Hamlet Fortinbras Foil

Hamlet vs Fortinbras HAMLET AND FORTINBRAS In Hamlet the character of Fortinbras, a young Norwegian prince, has been used as a foil for the main character Hamlet, the Prince of Denmark. Hamlet and Fortinbras have both lost their fathers to untimely deaths. Hamlet's father, King Hamlet, was killed by his uncle Claudius and Fortinbras' father was killed by King Hamlet. Both Hamlet and Fortinbras have vowed to take revenge for the deaths of their fathers.

Hamlet’s relationship with Ophelia suddenly becomes complicated, after Hamlet’s encounter with the Ghost. It all starts when Hamlet first appears in Ophelia’s chamber pale and dishevelled, after receiving news from the Ghost that King Claudius had poured poison into his ear, and it was Hamlet’s duty to avenge the death of his father. Hamlet’s condition frightens Ophelia, as she runs off to tell Polonius about the encounter;” My lord, as I was sewing in my closet/ Lord Hamlet, with his doublet all unbraced/… speak of horrors—he comes before me” (2.1 87-94). Hamlet may express that he does not love Ophelia anymore, but his ill treatment towards her comes at the price of testing her loyalties towards him or her father Polonius, who is the eyes and ears of Claudius. As Ophelia runs off to Polonius, it is clear to Hamlet that he cannot trust Ophelia with such a deadly task at his hands. Behind all this phony madness, it breaks Hamlet’s heart to jeopardize his relationship with Ophelia for his own motivations, but it is an intricate decision he has to make. This is again evident in Act 3, scene 1, when Hamlet instructs Ophelia; “To a nunnery, go, and/ Quickly too. Farewell” (3.1 151-152). The only reason Hamlet would utter such bitter words to Ophelia, is because he trusts Ophelia will be kept safer there than anywhere near the kingdom. In doing so, Hamlet proves that he still cares for Ophelia and what they had, but he cannot manage their relationship at the same time getting revenge, because he’s too caught up in pursuing his own motives. Eventually, as Ophelia goes mad and dies,

Hamlet realizes how slow and hesitant he is to kill Claudius following the actor’s performance. He proclaims O, what a rogue and peasant slave am I:/ Is it not monstrous that this player here,/ But in a fiction, in a dream of passion,/ Could force his soul so to his own conceit/ That from her working all his visage wann’d,/ Tears in his eyes, distraction in ‘s aspect,/ A broken voice, and his whole function suiting/ With forms to his conceit?/and all for nothing!” (2.2.53-60)

Hamlet (prince of Denmark) can be greatly compared to Laertes (son of a noble), and Fortinbras (prince of Norway) in the play. They all are very similar but yet different at the same time. They all had love and respect for their fathers and felt the need to avenge their deaths, which all were brutally killed. All three believed that the murderers had dishonoured their fathers as well as themselves. They all reacted and took different approaches in attempt to restore honour in their families.

In Shakespeare’s play, Hamlet, Hamlet, a studious young man and Prince of Denmark, struggles to face the death of his father and the task to kill his father’s murderer, Claudius. He was once known as a charming, smart young man before his father’s death. However, Hamlet experiences depression and anger at the world, causing him to look outwardly on society but failing to look inwardly on himself. The death of his father and the task for vengeance leads him to question whether or not he should follow through in killing Claudius. He becomes a man of thought rather than a man of action. In addition, the delay of King Claudius’ murder leads the readers to believe that he wishes not to kill him; he

In the play, Hamlet, by William Shakespeare, the character of Fortinbras, has been used as a foil for the main character, Hamlet. Hamlet and Fortinbras have lost their fathers to untimely deaths. Claudius killed Hamlet's father, King Hamlet, and King Hamlet killed Fortinbras' father. Both Hamlet and Fortinbras have vowed to seek revenge for the deaths of their fathers. Since the revenge tactics of Hamlet and Fortinbras are completely different, Hamlet perceives the actions of Fortinbras as better than his own and the actions of Fortinbras, then, encourage Hamlet to act without hesitating.

Furthermore, Fortinbras is dead set on attacking Denmark and it seems no one can stop him. The death of his father lights a fire in him to kill at any cost and instead of taking care of his ill uncle who is on his death bed, Fortinbras leaves him alone and takes his time planning and training for his attack to kill the new king of Denmark. Shakespeare reveals that Fortinbras abandons his "impotent and bedrid" (I. ii. 29) uncle and trains his troops while "The lists, and full proportions are all made out of his subject" (I. ii. 32) to defeat Denmark showing his determination. Fortinbras wants to be the one who rights the wrong that the old king of Denmark has done to his father. He would go at any length to get the job done, thus making the reader see that he does not think things through before he does anything. Hamlet on the other hand is very indecisive about killing Claudius even though he knows Claudius is guilty of his father’s death. Although, Hamlet is not sure about what he is going to do to attack. Even though he wants to avenge his father’s death and obey the ghost, he is not as active or into the attacking

Oftentimes, the minor characters in a play can be vital and, among other things, function to further the action of the play or to reveal and illuminate the personalities of other characters. In Hamlet, Fortinbras, the Norwegian Prince, serves as the most important foil of Hamlet and provides us with the actions and emotions in which we can compare to those of Hamlet and better reveal Hamlet’s own character. Because Hamlet and Fortinbras both lost their fathers and have sworn to avenge their deaths, Fortinbras is a perfect parallel of Hamlet. He was also very crucial to the play’s ending and to bring a remedy to the corruption that has plagued Denmark.

Both Hamlet and Fortinbras have tragic flaws, but their flaws are direct opposite of one another. Hamlet suffers from over planning and lacking the ability to take action, but Fortinbras is the kind of man that jumps into things too quickly. For example, Hamlet takes on the responsibility to avenge his father’s death per the request of the ghost of King Hamlet. Each time Hamlet attempts to kill his Uncle Claudius, he finds another excuse to not commit. Hamlet makes his choice to not murder Claudius at the time by stating: “Now might I do it pat, now he is praying; / And now I’ll do’t. And so he goes to heaven, /and so I am revenged.” (3.3.76–78). In this specific example, Hamlet chooses not to murder Claudius due to the fact that Claudius may have the opportunity to go to Heaven, since Hamlet saw him praying. Later on, Claudius makes the sarcastic comment: “My words fly up, my thoughts remain below. / Words without thoughts never to heaven go.” (3.4.100–01). If Hamlet had just taken initiative instead of trying to play God, the deed would have been done and Claudius would not have went to Heaven, since his prayer was not sincere. On the other hand, Prince Fortinbras tragic flaw is that he takes too much initiative. When Hamlet’s father killed Prince Fortinbras’s father and took their scrappy piece of land, Prince Fortinbras seeks his revenge by putting lives at risk to go and get their land back out of honor. One of Prince Fortinbras’s captains makes the statement: “Truly to speak,

This, in turn, exploits Hamlet’s similar flaw of ego and furthers the conflict, but what’s more, it illustrates Claudius’ sheer audacity and lack of repentance. He continues to try to cover up the sin and appease Hamlet into complacency rather than confess and ask for forgiveness. In a mark of pure arrogance, Claudius tells Hamlet to “throw to earth / This unprevailing woe and think of us / As of a father”, conceitedly requesting that Hamlet merely forget the murder and replace his father with the murderer himself (I, ii, 110-112). Similarly, instead of directly confronting Hamlet about his mental condition, the king more or less hires Rosencrantz and Guildenstern to spy on the prince, again cementing his smug mindset. The king does not believe he can be caught or, rather, that Hamlet is competent enough to figure out his plan and foil him. Claudius, too, thinks only of himself after Hamlet’s inadvertent killing of Polonius, pondering “how shall this bloody deed be answered? / It will be laid to us” instead of considering the ramifications of the murder with respect to Hamlet (4.1.17-18). The other two paper-thin traps the king hatches only reinforce his failure to see beyond the apparent; his attempt to deport Hamlet to England and have him killed reeks of treachery and, luckily, Hamlet realizes the king’s subterfuge, crushing the plot and flipping it back on him. Claudius remains steadfast in his efforts to remove Hamlet, going so far as to set up a

1. In scene four, Hamlet has arrived at the dock where he will be shipped away to England with Rosencrantz and Guildenstern. While waiting to board the ship they overhear young Fortinbras asking for a right of passage from the King of Denmark, so he can go to Poland, where the Norwegians and the Poles are fighting over a small sliver of land that is barely worth anything. Hamlet asked about this counter and the Captain told him that he would not even pay five ducats for that piece of land to farm and Hamlet was fascinated by the Poles and Norwegians will to go to war over a piece of land that was not worth much. Fortinbras is a foil to Hamlet at this point because he puts his thoughts into action and Hamlet does not, but this inspires him to begin acting on his thoughts.

By portraying masculinity as taking aggressive, impulsive action as well as having a strong demeanor of calm and collectiveness, Shakespeare furthers divide the gender roles in women and men, criticizing and bringing to light the male-dominated culture Hamlet takes place in. As foils for Hamlet, when they hear of their fathers’ deaths, Fortinbras and Laertes immediately take action to avenge their deaths. Compared to Hamlet who takes almost the entirety of the book to gather his courage to go through with killing Claudius, Fortinbras, without a moment to spare, raises an army to reclaim his father’s lost territory, conquering country after country under his father’s honor. When comparing himself with, Hamlet says, "Witness this army of such mass and charge/ Led by a delicate and tender prince,/

Hamlet’s motivation throughout the play is to kill Claudius and avenge his father’s death, so every action he makes works to accomplish that goal. On the other hand, Fortinbras’ motivation toward action does not lie exclusively for the sake of revenge. Fortinbras, like Hamlet or any other proud prince, feels a certain obligation to exact revenge on his father’s killer. However, whatever he decides to do it would not entirely be accepted as revenge because King Hamlet is already dead when the play starts. Although it is unclear if Fortinbras desires to kill Hamlet in the name of his father, killing Hamlet would not be the same as killing his father, the true murderer. Rather than act as if responding to a vendetta, Fortinbras is motivated to restore honor to his father by reclaiming the parcel land in Norway that is seized after King Hamlet kills King Fortinbras.

Unlike Hamlet though, Claudius thinks about his actions because he wants to make sure he makes a decision that will be the best for him. He knows if he just kills Hamlet the people of the kingdom will turn on him because of the love they all share for Hamlet. He sends in Rozencrantz and Guildenstern to find out what is wrong with Hamlet so that Claudius can decide what to do from there. His decision to send Rozencrantz and Guildenstern to spy on and talk to Hamlet is illustrated when he says, “So by your companies/To draw him on pleasures, and to gather/So much as from occasion you may glean/[Whether aught to us unknown afflicts him thus]/That opened lies within our remedy” (II.II.14-18). Claudius and Hamlet are both extremely sly and cunning and posses similarities with their ability to act, but this could merely be because of the education they both have which has brought them common sense and the ability to think before acting. One major difference of their ability to act is when Hamlet acts on impulse and kills Claudius’ advisor Polonius. Hamlet unlike Claudius has so much anger built up inside of him because of his father’s death and it kept building and building until he finally let it out when talking to his mother about Claudius. He heard a noise from behind a curtain which was Polonius’, and without thinking Hamlet stabs him releasing some of his pent up aggression. Hamlet shows the anger he has within when he says, “A bloody deed-almost as

In William Shakespeare's tragedy Hamlet, Laertes, Fortinbras and Hamlet find themselves in similar situations.  While Hamlet waits for the right time to avenge his father's death, Laertes learns of his father's death and immediately wants vengeance, and Fortinbras awaits his chance to recapture land that used to belong to his father.  Laertes and Fortinbras go about accomplishing their desires quite differently than Hamlet.  While Hamlet acts slowly and carefully, Laertes and Fortinbras seek their revenge with haste. Although Laertes and Fortinbras are minor characters, Shakespeare molds them in order to contrast with Hamlet.  Fortinbras and, to a greater extent, Laertes act as foils to Hamlet with respect to their motives for