Hamlet: Branagh's Ophelia and Showalter's Representing Ophelia
Ophelia falls to the floor, her screams contrasting eerily with the song pieces she uses as her speech. In an instant she is writhing and thrusting her pelvis in such a gross sexual manner that it becomes clear that, in his film interpretation of William Shakespeare's Hamlet, Kenneth Branagh wants to imply a strong relationship between female insanity and female sexuality. Such a relationship is exactly what Elaine Showalter discusses in her essay -- "Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism" -- "I will be showing first of all the representational bonds between female insanity and female sexuality" (Showalter 223).
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Such a deliberate choice by Branagh can be most easily seen by his representation of Ophelia in the "mad scene" (Hamlet 4.5) and Branagh's inclusion and representation of Ophelia in scenes where she does not appear in the text. In fact, in contrast to past representations of Ophelia when some of her lines were cut, Branagh actually gives his Ophelia more lines than Shakespeare does to better convey Branagh's own interpretation. One such instance occurs when Branagh gives Ophelia a line that is, in the text, Guildenstern's: "A thing, my lord?" (Hamlet 4.2.28).
In the Branagh film, Ophelia first appears at the wedding of Claudius and Gertrude ( Hamlet 1.2). Dressed in bright red, with make-up on her face and her hair done beautifully -- up off her face and curled -- Ophelia stands next to her father like a coy maiden: joyfully and dutifully applauding in support of her brother, Laertes, when he obtains permission to leave for France, yet also looking worried about the "nighted color" of Hamlet. In fact, at the ending of the wedding scene (1.2.129), Ophelia rushes up to comfort Hamlet; she extends her arm and looks as though she will embrace him when Laertes grabs her and leads her off. There is no mention of such
The play Hamlet, by William Shakespeare, looks at the issue of madness and how it effects the characters of the play. Madness can be looked at from very different perspectives, such as strong and uncontrollable emotions, a person’s desires, and also a persons mental stability. Throughout the play, the audience is questioning the sanity of the main character, Hamlet, as he goes on his quest for revenge. The people around him also show signs of madness, such as Ophelia and Claudius, but in different forms. Existentialist philosopher Friedrich Nietzche says, “There is always some madness in love. But there is also some reason in madness.” What Nietzche is saying is that when you are in love with someone or something, there is always a little
There are volumes of critical analyses devoted to William Shakespeare's Hamlet. As the title indicates, Hamlet is the main character of the play, but there are other characters who are also important to the plot. So much attention has been given to Hamlet's antics that characters such as Ophelia remain relatively unexamined. Ophelia is a key figure in the play, and to understand her reactions to the patriarchal society in which she lives through her relationships with the men in her life adds more depth to the play. Ophelia's character is revealed through her relationships with her father, Polonius, her brother, Laertes, and her lover, Hamlet, and their characters in turn are revealed through their
In another scene, Polonius orders Ophelia to return the gifts that Hamlet gave her, and to make her rejection of him unmistakable and absolute. Polonius believes that if she is the cause of Hamlet’s madness, this would be the proof. “That Hamlet loses his mental stability is arguable from his behavior toward Ophelia…” (Foster, par.16) In Branagh’s version, we see how terribly this tears Ophelia’s heart. When Hamlet sees her, he walks up to her, telling her how much he loves her. After Hamlet kisses her, she returns the love letters that he wrote back to him. She sees how crushed he is, which makes her feel even worse; but she also believes she has to do this because her father ordered her to. Hamlet tells her “Get thee to a nunnery” (William
In the beginning of the play, Ophelia was like any other obedient young woman during the time. In Understanding Hamlet, Richard Corum shows that Ophelia is obedient. He writes, "Though Hamlet has been courting her, Ophelia willingly obeys her father when he tells her to discourage the prince's advances" (Corum 26). Ophelia obeys her father's demands because it was expected during that time of women to comply with men's wishes. In Hamlet, Ophelia disregards her own feelings towards Hamlet. Ophelia does as she is told:
Ophelia’s father, Polonius, wishes to keep his family’s honor in tact, and fears that Ophelia’s open regard for Hamlet will diminish his honor. Both Polonius and Laertes, Ophelia’s brother, believe that Ophelia’s preference for Hamlet will only end in disgrace for their family, as Hamlet would never marry her due to her lower social standing, therefore, they counsel her to break off any understanding with Hamlet. As a woman, Ophelia realizes her duty to her father and her brother, and therefore decides to disregard her own feelings about Hamlet and do as her father and brother wish.
Ophelia is a very interesting and confused character in William Shakespeare's play Hamlet. She has so many moments where she is hanging onto her sanity by a thread, and one small thing could set her off. Ophelia illustrates character traits leading to her tragic downfall, including innocence, ignorance, and distraught actions.
Shakespeare places many interesting characters in his plays. Claudius, Polonius, Marcellus, and Reynaldo are a few from his play The Tragedy of Hamlet, Prince of Denmark. However, Ophelia appears to be the most innocent all throughout the play. This character has either indirectly or directly affected the lives of every main characters in the script. Ophelia’s character is portrayed as obedient, maidenly, and a mad young girl.
During the reign of Queen Elizabeth, the stage was used as a way to break the barriers of gender norms. In his creation of Hamlet, Shakespeare uses the voice of Ophelia as a means to battle the gender norms that had been placed on Elizabethan society. A good women was seen as someone that was quiet and submissive. If a man could not control a woman’s tongue, there would be no chance that the man would be able to control her body. Though Ophelia’s character was more than capable of exhibiting reason, the control that her father, Polonius, held over her let Ophelia to the the madness that would claim her life by the end of the play. On the other side of the gender spectrum, Hamlet, a prince that should be have been more than capable of
In William Shakespeare’s Hamlet, Ophelia is the most static character in the play. Instead of changing through the course of the play, she remains suffering in the misfortunes perpetrated upon her. She falls into insanity and dies a tragic death. Ophelia has issues surviving without a male influence, and her downfall is when all the men in her life abandon her. Hamlet’s Ophelia, is a tragic, insane character that cannot exist on her own.
Ophelia started acted insane when Hamlet frantically ran up to her, grabbed her arms and shook her because he had seen the ghost of King Hamlet. “He took me by the wrist and held me hard. Then goes he to the length of all his arm, And, with his other hand thus o’er his brow, He falls to such perusal of my face As he would draw it. Long stayed he so. At last, a little shaking of mine arm, And thrice his head thus waving up and down, He raised a sigh so piteous and profound As it did seem to
In the play Hamlet by William Shakespeare, there were many important characters just like Hamlet who show up in more than three-fourths of the play; but there are also characters that don’t necessarily show up as much but still have a strong role. One of the characters that didn’t get as much screen time but was still important was Ophelia. Ophelia was a sister, girlfriend, and daughter that so many people loved. Therefore, Despite the lack of presence of Ophelia, she ultimately played a big role in the lives of a lot of the characters.
William Shakespeare’s Hamlet can be read as a feminist play given Ophelia’s experiences within the Danish society. Through Ophelia’s interactions with the men of the play, the audience can see that the male-dominated society brings inequality, distrust, and destruction. As Ophelia interacts with her brother, her father, and Hamlet, she is completely unable to assert her own independence, and her lack of personal autonomy eventually drives her to madness. These three men all deny Ophelia’s individuality and desire for self-control because they are accustomed to their male-dominated world. However, once Ophelia is driven to madness, she is regarded as an individual and finally has political and social power. Shakespeare’s Hamlet is a feminist play located within a misogynistic culture that Ophelia struggles to escape.
Michael Pennington in “Ophelia: Madness Her Only Safe Haven,” elucidates the character of Ophelia in Shakespeare’s tragedy, Hamlet:
Overwhelmed by outside forces and her repressed love for Hamlet, Ophelia is truly a sad and remorseful character in this play, an innocent victim with little essence or depth. An evident victimized woman, ruled by her Renaissance sense of romantic love, it can further be argued that Ophelia was extremely ambiguous. She was too incompetent to decide what she really desired in life. Because she falls in love with Hamlet at a very young age she cannot truly comprehend what love is all about, even though there is strong evidence that Ophelia had sexual relations with Hamlet. Hamlet emphasizes the hypocrisy of his words
All those encounters with Ophelia happen under unfortunate conditions. Claudius’s test takes place right after Hamlet delivers his ‘To be or not to be’ soliloquy, voicing suicidal thoughts. Additionally, he cannot be honest with Ophelia as he must know of her obedience to her father Polonius and has to maintain his madness-cover. With regard to this, one could argue that Ophelia joining a nunnery would keep her safe and away from the court, as Hamlet does not and cannot know how his plans for revenge will play out. His hostile attitude towards her can thus be seen as an attempt to alienate her, again, to have her out of the way for his more imminent goal of avenging the murder of his father.