Gypsy of Wuthering Heights

In Wuthering Heights by Emily Brontë, Heathcliff’s strong love for Catherine guides his transformation as a character. While Heathcliff enters the story as an innocent child, the abuse he receives at a young age and his heartbreak at Catherine’s choice to marry Edgar Linton bring about a change within him. Heathcliff’s adulthood is consequently marked by jealousy and greed due to his separation from Catherine, along with manipulation and a deep desire to seek revenge on Edgar. Although Heathcliff uses deceit and manipulation to his advantage throughout the novel, he is never entirely content in his current situation. As Heathcliff attempts to revenge Edgar Linton, he does not gain true fulfillment. Throughout Wuthering Heights, Brontë uses Heathcliff’s vengeful actions to convey the message that manipulative and revenge-seeking behaviors will not bring a person satisfaction.

Heathcliff is a victim of class hatred but he also manipulates situations to his advantage and becomes an arch - exploiter. For example, after the death of his wife, Hindley went insane. Heathcliff used this opportunity to take revenge and took Wuthering Heights away from Hindley. He then went further and married Edgar’s sister, not for love or monetary gain but to get back at Edgar for marrying Catherine, and treated Edgar’s sister terribly.

Cathy and Hindley alter him into a vicious, lonely master: ‘“The tyrant grinds down his slaves and they don’t turn against him, they crush those beneath them”’. This shows that Heathcliff will not take revenge on Cathy directly, but will hurt those who are close to her. This is because Cathy married Edgar Linton and said that it would degrade her if Heathcliff was her husband. In addition, he will take

Wuthering Heights is a novel which deviates from the standard of Victorian literature. The novels of the Victorian Era were often works of social criticism. They generally had a moral purpose and promoted ideals of love and brotherhood. Wuthering Heights is more of a Victorian Gothic novel; it contains passion, violence, and supernatural elements (Mitchell 119). The world of Wuthering Heights seems to be a world without morals. In Wuthering Heights, Brontë does not idealize love; she presents it realistically, with all its faults and merits. She shows that love is a powerful force which can be destructive or redemptive. Heathcliff has an all-consuming passion for Catherine. When she chooses to marry Edgar, his spurned love turns into a

Cruelty compels one to inflict cruelty upon others. In her novel, Wuthering Heights, Brontë illustrates the rough life of Heathcliff, conflicted with whether he should focus his life on loving Catherine Earnshaw or inflicting revenge on those who tortured him as a child. Mr. Earnshaw adopts Heathcliff into the Earnshaw family as an orphan gypsy, a social class that most of the Earnshaw did not care for. The eldest child of Mr. Earnshaw, Hindley, abuses Heathcliff horribly, shaping the way Heathcliff perceives the world around him. Catherine Earnshaw, Hindley’s younger sister, motivates Heathcliff to endure this pain through their affectionate relationship. With his heart focused on revenge, Heathcliff devises a cruel plan to retaliate those who hurt him; he returns to Wuthering Heights as a refined, powerful man. He takes some of his anger out on Hareton Earnshaw, Hindley’s son; this parallels Hindley’s abuse towards Heathcliff. Through Hindley’s and Heathcliff’s abusiveness in Wuthering Heights, Brontë asserts that cruelty cycles from its perpetrators to its victims.

As a young orphan who is brought to Wuthering Heights, Heathcliff is thrown into abuse as Hindley begins to treat Heathcliff as a servant in reaction to Mr. Earnshaw’s death. As a reaction to both this and Catherine discarding Heathcliff for Edgar, Heathcliff’s sense of misery and embarrassment causes him to change and spend the rest of his time seeking for justice. Throughout this time, Heathcliff leans on violence to express the revenge that he so seeks by threatening people and displaying villainous traits. However, Heathcliff’s first symptom of change in personality is when Heathcliff runs into Hareton after Cathy “tormented

The ugliness of human nature is undoubtedly shown through toxic relationships in Wuthering Heights. They toxicity can be shown through almost every character relationship. The bain of toxic relationships can be shown right in the beginning of the novel with Hindley and Heathcliff. They immediately get off on the wrong foot all because one of them chooses to let their ugliness take over. Hindley is extremely jealous of Heathcliff, “...and is subject to Hindley's jealousy almost right away” (Galt). His jealousy sparks from the fact that his father seems to favour Heathcliff over him. This does Heathcliff no favours as it causes Hindley to be cruel and brutal towards him. Infact, on several occasions Hindley can be found almost abusing Heathcliff, "Take my colt, Gipsy, then!" said young Earnshaw. "And I pray that he may break your neck: take him, and he damned, you beggarly interloper! and wheedle my father out of all he has.” (Bronte 4) and “‘ Off dog!’ cried Hindley, threatening him with an iron weight used for weighing potatoes and hay.” (Bronte 45). The abuse and hatred that Heathcliff receives from such a young age cause him to give the same treatment in the other relationships in his life. In Heathcliff’s relationship with Isabella he can be seen showing the same abuse towards her, Heathcliff seized, and thrust Isabella from the room; and returned muttering—"I have no pity! I have no pity! The more the worms writhe, the more I yearn to crush out their entrails! It is a moral teething; and grind

was to run away to the moors in the morning and remain there all day."

Heathcliff is introduced in Nelly's narration as a seven-year-old Liverpool foundling (probably an Irish famine immigrant) brought back to Wuthering Heights by Mr. Earnshaw. His presence in Wuthering Heights overthrows the prevailing habits of the Earnshaw family, members of the family soon become involved in turmoil and fighting and family relationships become spiteful and hateful. Even on his first night, he is the reason Mr. Earnshaw breaks the toys he had bought for his children. "From the very beginning he bred bad feelings in the house". Heathcliff usurps the affections of Mr. Earnshaw to the exclusion of young Hindley-: "The young master had learnt to regard his father as an oppressor rather than a

Since Edgar and Isabella were sources of oppression in Heathcliff’s childhood, Heathcliff feels the need to plot for revenge against them. Heathcliff’s reappearance is his first act of revenge, because he immediately makes Edgar jealous.

In her novel Wuthering Heights, Emily Brontë uses a formal style of writing to portray the language of those used during the early 1800s. Throughout the majority of the novel, Nelly Dean is telling the story of how Wuthering Heights came to be the place that it currently is. Throughout Dean’s narration, characters are voiced differently due to their role in society. An example of this is shown when Brontë would use fragments of words to represent the speech of Hareton, one of the servants of Wuthering Heights. In contrast, Catherine, being well educated, would use sophisticated grammar and an extensive vocabulary whenever she spoke. Heathcliff was revealed as a two-sided character in this reading. On one hand, the author would use negative

The relationship between Heathcliff and Hindley revealed and developed the abusive nature of Heathcliff. Heathcliff was taken in as a young boy into a wealthy family that had two children. Ever since the day he was brought home the eldest son, Hindley, resented how the father favored him more. For example, Heathcliff threatened to tell their father if Hindley did not let him have his horse. This one childish threat had created the foundation of the resentment between the two men. Heathcliff threatened to tell their father that Hindley was making him feel unwelcome and abused emotionally, Hindley decided to not see if Heathcliff was going to follow through with the threat therefore gave him the horse. Later on through life, once the father dies, Hindley decides to take his absence as an excuse to start really physically abusing Heathcliff. He would beat him and punch him without thought of how this would transfer into the rest of his life. Heathcliff was also verbally assaulted by Hindley which is a twist on the traditional sense of cruelty. Hindley is demeaning towards Heathcliff and calls him a slave and make sure that he know that he is not equal with himself or his sister Catherine. This point planted the seed of doubt and not being good enough for the rest of his life. This continual mental assault forged the mindset of little Heathcliff to how he would exact revenge on Hindley for all of his wrongdoings. This cruelty from Hindley was due to the favoritism that Heathcliff received as a child, the death of his father, the death of his wife, and the constant reminder of his wife through his son. The constant cruelty is the motive for Heathcliff's actions once he returns to the Heights. Through baiting Hindley, in his own personal torment from his wife's passing, all the money and possessions are gambled away with Heathcliff as the new owner. Wuthering Heights itself

This leads to him running away from the heights entirely, leaving Catherine to marry Edgar. “He had listened till he heard Catherine say it would degrade her to marry him.” (81). Upon his return (two years later), Heathcliff marries Isabella to get back at Catherine, and her speech about how marrying him would degrade her. Isabella is also taken against her and her family’s will. Heathcliff kidnaps her and locks her away at the heights. In a letter written to Nelly, Isabella confirms that it was truly against her will for her leaving, and that she cannot return in the time of crisis in her brother’s life. “… an entreaty for kind remembrance and reconciliation, if her proceeding offended him: asserting that she could not help it then, and being done, no power to repeal it.” (140). In the act of kidnapping Isabella, Heathcliff’s intent is to hurt Catherine. Catherine would develop almost a jealous-like temper towards the whole situation, as Heathcliff knew it would. Even on Catherine’s deathbed, there is a constant push and pull (in almost a literal sense) of the cruelty that goes on between the two of them. Between the crying, the vexing, and the constant apologies, comes the brutal cruelty of the words Catherine speaks to Heathcliff. “I shall not pity you, not I. You have killed me – and thriven on it, I think.” (164)

Emily Bronte’s portrayal of Heathcliff presents him to readers “as dark almost as if it came from the devil’ and a ‘dirty, ragged, black-haired child.” (Emily Bronte) Although her suggestive description indicates Heathcliff is black, the author’s lack of a definitive depiction evokes ambiguity. Bronte purposefully intrigues readers with her absence of certainty by selecting specific language and creating a semantic field of the colour black. Bronte resurfaces the reader’s assumptions

Heathcliff overhears this conversation between Nelly and Catherine and leaves Wuthering Heights after hearing Catherine say that it would degrade her to marry him. Heathcliff tries to make himself more presentable to Catherine by moving up the social system. However, he does this by cheating and taking advantage of people. Heathcliff takes advantage of Hindley's state of alcoholism and takes over Wuthering Heights. Heathcliff also takes advantage of Edgar Linton's will my making young Catherine (the daughter of Catherine Earnshaw and Edgar Linton) marry Linton (the son of Heathcliff and Isabella Linton)