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Hagia Sophia Research Paper

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Final Research Paper Several events from the 4th to 6th centuries resulted in the division of the Roman Empire. In the west, Rome stood proud with it’s rich history and achievements. However, in the east a new empire was born and quickly rising. This up and comer had many astonishing treasures of it’s own but one stands out above all others. Since it’s competition in the year 537, the Hagia Sophia has dominated the city of Constantinople, now present day Istanbul, through it’s style and beauty serving as a highly important religious structure to the Christian Orthodox faith and a monument representing the power of the city. In traditional Roman architectural iconography, a centrally planned dome building symbolizes imperial rule and it’s …show more content…

It was commissioned to artisans Anthemius of Tralles and Isodorus of Miletus and is an architectural feat of it’s time taking only five years to construct. When completed Justinian compared it’s grander to that of Solomon’s Temple in Jerusalem. While larger basilica churches were built at this time, none featured the interior space or monumental dome that made the Hagia Sophia stand out. The Pantheon in Rome has a large dome, but it rests on a solid wall creating a very enclosed space on the inside. In comparison, the Hagia Sophia’s dome is set atop a series of interconnecting half-domes, arches and pendentives, that rest on four massive piers resulting in an highly impressive internal space. Also in contrast to the concrete monuments of Rome, the Hagia Sophia’s masons used stone, brick, and …show more content…

They lead a viewers eye to see a ring of forty clerestory windows along the base of the dome that allow light to pour through. This light enters the interior space and is reflected by the vivid and shimmering gold mosaics, a staple of Byzantine art, covering the walls creating the sense that the dome is floating above the viewer. These vibrantly colored marble and gold mosaics are etched into the brick and decorate the church’s interior space and show many figures important to the Christian faith. The vast variety of colors of the marble on the interior has been described as such, “For one would surely marvel at the purple hour of some, the green of others, at those on which the crimson blooms, at those that flash with white, at those, too, which Nature, like a painter, has aired with the most contrasting colors” by Procopius. It’s almost as if the interior isn’t actually a man-made structure at all, but actually a meadow in full bloom. These colored marbles take form in that of two stories of stacked columns that adorn the nave, side aisles, galleries, and narthex. Continuing with the meadow theme, the arches and capitals of these columns are decorated in highly intricate carvings that draw their inspiration from forms found in nature. According to a report from Procopius, before the collapse of the first dome many of the liturgical furnishings were embellished

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