media tends to hide the collateral damage of war and only illustrates why we should attack the “enemy”. Another approach the author uses to critique the speakers central conflicts is by arranging words from the US Department of Defense 's Dictionary of Military and Associated Terms, to concur with the message of the several ways war influences the lives of those who are unwillingly encompassed by it. Sharif uses poetry as an outlet to show the underlying tone

The psychological burden that plagues the soldiers the most is fear. The fear of death. Even though the soldiers’ experience fear at some point, showing that fear only reveals vulnerabilities to the enemy and sometimes the crueler fellow soldiers. “They carried all the emotional baggage of men who might die. Grief, terror, love, longing – these were intangibles, but the intangibles had their own mass and specific gravity, they had tangible weight.” (O'Brien, 1990) The

Poets frequently utilize vivid images to further depict the overall meaning of their works. The imagery in “& the War Was in Its Infancy Then,” by Maurice Emerson Decaul, conveys mental images in the reader’s mind that shows the physical damage of war with the addition of the emotional effect it has on a person. The reader can conclude the speaker is a soldier because the poem is written from a soldier’s point of view, someone who had to have been a first hand witness. The poem is about a man who is emotionally damaged due to war and has had to learn to cope with his surroundings. By use of imagery the reader gets a deeper sense of how the man felt during the war. Through the use of imagery, tone, and deeper meaning, Decaul shows us the

Ending in death most foul, “The Cask of Amontillado” and “The Tell-Tale Heart” feature revenge and a painstaking cruelty. Pushed to the point of insanity and retribution sought over trivialities, the narrators tell each story by their own personal account. The delivery of their confessions gives a chilling depth to the crimes they have committed and to the men themselves. Both men are motivated by their egos and their obsessions with their offenders. Prompted by their own delusions, each man seeks a violent vengeance against his opposition in the form of precise, premeditated homicide.

Edgar Allan Poe’s “The Cask of Amontillado” is a frightening and entertaining short story about the severe consequences that result from persistent mockery and an unforgiving heart. Poe’s excellent use of Gothicism within the story sets the perfect tone for a dark and sinister plot of murder to unfold. “The Cask of Amontillado” simply overflows with various themes and other literary elements that result from Poe’s Gothic style of writing. Of these various themes, one that tends to dominant the story as a whole is the theme of revenge, which Poe supports with his sophisticated use of direct and indirect factors, irony, and symbolism.

The mental implications of war on the soldiers challenged the way they functioned day to day. In the ‘Next War’ Owen demonstrates the mental implications through personifying death and engaging the responder with sensory imagery.

Within us, we have the dark and the bright side. We do the good, but have evil thoughts and some people act on it, thinking it may drag them to feel good in doing so. This informative short-story provides a perfect example on how we take control of our mind. Edgar Allan Poe, the author of “The Black Cat”, develops the central idea that violence solves problems. On the eve of an unnamed narrator’s death, he writes a story of how his life collapsed, turning around his love for everybody and falling into a big pile of a hopeless mess and madness by committing brutal actions.