Hall 4 best vehicle is, I think, an unwarranted claim. He may indeed feel this way, but I can't be sure. Perhaps he finds art not to be objectively the best, but the best for him. In that case, his choice would be the result of personal preference or ability and not some independent standard. This really doesn't leave much room for explanation, though, so for the sake of an interesting discussion let's assume that Bell thinks that contemplation of art is the best vehicle, objectively. So why would he think that? Well, he mentions that one only needs to bring two things with them when engaging an art piece: a sense of form and color, and a knowledge of three dimensional space. Only two things... sounds pretty simple. You definitely need more than that to truly engage …show more content…
He just kind of throws that "sense of form and color" out there without really explaining what the hell it means. How does one acquire this? Can you learn it from a book or a teacher? Is it even something one can learn at all? I don't think Bell would say so. He seems to treat such an ability as being fairly rare. He even goes so far as to call aesthetic appreciation a "great gift”.Error: Reference source not found Well, if it's a gift then it's probably not something you can learn, is it? So art isn't really such an accessible path to transcendence anymore. In fact, Bell's theory begins to seem pretty damn elitist. While he claims that he doesn't disrespect the layman for focusing on the content of a piece and getting only human emotion from it, there definitely seems to be a note of pity in is writing when he mentions it. The arrogant bastard. But wait... this isn't really getting us anywhere. We can't even say that Bell finds aesthetic appreciation to be the objectively best path. We assumed it just to see where it lead, but it only lead to pissing me off. And getting pissed off at someone because of a belief that I'm assuming they have is just silly. Ok, so let's back
This paper is an evaluative look at why the Chevrolet Corvette is one of the greatest sports cars in the world. Sports cars can be judged in three areas; cost, performance, and comfort, each area will be evaluated as to why these criteria are important, with examples shown to for definition. The Corvette will be shown how it compares in regards to the measurements, and in some cases exceeds them. Showing why it should be considered a great sports car
Let us begin this report by examining how closely related Cost/Mile is to the Size of the car being tested. To do this, a multiple regression analysis was run using Cost/Mile as the dependent variable, and the ‘dummy’ variables Family-Sedan and Upscale-Sedan as independent variables.
He also compared himself to other mixed things “yu mean when Picasso mix red an green is a half caste canvas” he is saying that if this mixed thing is accepted then why isn’t he.
Travis Ruhland’s book, Caring for Kait, ties into the discussion of adult development and aging that we have been having in this course well. Though this book’s focus, Kaitlyn, did not get the chance to live life into old age, there are still relevant themes that can be found in the narration of her battle with cancer. I will examine themes related to aging that I found in her husband’s narration of her battle with cancer: memory changes, feelings of control and lack thereof, and spirituality.
Have you ever experienced so much pressure and stress that you are unable to sleep at night? This is a common occurrence amongst students competing at Youth America Grand Prix. Youth America Grand Prix is the world’s largest ballet competition that offers scholarships to prestigious ballet academies and companies across the globe. Aspiring ballerinas spend most of their years training and preparing routines that they will perform to compete for highly competitive scholarships and a chance to pursue their dreams. I overcame Youth America Grand Prix by researching, practicing, and preparing thoroughly.
In recent generations, typical looks or ideas have dominated fashion. People write about this topic through articles, newspapers, and papers. While models style and display the most recent styles, they also represent what women should look like. Not until very recently, people have realized that not all women look like models, unless they starved themselves or worse. In the poems, “Fat is Not a Fairy Tale” and “The Pink Car”, the authors’ convey their main message of the poem as the social aspect of the world and what they believe has the characteristics of the ideal person by using imagery and personification.
We can also see the use of black shades to create a hole at the bottom part of the rock. With his excellent use of colors, we can identify the good, healthy and green grass from the bad, unhealthy, brown grasses. Looking beyond the main focus of the painting, he uses colors to separate the sky from the land in the background creating a solid form of perspective on the painting. He also uses colors to create water forms as seen behind the young character. Now, for the sky, he uses shades of white to magnificently differentiate the thick clouds from the light ones. He also uses this to create a source to light to the whole area. All these put together creates a splendid, realistic and familiar atmosphere for the viewers to relate with.
Im sitting at the light, yellow yellow green We take off flying down the track at 100 mph we cross the finish line my opponent wins. I pull into the pits with my 1932 5 window coupe. If money wasn’t a problem i would go Drag race move to Montana and get a Demolition crew.
The visual element and the composition work together because he used the green in the back ground to replaces the sky. That is how I see them working together. The most obvious principles that the artist used variety and he also used unity. For the unity the light and the darkness of the colors are combined bring harmony to the picture. It brings out the blue and the yellow in the artwork. The variety is the way the art used to a two colors to make you see a different color when looking at the artwork.
question John Berger, critic of art and author of the Ways of Seeing, raised in his essay, and it is
There was another detail that contributed to the deaths of Earnhardt and Roberts. They both crashed into hard concrete walls. Imagine two bricks were struck together; that would be a pretty hard impact right? Now imagine it was a soda can and a brick instead, and they collided. It would be a softer impact. The can would crumple to absorb the energy. This is a very basic example of what they were thinking when they created SAFER barriers. Dean Sicking, a college professor, led the design team that developed Steel and Foam Energy Reduction (SAFER) barriers (Hembree 3). In an article about Sicking writer Mike Hembree says, “Sicking’s calling card through decades of research is based on this axiom: Lessen the power of impact and lessen the chance
An Old Master’s painting provides for the viewer the possibility of being part of the space created as an illusion of depth by the painters, and this in itself characterizes how these painters found their own different way of challenging painting compared to what it previously used to be, by breaking the limits of painting defined by the medium. And on the contrary, Modernist paintings focusing on the flatness of the pictorial plane give the viewer the possibility to travel through the painting “only with the eye” (experienced by Manet and Impressionist painters). But, Greenberg insists that being self-critical doesn't suggest that leading painting into the extreme abstraction is the answer to Modernist painting (he gives the example of Kandinsky and Mondrian).
When one looks at the painting White light, an array of colors spring off the canvas and permeate one’s senses. The primary and intense color of red is softened by the primary colors of yellow and blue. While the tertiary color of green subtly takes its place among the hues to give some balance. The perceivable tones of black and white add value and seem to give some
This implies that painting, rather than 'using art to conceal art' (ibid) by creating illusionistic space and depth, should rather use art 'to call attention to art' (ibid), that is, to emphasise the unique characteristics of the medium; 'the flat surface, the shape of the support, the properties of pigment' (ibid). Greenberg states that such a process would render art 'pure', that is, autonomous, free of any extraneous elements deriving from other arts, such as theatricality or narrative. The impact of a painting should thus derive from those technical aspects characteristic of painting, such as colour, form and composition. An example of the sort of painting Greenberg was advocating at the time may clarify this. Morris Louis's painting Alpha-Phi (pl.D10) is exactly contemporary with the publication of 'Modernist Painting'. It consists of bold, ragged, diagonal streaks of pure colour against an off-white ground; Louis's use of acrylic paints, which soak into the canvas, means that the colours appear integrated with the ground and hence do not disrupt the flatness of the picture plane. Its effect depends upon the arrangement of colours and the large scale of the painting which makes it occupy 'so much of one's visual field that it loses its character as a discrete tactile object and thereby become that much more purely a picture, a strictly visual entity' (Greenberg, 'Louis and Noland', p.28). It is apparently devoid of references to
By analysing the specification of car[iv] AUDI S4 Sedan and also the specialized press web sites[v], we were able to quantify and qualify the system analyzed.