Gustav Courbet Influence

Rembrandt Harmenszoon van Rijn is generally considered one of the greatest painters in European art history and the most important in Dutch history. Rembrandt was also a proficient printmaker and made many drawings. His contributions to art came in a period that historians call the Dutch Golden Age (roughly equivalent to the 17th century), in which Dutch culture, science, commerce, world power and political influence reached their pinnacles.

From the late fifteenth century to the genesis of the sixteenth, a new movement influenced art in Europe, expanding the bleak limits of past art and created some of the most memorable masterpieces in history. The creators of these artworks during these decades of the Renaissance include Leonardo da Vinci, Michelangelo Buonarroti, and Raphael Sanzio. Influenced and sometimes driven competitively by each other, these artists share differences and similarities in their life, art style and techniques, and interests.

Every artist has his or her own style of painting. Each painting tells some sort of story or has some type of personal meaning to the artist. One of the most important figures in modern art is Pablo Picasso. Not only was Pablo Picasso a genius in the field of abstract art, but he also experimented with sculpting and ceramics. Pablo Picasso has taken the world to many places with his unique style of work which is why I believe he is considered to be a genius of the 20th century.

Edouard Manet was a French painter who used everyday subjects just for an occasion to make a painting. He was a leading artist in the transition from realism to impressionism. Therefore, he is known as the “godfather of Impressionism” (Rosenbum). For some people Manet was the first

Rembrandt van Rijn is known for his self-portraits and biblical knowledge. Rembrandt drew many self-portraits that time line his life changes and appearance. Dutch artist Rembrandt is considered to be one of the greatest painters in European history.

Every painting is a unique experience for each individual person, therefore two of the artists that offered some of the most unique experiences where Leonardo da vinci and Michelangelo. While both of these painters are today well regarded and remembered, during their time they both had achieved such status in vastly different ways. Therefore even though these two artists lived during the same time these two are nothing alike. With their unique take on the world and events around them they were able to shape how the average person thought about the world around them.

His early paintings had an unconventional, unique, and unfinished look about them. The images were known to everyone in everyday life.

Rembrandt is known as one of the greatest artists of the 17th century. He is also known as one of the greatest painters in western art. Rembrandt earned these titles rightfully so. He belonged to the Baroque period. The Baroque period had works of

One of the most unique figures in the continuum of the art world, Marcel Duchamp changed the way we look at and produce art today. Marcel Duchamp was by far, one of the most controversial figures in art. Two of the most well known and talked about pieces by him are The Fountain and The Bride Stripped Bare by her Bachelors, Even . Duchamp created many other pieces that caught the attention of critics, other artists, and the population in a negative way; however, these two pieces alone, brought about the greatest amount of controversy.

His artworks have a distinctive impact on the viewer, which makes them distinguishable among any other artwork of the time. His paintings had had a strong influence on the artists of the future.

Courbet (1819-1877) is a realistic painter, in that a majority of his work is about everyday scenes, often depicting peasants and working people in rural areas. Howerver, Courbet is also an artist who challenged the traditional painting in the middle of the 19th century. Courbet introduced a new kind of realism, which focused on a rugged depiction of nature and people rather than an idealized and artificial one. Most paintings of the time showed wealthy people, whereas Courbet who was politically involved in socialist causes, applied his political beliefs to art. (Crapo: 240-241) Crapo writes that for Courbet “realism posed a direct challenge to the aesthetic of the academic painters. It meant the unadorned depiction of everyday scenes and

Gustave Courbet once said, "When I die, let it be said of me: He belonged to no school, to no church, to no institution, to no academy, least of all to any regime except the regime of liberty. (The Painter's Key) “The reader can understand from this phrase that Courbet didn't want to be associated with a class; he wanted the artistic freedom not to be restrained in the world. This idea can be seen in his 1855 painting "The Painters Studio" where an artist situated in the middle is Gustave Courbet himself. He is neither on the left or right but centered in between groups. Karl Marx, who is also from the same era, wrote the "Communist Manifesto" in which he explains the important points of communism and

Let’s first begins with who Jean Desire Gustave Courbet was. Gustave Courbet was a famous French painter. Courbet was born in Ornans, France on June 10th of 1819. Ornans, France is a filled with forests and pasture’s perfect for realist paintings. At the age of 14 Courbet was already in art training receiving lessons from Pere Baud a former student of a neo-classical painter named Baron Gros. Courbet’s parents hoped he would go off and study law when he moved out in 1837. To there misfortune he had enrolled in at the art academy. At the art academy Courbet received lessons from Flajoulot another famous neo-classicist. At twenty years old Gustave Courbet went to Paris, the European center for art, political,

Andy Warhol is probably the most infamous artists to emerge from this time period. Not only was Warhol a painter, he was also a commercial illustrator, avant-garde filmmaker, record producer, and author. His affection for consumerism and pop culture led him to create pieces of controversial art that is still popular today. Warhol was infatuated by

Gustave Courbet once said, "When I die, let it be said of me: He belonged to no school, to no church, to no institution, to no academy, least of all to any regime except the regime of liberty."(The Painter’s key) We can understand from this that Courbet didn’t want to be associated with a group; he wanted artistic freedom to not be restrained in the world. This idea can be seen in his 1855 painting “The Painters Studio” where the artist situated in the middle is Gustave Courbet himself. He is neither on the left or right but centered in between groups. Karl Marx who is also from the same era, wrote the “Communist Manifesto” which explains the important points of communism and the different class struggles. In both artists work, we have a division of classes which can be described as proletariat and bourgeoisie. The first common thought most people have about these two groups is separation because of difference. In Gustave Courbet’s “The Painters studio” and Karl Marx “Communist Manifesto” we can definitely see these two sides exist .For Courbet, the analysis we do is visual; the left side is dirty and huddled together low to the ground as for the right group are proper, wearing beautiful garments and their heads are held high. Marx on the other hand is descriptive; talking about how the bourgeois started the separation of classes and the lower class are nothing more than mere objects. If we dig a little deeper in both works, we can start to see the bourgeois and proletarians