Guy de Maupassant -the Terror

The main character or narrator in the Cathedral was not only jealous of the relationship between his wife and her friend (the blind man); moreover, he had not seen him in person and did not appreciate the idea that he was actually spending the night at their house. However, after the narrator’s encounter with Robert, he perceives that he was not what he expected him to be; instead, he was gentle and friendly. On the other hand, the main character or narrator in everyday use was outspoken and straightforward, explaining about her surroundings and what had transpired in her life. From harsh labor to the different circumstances, she had faced in her lifetime; she also talks about her daughters who had different personalities.

After their game of chess, "Sergeant-Major Morris" is welcomed in to the home. We can perceive that he is losing up to tell his story because “At the third glass his eyes got brighter, and he began to talk"(Jacobs 2). This man spoke of "strange scenes" and "of wars and plagues and strange peoples". The author uses these words to paint a picture of a man with a past which is a strong element of gothic

Now here it was, after all, preserved by some considerate hand with varnish and wax. Preserved along with it, like stale air in an unopened room, was the well-known fear which surrounded and filled those days, so much of it that I hadn’t even known it was there. Because, unfamiliar with the absence of fear and what that was like, I had not been able to identify its presence (10).

"We've got to talk about this fear and decide there's nothing in it.  I'm frightened myself, sometimes; only that's nonsense!  Like bogies.  Then, when we've decided, we can start again and be careful about things like the fire" (82).

In the narrative, the author writes the story in first person point of view through an unnamed narrator which enables the reader to visualize, experience, and perceive a deeper insight into his mind. The story commences with the narrator speaking directly to the audience appearing closed-off and narrow-minded. His wife has an old friend named Robert, who happens to be blind, coming to spend the night. Right away, the reader can sense how the narrator comes off as self-absorbed. He`s only concerned about how Robert’s visit will affect him and is inconsiderate about the strong bond Robert and his wife have built over the years. The narrator also lacks self-awareness when he found himself thinking “what a pitiful life this woman must have led.” (Carver 3) The woman being Beulah, Robert`s recently deceased wife, who the narrator belittled as she married a blind man and now she “could never see herself as she was seen in the eyes of her loved one.” (Carver 3) Not realizing that with

Ralph Waldo Emerson once said, “Fear is the main source of superstition.” In this quote Emerson brings the reason for superstition to be present for such a common feeling for people. Elie Wiesel uses Night to symbolize the persistent feelings of anxiety and fear shown through the characters and how they react in his memoir Night. One of many example is Elie Wiesel’s “Night”, is how the Elie and his father reacted when they arrived to Auschwitz.

The narrator in the “Cathedral” displays a lack of insight and self-awareness that, in many ways, makes even him blinder than Robert. The narrator is shown to have trouble understanding the thoughts and

The narrator from Raymond Carver’s ‘Cathedral’, lived a clouded state of mind where his thoughts kept him from reaching the pellucid reality. Through the beginning of the narrative, the narrator expresses his harsh and judgmental opinions about blindness- which represents his incapacity and closed-mindedness to see beyond him. Later on his perspective is changed thanks to a sudden events. The narrator, which has no given name, is bothered by the impending visit of his wife’s blind friend, Robert. The narrator’s wife used to work for Robert from which they developed a relationship and inspired the wife to write poems about it. They, the wife and Robert, have maintained a constant communication through mailed tapes. All of these added up more to the narrator’s dislike for Robert. For example, when the narrator express his desconstest towards Robert’s disability: “And his being blind bothered me. My idea of blindness came from the movies” (‘Cathedral’, Raymond Carver). Here the narrator’s narrowness and lack of sympathy is palpable. He is simple and superficial. Lives in a 2D way, is incapable of bearing a thought outside the box, and explore the depths of life in general. He is unhappy with his current work position but does nothing to change that fact. That’s until Robert’s visit. This is changed once the narrator gets to know Robert and Robert opens the narrator’s mind to life seen through another pair of eyes. For instance, after dinner is over, the narrator and Robert are watching a documentary about cathedrals. Suddenly, the narrator wonders if Robert has any knowledge of how cathedrals look like. There is where their journey begins. Robert ask to the narrator to draw a cathedral for him and request the narrator to add specific details (people, etc.). “So we kept on it. His fingers rode my fingers as my hand went over

The theme of this story plays a strong role of physical and psychological blindness. The narrator has sight and is not blind. But it seems as if the narrator is blinded by his own personality. He is too quick to judge a blind man who he has not even met yet but judge a blind man because of what he saw on television. Bub, the narrator says, “"And his being blind bothered me. My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing dogs-eye dogs." (Carver 299). It is also seen that Robert always refers the man as “the blind man” rather than Robert. The narrator sees him not as human-like because of his disability. The author lets the audience know that even though a man may

Charlotte Gilman, through the first person narrator, speaks to the reader of the stages of psychic disintegration by sharing the narrator's heightened perceptions: "That spoils my ghostliness, I am afraid, but I don't care--there is something strange about the house--I can feel it" (304). The conflicting

In the short story “Cathedral”, written by Raymond Carver, the story is told through the narrator’s eyes as the audience gains insight on his perspective of his life and, more specifically, his views on his wife and her blind friend. The narrator’s name is never mentioned throughout the story, but his personality and initial narrow-minded bias towards his wife’s friend Robert depicts his character traits. Throughout the story he does not seem to change his views, but once he experiences Robert’s point of view in his life, the narrator changes his perspective. This suggests the narrator is a dynamic character in the story due to his change after getting to know Robert.

Story of an hour conveys the feelings of many married women who may not be entirely unhappy in their marriage yet feel restricted in some way. They feel that they could have done so much more had they not married, if they had been without all these restrictions. They could spread their wings and fly to their favorite destinations if they had stayed unmarried. Marriage despite all its so-called bliss is still a very restrictive union that clips a woman's wings sometimes because of the children, sometimes because she is constantly reminded of her wifely and motherly duties and sometimes simply because her husband wouldn't approve.

The madman that speaks through the entire story talks in an unreliable first person view. Because of the man?s obvious

    In the opening sequence of the film, the viewer is immediately presented with an image of marriage as entirely contractual: "Today he married me to a man I've not yet met." The protagonist, although she has already been established as strong-willed and non-conforming, is accepting but not altogether optimistic about the arrangement. The viewer also learns that she

rushes into marriage hoping to fulfill that desire but she becomes trapped in marriage as her