Hail Mary by Tupac Shakur A literary Analysis The song “Hail Mary” by Tupac Shakur has sparked continued interest and attracted much criticism. Tupac’s application of the eternal theme of the struggle between good and evil to the cycle of prey vs. predator that is showcased in “Hail Mary” is unique and incorporates heart, mind, body and soul. Tupac explores the catch 22 of falling prey to evil if choosing to become a predator in order to survive, and shares the conflicting emotions of many young African American men who have been born into this. Using metaphors, symbolism, strong imagery, and oxymorons, Tupac illustrates the ups and downs of the prey vs. predator cycle and expresses the conflicts that come with the …show more content…
The Illuminati are also a well know secret society of white European descendant that are believed to hold a vast data bases of knowledge and who may have some higher plan to govern the world in a new world order. This concept coupled with doing what is necessary to survive may allude to an uprising of African Americans through enlightenment in the mind, while always being conscious of the
Everyone knows a guy by the name of Tupac Shakur, but how do people know Mr. Shakur? Maybe it is by the hardcore gangster and obscene rap lyrics directed towards people, more so aimed towards his east coast rivals. As years went on, more and more people viewed a handful of Tupac’s music as a true work of art, containing strong messages along with stories from his troubled childhood and young adulthood. Later on in both Tupac’s life and career, he began to realize the demise of the African American culture as a whole. During his last stint in prison, not only did he realized all of this wrongdoing throughout this life, but also the negative influence rap and hip hop had over the young African American community. What happened during his incarnation,
When most people hear the name Tupac, they think of a tattooed thug, a gangsta rapper killed in a tragic shooting who only got what was coming to him, a man who lived by the gun, and who died by the gun. However, those people probably have never taken a chance to look beyond what their eyes tell them, past the ignorance and into the depths of the man who really was Tupac.
To gaze into the lyrics of both Notorious B.I.G. and Tupac Shakur is like living in the ghettos of New York City where violence never stops. Both of these artists grew up seeing and living a life filled with violence. Gunshots and drive-byes, death and murder were a daily occurrence. Although the lyrics of both artists are simply telling their life stories and how hard it was to grow up in their “hoods” they contain vulgar, hateful, and sexual verses that send the wrong message to their listeners. Whether these listeners are teens or adults, white or black, they are continually sending notions of hatred and fear through their lyrics and actions. Ultimately,
In 1996, famed rapper and entertainer Tupac Shakur[1] was gunned down in Las Vegas. Journalistic sentiment at the time suggested he deserved the brutal death. The New York Times headline, "Rap Performer Who Personified Violence, Dies," suggested Shakur, who was twenty five when he died, deserved his untimely death. - (Pareles, 1996) A product of a fatherless home, raised poor in the ghettos of San Francisco, Shakur, notes Ernest Harding of the L.A. Weekly,
Throughout the song, Tupac gives an inside look on the social problems affecting African-Americans and suggests possible solutions. In the first stanza of the song, Tupac first talks about how certain social issues are linked together; he makes a correlation between his skin color and being poor. Tupac says “I'm tired of bein' poor and even worse I'm black.” Then he explains how poverty causes crime by saying “My stomach hurts, so I'm lookin' for a purse to snatch.” And finally, he demonstrates the relationship between police brutality and race by saying “Cops give a damn about a negro? Pull the trigger, kill a nigga, he's a hero.”
An ode can be defined as a "ceremonious lyric poem on an occasion of dignity in which personal emotion and universal themes are united" (Ode, 2012). While hip-hop is known for its violent, masculine, and often, misogynistic lyrics, "Dear Mama" (1995), the first single from Tupac Shakur's album, Me Against the World (1995), can be considered to be a modern ode. Tupac Shakur, also known as 2Pac, one of hip-hop's most influential rappers, intended to pay homage to his mother through this song and frequently referenced it in many of his later songs. "Dear Mama" (1995) contains many elements that allow its lyrics to be analyzed from a literary perspective including tone, theme, and lyrical style.
When thinking of the Hip-Hop industry, one of the first names that comes to mind is Tupac Shakur. Shakur was born in the Bronx on June 16, 1971. He was reared by his mother Afeni Shakur who was an active member of the Black Panthers. Tupac's family later relocated to Oakland, California, where he spent much of his time on the street. As a kid, he was always getting himself into trouble, and he was very lonely. He started writing songs to keep himself out of trouble. An article from VIBE magazine "Troubled Times for Tupac Shakur" quotes Tupac. "'I was lonely, I didn't have no big brothers, no big cousins until later. I could remember writing songs.... I remember writing poetry.' " 1 Tupac was talented in the areas of
To help understand Tupac’s poem, you must grasp yourself around the image of a very young boy, who has no father, grew up in the rougher parts of New York, and was barely supported by his mother.
The average rapper wouldn’t be able to grace the pages of Rap Pages, VIBE, Spin, The Source, URB and Stress and go on a national tour months before their major label debut album is released. Then again Eminem isn’t the average rapper.
Kanye West’s “Blood on the Leaves” is a powerful hip hop song that addresses modern day struggles such as drugs, sex, and poverty. Throughout the song, the lyrics of “Strange Fruits” by Billie Holiday blare from the background, stating “strange fruit swinging from the poplar trees… blood on the leaves” (Blood on the Leaves) over and over. The mix of the two styles and lyrics creates a dichotomy between the days of lynching and black oppression and the current struggles that face African Americans. The contrast between the different types of oppression draws attention to the current issues of modern day culture. African Americans in today's society are still
With things, such as explicit lyrics and depiction of women, drugs, and violence an assumption can be made that gangster rap represents a masculinity that rappers portray themselves as in their songs. Dating back to its origins, African Americans had always been the face of gangster rap, with such names like Tupac, Biggie, Jay-Z, DMX, and much more, as covers of rap magazines. Gangster rap had always been seen as what people interpret it to be and that is a raw rhythmic and explicit version of poetry in motion, but gangster rap depicts more than what people interpret it to be. Gangster rap depicts the image of how a strong African American male should look like, a bold, angry, rebellious, and fierce man. Strong African American males are subjective to gangster rap, mainly because of how gangster rap portrays masculinity. In “Brotherly Love: Homosociality and Black Masculinity in Gangsta Rap Muscic” Oware argues that although gangster rap music portrays the masculinity of African American males through the use of hyper masculinity, misogyny, and violence in lyrics, gangster rap music also provides a way for rappers to express themselves to commemorate their fellow friends through lyrics that depict family/friend relationships, success by association, and have a tribute for lost friends.
Tupac Shakur released the song “Keep Ya Head Up” first in 1993 on his album “Strictly for my N.I.G.G.A.Z.”, then as a single in 1994. Tupac’s “Keep Ya Head Up”, one of his most notable and recognizable singles, received acclaim upon its release and continues to do so. The record centers on the social climate in the 90’s, and Tupac’s own experiences from his youth. Around the time of the song’s release, Tupac’s indictment in a rape case colored the reception of the song although it remained mainly positive. Tupac speaks on multiple issues through his lyrics, making it effective as a critique of society; moreover, the other creative devices he uses – phrasing, rhythm changes, and samples – make the song effective as an artistic project and back up his social message.
Since the beginning of its art form rap music has been subject to scrutiny throughout its existence. In a Theresa Martinez reading from the semester, the author describes rap music as a resistance. She builds on a theory of oppositional culture that was composed by Bonnie Mitchell and Joe Feagin (1995). In this article, “POPULAR CULTURE AS OPPOSITIONAL CULTURE: Rap as Resistance”, Martinez explains how African Americans, American Indians, and Mexican Americans draw on their own cultural resources to resist oppression. She states that this very resistance to the dominate culture in
Lauryn Hill was and still is an iconic individual of the African American Hip Hop genre. She is known for her enlightening lyrics and historical puns that resonate with her listeners. During a time where blacks were being served with the injustice of society and being defied the moral code of citizenship, Ms. Hill released a song-like poem that not only told our story but spread the message of frustration and struggle so those without a voice can be heard. “Mystery of Iniquity” is poem that transcribes three main topics and unifies
“The Blacker the Berry” by Kendrick Lamar was released February 9th, 2015. This incredibly racially motivated song has created controversy throughout America because it tackles racism, hypocrisy, and hatred head on. Although Stephen Best argues that the past defines the present without question, and Hartman believes that many important African American stories have been silenced due to lack of evidence, Kendrick Lamar’s song “The Blacker the Berry” complicates and adds to their arguments by introducing a certain level of hypocrisy that forces the listener to understand a much more complicated moral position than is generally allowed, perhaps an inevitable one.