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Hairspray Film Techniques

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The film ‘Hairspray’ directed by Adam Shankman, is set in June 1962 in Baltimore, America. During this time, the Negroes were segregated from the white people. There was extensive discrimination. Adam Shankman used effective film techniques that helped me to understand a key idea that is that all people should be treated equally regardless of their race and colour. These techniques include the use of prop, costume and dialogue.

The first effective film technique that helped me to understand the key idea was props. The props used were placards and candles. During the protest for integration of Negro Day on the Corny Collins’ show, placards were used with messages written on them. Some of the messages were, ‘Integration not Segregation’, ‘Black and White Unite’ and ‘Do the checkerboard’. These placards were held by people supporting integration, stating that integration should happen between the Negroes and the white people. Another prop used during the protest march were candles to represent peace. The candles were used by the protesters to show that they wanted to say that even though …show more content…

In the ending sequence of the film, Tracy was wearing a black and white checkerboard dress at the Miss Teenage Hairspray pageant. Tracy wore this dress and danced happily with all the people there, black and white, everyone. Also, at this ending scene Corny Collins announced that the Corny Collins’ show would be officially integrated from then on, showing the supportment of the key idea. The dress had only colours of black and white. This represented that Negroes and white people should be united together. The black checkerboard pieces of the dress represented the Negroes, while the white parts represented the white people. It was mixed to show integration. This portrayed a clear message that black and white people should be united as one and not apart, showing another strong relation to the key

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