Hamlet As A Tragic Flaws

The entire play of Hamlet by William Shakespeare, is based around the young prince Hamlet who has lost his father and is trying to avenge his death in any means possible. With this duty over his shoulders, it causes him to overthink every decision that he is trying to make and ultimately leads to his demise. Although everyone overthinks some situations, Hamlet would be known to have Generalized Anxiety Disorder in common time because whenever he starts to come up with a plan he starts to think and gets anxious. Hamlet is seen to overthink when his father’s ghosts comes back to guide him, trying to come up with a way to kill Claudius, and while he contemplates suicide. In everyone of Shakespeare 's tragedies the tragic hero always has a flaw, in this case it was Hamlet’s inability to act on his actions in a timely manner.

The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.

Ophelia, ever since her introduction, has been introduced to be a sweet and sympathetic person, providing the play with emotional moments, but her death was used as a bait and switch by Shakespeare towards audience members who had expected her to change the play’s somber mood to more hopeful one, which in turn makes the play even more tragic. After she had been visited by an apparently crazed Hamlet, she tells Polonius about the visit, prompting him to believe that the young prince is crazy in love, and goes out to tell the king. After it was explained to Claudius, and Hamlet’s former friends Rosencrantz and Guildenstern failed to find the underlying cause of his madness, Polonius makes Ophelia approach Hamlet while he and the king hide and monitor his behavior.

With Hamlet being generally labeled as the best tragic hero ever created, it is ironic that his tragic flaw has never been as solidly confirmed as those of most of his fellow protagonists. There is Macbeth with his ambition, Oedipus with his pride, Othello with his jealousy, and all the others with their particular odd spots. Then there is Hamlet. He has been accused of everything and of nothing, and neither seems to stick. Flaws are carved out of obscure conversations when he may or may not be speaking truthfully and alleged from instances of his own self-discipline. They are bored into him with the bits of psychological drills invented long after Shakespeare's hand crafted

Logic is man 's most valuable asset; it is what pushed humanity past other species and helped develop humankind into what it is today. Without such logic and reasoning, humanity would not have evolved into the strongest and most powerful beings alive. It is what has enabled us to dominate the world, create civilization, unlock the secrets of the universe through math and science and reveal the true nature of man through art. One of art’s most beloved benefactors, William Shakespeare, crafted his most famous character, Hamlet, to be the living embodiment of this God-given reason. However, we learn throughout Hamlet’s eponymous play the irony in the

Ophelia experiences alienation throughout Hamlet, although she ends her life with suicide, unlike Hamlet. The queen places blame on Ophelia for Hamlet's madness and states: "...for your part, Ophelia, I do wish that your good beauties be the happy cause for Hamlet's madness..." (Shakespeare 140). The queen lightens her feelings of guilt for the murder and places the guilt upon Ophelia. Gertrude, the queen, knows that she has committed something wrong with the plot of killing Old Hamlet and therefore finds an outlet through Ophelia. Also, to try to discover Hamlet's cause of insanity, Claudius and Polonius use Ophelia to get closer to him and find out that perhaps they could conclude that his

In classic works of literature, all characters have certain flaws, and Shakespeare’s tragedies’ characters in particular have faults that ultimately lead to their ruination. In Hamlet, Ophelia’s flaws eventually kill her.

Even in death, she displays yielding and passive behavior: Ophelia does not have the intention of committing suicide, though she fails to save herself from sinking. She is essentially a casualty of a society that enforces unreasonable expectations for its women and is never afforded the liberty of thinking for herself and making her own judgments and decisions. Her passive death represents the lack of control she has over her own person and the dependence she has developed on other people. Therefore, Ophelia is mentally unstable and not capable of realizing that her life is on the line. Ophelia is trained by the men in her life to be compliant with their demands, preventing her from practicing her autonomy and enabling her to be easily manipulated by Hamlet.

Shakespeare’s Hamlet is an interesting play in many ways. The character Hamlet is particularly intriguing in regards to his fatal flaw. Hamlet’s fatal flaw is a specific trait that forces him to postpone killing the king and it is this trait that drives Hamlet mad (Shakespeare 1.4.23-38). This Shakespearean tragedy is open to many interpretations of Hamlet’s fatal flaw. Two recent film productions of the play, Kenneth Branaugh’s Hamlet and the Zeffirelli’s Hamlet, each show a different fatal flaw in Hamlet. Branaugh shows his fatal flaw to be that Hamlet over thinks everything. Zeffirelli accentuates the Oepipus Complex in Hamlet meaning that Hamlet is jealous over his mother. Branaugh and Zeffirelli both use different methods to

In the life of Ophelia, it can be seen that she is very dependant on Polonius. She obeys him, even if she doesn’t want to. When she is told by Polonius, “I would not, in plain terms, from

Hamlet's fatal flaw is his inability to act. Unlike his father, Hamlet lets his intelligence rather than his heroism govern him. When he has a chance to kill Claudius, and take vengeance for his father's murder, he hesitates, reckoning that if he kills the man while he is at prayer, Claudius would have asked for pardon from the Lord and been forgiven of his sins, therefore allowing him to enter Heaven. Hamlet decides to wait for a better opening. His flaw of being hesitant in the end leads to his own death, and also the deaths of Gertrude, Ophelia, Laertes, and Claudius.

A tragedy is usually written with the purpose of making the viewers realize their own faults through the shared faults of the characters. According to Samuel Taylor Coleridge, this is the case with Hamlet. Coleridge’s argument that Shakespeare uses the character Hamlet to warn people of the dangers of inaction and speaking without acting is valid because Hamlet’s fatal flaw is his tendency to think without acting, the only times Hamlet is not delayed by his thoughts are when he is in a situation when he cannot think, and Hamlet has the same effect on the viewer as The Mousetrap in that it makes the viewer realize or or her faults through a tragic character. Hamlet’s fatal flaw is his tendency to think of acting or decide to act without actually

Hamlet has a tragic flaw in his personality and behavior. His flaw is that he is overly concerned with death and tragedy. This flaw or weakness in Hamlet leads him into a world of chaotic surroundings and madness. Hamlet's flaw and his mad personality led to the death of several people, including his mother and the King of Denmark! If Hamlet did not have this fascination with death and tragedy, the deaths of the several people would not have occurred--including his own.

Polonius’ image and plans take precedence over his daughter’s physical and mental wellbeing. This leaves her vulnerable and in danger in regards to Hamlet. When Ophelia describes Hamlet accosting her, Polonius’ reacts by saying:

him as much. Then she would not have been with Claudius and drank the poisoned