Hamlet Antic Disposition

When he talks to Guildenstern and Rosencrantz, Hamlet is clever to realize what their actual pupose of visiting was. "I am but mad north-north-west. When the wind is southerly, I know a hawk from a handsaw. (2.2.401)." Hamlet is able to play with his friends through his "madness" and is still capable to maintain his secret of what he is really doing.

There is a distinct division of opinion among the other characters of the play about Hamlet's sanity and the split is along gender lines. Ophelia and Gertrude both state that Hamlet has gone mad, but the major male characters, on the other hand, like Polonius think that there is "method" in Hamlet's "madness," that his insanity is a surface mask to shield him as he plans the darker purpose of revenge. Since Hamlet is disturbed by the sudden death of his father and his mother's marriage to his uncle, King Claudius, the abnormality of his behavior to some extent is also understandable. Hamlet is naturally withdrawn, dark, and passive in the wake of those traumatic events. He also shows this when he constantly releases his anger with lines like "How (weary), stale, flat, and unprofitable seems to me all the uses of this world!" His self-exile and his self-reproach are essentially normal reactions to a series of events that he must avenge at his dead father's command but without further direction against a powerful chain of power within the guilty King.

Hamlet’s madness is questioned by many readers. The truth is that Hamlet portrayed madness before he came up with the plan of acting madness. This madness is an important characteristic in the play with Hamlet’s actions revolving primarily around the idea he has because of his madness. There are several occasions further in the play when the audience sees Hamlet acting mad even though there is no one else in the room that he was aware of. In act three, scene four, when Hamlet is in his mother’s chamber and hears a noise behind the arras the rash decision to stab the noise behind the curtain shows exactly how erratic and unstable Hamlet is. His rash behaviour to kill without seeing what he is doing shows that his madness is real and not something he is faking to have revenge for his father. In act five scene two, Hamlet announces that he has switched the letter that ordered Hamlet to be killed in England; instead writing that Rosencrantz and Guildenstern are to be killed. This is perhaps because he thought they were the ones who ordered his death when in fact they were just following Claudius’ instructions. Rosencrantz and Guildenstern were Hamlet’s friends which show that he was perhaps paranoid in his madness. They were there to help yet his rash character after seeing the Ghost has yet again ended people’s lives. It is important to consider that in the Elizabethan era madness was defined differently than what the

He acts irrational only when he is around certain individuals. He acts irrational around Polonius, Claudius, Gertrude Rosencrantz, Guildenstern and Ophelia but remains calm and rational around Horatio, Marcellus, and the players. A big part of the play is when Hamlet lashes out at Ophelia and convinces her he has actually gone mad. “With a look so piteous in purport as if he had been loosed out of hell to speak of horrors...Then he let out a sigh so piteous and profound as it did seem to shatter all his bulk and end his being” (2.1.84-97). This single action brings tremendous tension and makes Polonius immediately believe that Hamlet has gone mad because of his love for his daughter. On the other hand, Hamlet can be rational just as much as a sane person. "Give him heedful note, for I mine eyes will rivet his face, and, after, we will both our judgments join in censure of his seeming” (3.2.83-86). Hamlet tells Horatio to watch Claudius during the play to see if he acts guilty. The fact that he thought this out in such an organized and clear way makes it hard to believe that he is mad because a madman would never be able to think like that. Hamlet also knows how to act properly around the players. An example of this is when he asks, "You could, for a need, study a speech of some dozen or sixteen lines, which I would set down and insert in 't, could you not?” (2.2.540-542). This question is understandable and

His madness was argued to be an act to confuse Claudius. He acted crazy to cover his plans of seeking revenge on Claudius, when talking to Polonius he acted completely mad, “For in the sun breed maggots in a dead dog, being a good kissing carrion-Have you a daughter?”(Hamlet 2.2.95) Hamlet used much blabber, such as this, when talking to anyone close to Claudius. As the play went on his madness was more and more liable. He started becoming very irrational and distracted by his plans. When Ophelia gives Hamlets letters back he goes into a rage, yelling “Get thee to a nunnery.”(Hamlet (3.1.131) The most well known action Hamlet committed was when he stabbed Polonius in a rash decision, hoping it was Claudius, “O, what a rash and bloody deed is this!“(Hamlet 3.4.171) One thing that brought him one step closer to going mad was Ophelia’s death. Hamlet may have been acting in the beginning but by the end of his devious plan to avenge his father, he lost himself and actually caused himself to go mad.

In Shakespeare's play Hamlet the main character Hamlet experiences many different and puzzling emotions. He toys with the idea of killing himself and then plays with the idea of murdering others. Many people ask themselves who or what is this man and what is going on inside his head. The most common question asked about him is whether or not he is sane or insane. Although the door seems to swing both ways many see him as a sane person with one thought on his mind, and that is revenge. The first point of his sanity is while speaking with Horatio in the beginning of the play, secondly is the fact of his wittiness with the other characters and finally, his soliloquy.

After this scene Hamlet acts insane and he often criticizes his mother for remarrying and even insults her, but gets away with his actions because at this point those around him are starting to believe there is something wrong with Hamlet. Hamlet is not crazy but if he were truly crazy then he would not internally realize that he is mad, a crazy person usually doesn't realize they are going crazy, but it is others who realize because of his or her actions. In Hamlet's case, Hamlet knows he is "crazy" and his acting is beneficial for him because he is able to talk freely without having to hold anything back. If Hamlet were truly insane it would have caused him his own death, because usually when an individual is insane they are unaware of what they are saying and their actions are usually always made hastily, a quality that Hamlet does not seem to have.

Throughout the Shakespearian play, Hamlet, the main character is given the overwhelming responsibility of avenging his father’s "foul and most unnatural murder" (I.iv.36). Such a burden can slowly drive a man off the deep end psychologically. Because of this, Hamlet’s disposition is extremely inconsistent and erratic throughout the play. At times he shows signs of uncontrollable insanity. Whenever he interacts with the characters he is wild, crazy, and plays a fool. At other times, he exemplifies intelligence and method in his madness. In instances when he is alone or with Horatio, he is civilized and sane. Hamlet goes through different stages of insanity throughout the story, but his neurotic and skeptical personality amplifies his

Hamlet’s absurd actions began when he got a visit from his father’s ghost. As he was conversing matters with the ghost, he acknowledged that he may need to disguise himself with strange behavior (antic disposition) in order to not give himself away. He wanted to ensure that he wouldn’t make it conspicuous that he was planning to kill Claudius in order to achieve his own equanimity. Hamlet mentioned to Horatio, Marcellus, and the Ghost, “How strange or odd some’er I bear myself (As I perchance hereafter shall think meet to put an antic disposition on)... ” (Pg. Act I Scene V Lines 175-177). He needed to surreptitiously act in a strange manner in order to convey the idea to the culpable King that he didn’t have a plan, although he did. Hamlet would not have given them the caveat that he would act mad if he actually was crazy. One who is mad will most likely not admit it, but Hamlet certainly admitted that he would be acting this way to communicate a certain impression. At the climax of the play, the queen claimed that Hamlet was mad when he interacted with his father’s ghost after he murdered Polonius. She vehemently claimed, “Alas, he’s mad” (Pg. 177 Act III Scene IV Line 109). She declared

In Act III, Scene II, Hamlet appears to be more self-controlled, given that he adeptly works Rosencrantz and Guildenstern and his freely speaks with Horatio. The facility with which Hamlet alternates between passionate, erratic behavior and rational, focused behavior seems to prove that he is not insane after

     When we first meet Hamlet, he is a sad, dark, loathsome figure; the loss of his father and the whoring of his mother have upset him indefinitely. Like a ticking time bomb, Hamlet’s noticeable temper reflects the storm of emotions and thoughts brewing in his head, and then like a catalyst, his meeting with the Ghost of King Hamlet brings his anger to a boil. With revenge in mind, Hamlet plans to fake his madness so that he may be free to pursue his father’s killer. Everyone, except his close friend Horatio, seems convinced that he is mad. Claudius however, fearful that someone will discover his evil deed, has also had his perceptions heightened by his guilt and he experiences chronic paranoia throughout the

Hamlet shows that he is not crazy through his actions, even in his madness, he retorts and is clever in his speech and has full understanding of what if going on around him, and through his conversation with Horatio, Ophelia and more. Soon after finding out about his fathers death, and in order to further develop his plan to murder Claudius, Hamlet talks to Horatio and tells him he will put on an act of antic disposition. You can see this when Hamlet says

     Hamlet is in a situation where his sanity is turning into insanity. He is like one of those people who tell so many lies that they start believing their own lies. Hamlet’s acting is so vivid to him that, unconsciously,

Many critics question Hamlet’s sanity, and the question still remains unanswered. Is his personal search for revenge driving him crazy, or the fact that he has to put up a different façade for numerous occasions to conceal his own doubt? Hamlet’s motives throughout the play seem uncertain, is he driven by anger to seek revenge, or is it a part of his mixed emotions in result of his fathers death and the corruption of Denmark? Shakespeare seems to suggest that Hamlet is intending to act on his impulse to avenge his fathers murder by killing Claudius, yet he also seems to be combatting some sort of bigger confusion within himself.

Hamlet portrayed extreme madness that recurred throughout the book. It started off with simply acting to be crazy, but eventually leads to true madness. Hamlet tells the queen “a beast… would have mourned longer, married with my uncle my father’s brother, but no more like my father” (1.2). Hamlet refers to his mother as a beast implying she is not human. Problems with Hamlet’s mother are not a huge contributing factor to his madness, but still fuel the problem. It also leads readers to believe Claudius could be a problem later on. This turns out to be true as he is one of the main sources to Hamlet’s madness. Another tremendous source is the ghost driving Hamlet to get revenge on Claudius. When the Ghost of Hamlet’s father comes back, he tells Hamlet “so art thou to revenge, when thou shalt hear”(1.5). The Ghost explains what really happened to try to convince Hamlet to avenge his death. This drives him to insanity with the stress and pressure of should he, or should he not kill