Hamlet Character Analysis

Insight to Hamlet’s identity is given through the use of soliloquies and monologues. As Hamlet progresses, his thoughts and beliefs about avenging his father’s death are shown and stated by using soliloquies, asides, and monologues, one of which being the famed “To be or not to be” speech (Shakespeare III, i, 64-95). These moments of Hamlet’s dialogue, especially that infamous soliloquy, reveal his true identity as one who is teetering between deciding whether or not to avenge his father’s death.

In act 1 scene 2 of “Hamlet” the character Hamlet speaks his first soliloquy which reveals his innermost thoughts and feelings to the audience. In this soliloquy Hamlet’s unstable state of mind is evident as well as his feelings of despair about his father’s death and his disgust of his mother’s remarriage to his uncle Claudius. Hamlet’s hatred for his uncle is shown through harsh comparisons between Claudius and his late father. This soliloquy takes place after Claudius has begun his reign as king and has addressed the court for the first time but before Hamlet hears about the apparition that Horatio and the guards have seen. Hamlet’s character and personality are shown in this soliloquy through the use of classical imagery, diction and

In William Shakespeare’s play, Hamlet, the playwright introduces the compelling, complex, and complicated character of the Prince of Denmark, Hamlet. In the events of the play, Hamlet swears revenge against his uncle for the foul murder of his father, the king. However, despite his intense catalyst, Hamlet reveals to be continuously torn between his motive of revenge and conflicted conscience, generating an inability to carry out his desired actions. While Hamlet possesses the passion and intellect to murder his uncle, Claudius, his actual inclination to act upon the murder directly opposes that of his powerfully emotional contemplations (S.T. Coleridge). Hamlet’s overzealous thoughts become unrealistic compared to his actual endeavors throughout the play.

The final way that Laertes acts as a foil to Hamlet occurs once again when Claudius and Laertes are discussing Laertes’ actions to achieve his vengeance. Claudius gives Laertes advice saying, “That we would do/ we should do when we would; for this ‘would’/ changes” (4.7.134-136). Claudius is warning Laertes that if he waits long enough, he will probably end up not doing anything at all and will not achieve his goal of vengeance. This quote spoken by Claudius is quite similar to when King Hamlet’s ghost meets with Hamlet earlier in the play to warn him about how he was killed by Claudius and that he must get revenge. King Hamlet’s ghost also warns Hamlet saying, “Taint not thy mind” (1.5.92), telling him to not over think his plan because otherwise he will not pursue his vengeance. After Claudius warns Laertes to not get side tracked, the audience is reminded of King Hamlet’s ghost telling Hamlet to not over think because then their plans will not be pursued. This scene acts as a foil towards Hamlet because soon after the conversation, Laertes does pursue his plan of seeking vengeance, whereas Hamlet has been working on his plan the whole play, and has still not started to execute it.

Hamlet proves himself a temperamental, twisted character in William Shakespeare’s play, Hamlet. The Prince of Denmark conveys his facetious demeanor with his behavior and sharp tongue, especially in scenes with Ophelia and Gertrude. Although Hamlet’s situation is difficult and easily sympathized by viewers, his aggression should ultimately be focused on his murderous uncle.

William Shakespeare is one of the best known authors of all time, and of his many pieces, Hamlet is one that stands out. Written around the year 1600, it is a classic amongst Shakespeare’s tragedies due to its length and in depth character development, themes, and plot. One such example is seen in Act 2, Scene 2, from lines 593-617, where Hamlet is lamenting in his second soliloquy about many things. Through the use of imagery and comparisons, Shakespeare suggests that Hamlet is being self-deprecatory and self-critical in addition to a expressing violent regretful temperament about not being able to avenge his father’s death during his second soliloquy from lines 593-617.

In act one scene two, the audience sees Hamlet for the first time as a distraught man who has just lost his father and is in a state of confusion and anger over his mother’s new marriage. In this scene he gave his first soliloquy which gave the audience a clearer view of Hamlet’s mind. He began the soliloquy by wishing that his flesh could melt away or that God had not made suicide a mortal sin. In lines 136 to 137 Hamlet said, “ O God, God, / How weary, stale, flat, and

Hamlet’s first soliloquy comes in act one scene two, as Hamlet reflects on the current state of events. The chief focus of this soliloquy is essentially the rottenness of the king, queen and the world in general. In this passage the reader is introduced to Hamlet pseudo-obsession with death and suicide, which later will become a chief point of indecision. In this particular speech, however, Hamlet is fairly confident. He wishes that his “too too sullied flesh would melt”

Hamlet’s first soliloquy in Act 1 Scene 2 reveals important key thoughts Hamlet holds for related characters. The purpose for this soliloquy is to inform the audience of Hamlet’s true feelings about his family and life, which provides the audience with a deeper understanding and meaning of the future choices chosen throughout the play. One of the more intriguing truths revealed by Hamlet is the disgust he holds for his mother’s new relationship and her little acknowledgment of her husband's death.

Hamlet’s character drastically develops over the first four acts of Hamlet, and his character development is most evident through the soliloquys he delivers throughout the play. The most character development can be seen from the first soliloquy, to the second, the third, the sixth, and the seventh and final soliloquy. Hamlet’s inner conflict with his thoughts and his actions are well analyzed in his soliloquys, as well as his struggles with life and death, and his very own existence. He begins the play wondering what purpose he has in life now that his father is dead and his mother has remarried to his uncle. After finding out foul play was involved in his father’s death, he is motivated by revenge. Finally, he wonders how he can enact his revenge while continuously overthinking and overanalyzing his actions.

In Hamlet's second soliloquy, Act 2, Scene 2, his speech moves through anger, self-condemnation and agonised self-accusation, impassioned fury and mocking self criticism, deep reflection and determination. He continuously points out his faults on how he cannot raise himself to adequate passion to avenge for his father's murder, he comments on how the actor showed grief for his lines, and how he cannot, even though he has great reason to. Hamlet's mood is far beyond normal and has gone into philosophical realms, continuously using metaphors to show his disgust and anguish for himself and his attitudes to the current affairs in the state of his own home.

Hamlet feels the constant need to reassure himself that his beliefs are correct, especially in his soliloquies about death. It is stated, “O that this too too solid flesh would melt, Thaw, and resolve itself into a dew!...” (Act 1, Sn 2, 129-1559). Hamlet discusses how things were not good and he was just in mourning and despair in this soliloquy. In the noted to be or not be soliloquy he continues the decisions on death, “To be, or not to be: that is the question: Whether 'tis nobler in the mind to suffer, The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them?...” (Act 3, Sn 1, 56-89). As Hamlet continues through the play he gives up in a sense because of everything happening to the people he was close to and to him in general. He lost the people he cared about due to his uncle’s careless actions and his mother playing along with it. When he actually got emotion from his uncle things were only proven to be more complicated because his father’s ghost was correct. His soliloquies prove how Hamlet was overly depressed and wanted to die, although depression during this time period is completely different compared to now.

Hamlet’s delusion begins directly after he learns of his father’s death. Immediately, he longs to avenge the death of his beloved father, the former King Hamlet; as he tries to piece together how this tragedy occurred, and why his mother is now marrying his uncle, he becomes entangled in his own curiosities. He feels as though he should approach his mother, and question her; try to bring her into reality, and make her become aware of the wrong she is doing. In the first scene, after the wedding of Gertrude, Hamlet’s mother, and Claudius, Hamlet’s uncle, he falls into deep self pity. He is unable to speak to anyone else about his true feelings, so he reveals that his too, “...too sullied flesh would melt,/ Thaw, and resolve itself into a dew,/ Or that the Everlasting had not fix'd/ His canon ‘gainst self-slaughter! O God, God…”(I.II.133-136). Hamlet reveals his suicidal thoughts to the audience, and explains that he feels hopeless. He is unable to stop what is happening, and is deeply hurt by his mother for betraying him. He speaks out to himself, with only the audience listening. The moment is a very personal, and vulnerable scene, and he is opening up how he truly feels. The importance of a soliloquy is that the character does not hold back, or worry that what they say will harm someone else. Hamlet can openly express exactly what he is feeling, and not feel as though he is betraying his mother. This also eliminates the possibility of another person telling Hamlet that is feelings are unjustified, and that he does not have the right to feel what he is feeling. The confusion he has drives him to the edge, and does stop. It runs deep inside of him, as his questions are

For many of us, our parents are our role models and the people we look up to. They take care of us and know what is best for us. For that reason, we should obey them and listen to their advice. We all have heard that before, but what if that is not true? What if our parent's decisions are not for the best of us? That is what Shakespeare proposes in the play Hamlet. In Shakespeare's Hamlet, parents' flaws lead to the destruction of their loyal children. Ophelia, Laertes, and Hamlet's lives are hijacked by their filial piety.

Hamlet's first soliloquy, following a hostile conversation with Claudius and Gertrude, shows him grief-stricken, bitter and despairing. The source of Hamlet's melancholy is "his father's death" and the "o'er-hasty marriage" of his mother and uncle. He feels he