Hamlet Psychoanalysis In Hamlet

Some explain Hamlet 's mysterious hesitancy as a result of the Oedipus complex. One might think that Hamlet continually postpones the act of vengeance against Claudius because of the overly confused psychodynamic situation in which he finds himself. Although he hates his uncle, at the same time he unconsciously identifies with him, for having killed his father and having married his mother. Claudius has fulfilled the frustrated desires of Hamlet. However, from the beginning of the play there is an essential element that marks an important difference between Hamlet and Oedipus, which brings with it certain effects in the clinical analysis.

According to Ernest Jones, Hamlet has the “Oedipus-Complex” while others might just call him a momma’s boy. The “Oedipus-Complex” from Freud is expressed through Diderot statement of, “If we were left to ourselves and if our bodily strength only came up to that of our phantasy we would wring our fathers’ neck and sleep with our mothers.” In

Oedipus Rex, an ancient Greek tragedy authored by the playwright Sophocles, includes many types of psychological phenomena. Most prominently, the myth is the source of the well-known term Oedipal complex, coined by psychologist Sigmund Freud in the late 1800s. In psychology, “complex” refers to a developmental stage. In this case the stage involves the desire of males, usually ages three to five, to sexually or romantically posses their mother, and the consequential resentment of their fathers. In the play, a prince named Oedipus tries to escape a prophecy that says he will kill his father and marry his mother, and coincidentally saves the Thebes from a monster known as the Sphinx. Having unknowingly killed his true father Laius during his

When reading Shakespeare’s Hamlet as a class, the first thing that most teachers or professors point out is the argument/idea of sanity, specifically Hamlet's sanity. I believe that Hamlet is, in fact, feigning his madness. What I do not know is if I believe this because it is what I was taught or if I came up with the idea myself based on my own interpretation. When I was taught Hamlet there was no argument it was just fact that he was faking his madness. Because of my confusion, I came to find that it may be interesting take out of the play any moment in which Hamlet makes the audience aware that he is only pretending that to be mad. I want to take out any proof that his madness isn’t real. The argument for legitimate madness is always

Throughout the years, there have been many interpretations of Sophocles’ Oedipus Tyrannus. However, one of the most interesting interpretations of the play would have to be one that uses the theories of Sigmund Freud to analyze the actions of the characters. The use of various aspects of Freudian theory such as the id, ego, superego, and the Oedipus Complex reveals Oedipus and his behaviors throughout the course of the play.

Shakespeare’s Hamlet is a tragic play about murder, betrayal, revenge, madness, and moral corruption. It touches upon philosophical ideas such as existentialism and relativism. Prince Hamlet frequently questions the meaning of life and the degrading of morals as he agonizes over his father’s murder, his mother’s incestuous infidelity, and what he should or shouldn’t do about it. At first, he is just depressed; still mourning the loss of his father as his mother marries his uncle. After he learns about the treachery of his uncle and the adultery of his mother, his already negative countenance declines further. He struggles with the task of killing Claudius, feeling burdened about having been asked to find a solution to a situation that was

Therefore, when dealing with Claudius, Hamlet's attitude is extremely complex and intricate. The concepts of death and sexuality are interchangeable in this play (Adelman 271). To the reader, it is evident that Hamlet hates his uncle, but his despise of Claudius comes more from his jealousy than from anything else. The more Hamlet criticizes Claudius, the more his

His diminishing outlook on women is, in fact, not the only attribute that affects Hamlet throughout the play. There are various conclusions in academic journals regarding Hamlet's mental state, all of them agreeing or refuting the theory that Hamlet is mad throughout the play. Despite having sufficient evidence, the analyzation of this play is subjective and no definitive conclusion has been made. Nonetheless, one opinion remains to be the most popular: Hamlet is not mad, yet encounters various feelings regarding mental and emotional health.

Throughout William Shakespeare’s classic play, Hamlet, it is very clear that the Prince of Denmark suffers from severe parental problems. These problems bear a stark resemblance to those borne by Oedipus, the classic staple of Greek mythology. The similarities, however, end and begin with an unhealthy obsession towards the mothers of each character and a distinct distaste towards the father that would border on hatred. Oedipus is, due to childhood experiences that were uncontrollable to him, largely unaware of these issues and even takes steps to disprove them. Hamlet, on the other hand, finds himself in this situation due to circumstances that he encounters later in life. While both Hamlet and Oedipus have very unnatural and unusual

Throughout William Shakespeare's Hamlet, Shakespeare portrays Hamlet with the same types of behaviors and frustrations in humans that Sigmund Freud saw at a much later date. When the relationship between Hamlet and his mother is analyzed Freud's oedipal complex theory comes to mind. The oedipal complex is a theory created by Freud that states that "The child takes both of its parents, and more particularly one of them, as the object of its erotic wishes."(51) Because of this desire to be with the parent of the opposite sex, a rivalry is formed with the parent of the same sex. In the play, Hamlet shows great hostility toward his uncle Claudius because his mother's remarriage to him. Hamlet sees his mother's remarriage as disgusting

In the play Hamlet, by William Shakespeare madness is a prominent trait that many of the characters in the play come to possess. These characters go through a multitude of troubles throughout the play that makes this madness justifiable. This madness plays an immense role in the outcome of the play and events throughout it. Hamlet and Ophelia show this trait of madness in their actions throughout the play which ultimately have a detrimental effect on themselves and other characters in the play.

Throughout Shakespeare's play Hamlet, the main character; Hamlet displays his contemplative side and his sexual deviancy wrapped up in his enigmatic character that makes for a thought provoking play with many interesting twists and turns to keep the reader on their toes. Hamlet’s creative character allows for the viewer and the characters in the play alike to search deeper into the meaning of Hamlet’s words hoping find something more about Hamlet than meets the eye. As for Hamlet’s sexual deviancy, his dirty jokes and interest in his mother’s sex life are just another loop Shakespeare employs to get the reader engrossed and slightly disgusted in the story. Hamlet’s philosophical and contemplative side involves the reader in Hamlet's quest

In William Shakespeare’s Hamlet, it appears that something is amiss in the State of Denmark as the protagonist, Hamlet, is approached by the ghost of the deceased King Hamlet. During this encounter, Hamlet discovers vital information about the king’s brother, Claudius, who married the king’s widow, Queen Gertrude. With this information kept in mind, the Ghost advises Hamlet to kill King Claudius, while protecting his mother, in order for the old King Hamlet to escape purgatory. Nonetheless, throughout the play Hamlet’s vendetta is continuously prolonged due to the Oedipus Complex created by Sigmund Freud which states, “in the young male, the Oedipus conflict stems from his natural love for his mother, which progressively may become sexual.

Hamlet is the typical kind of son almost every father and mother would want: intelligent, loving, caring, strong and loyal. Yet, some scholars believe that he is just another emotional character, defying our eyes to think that his acts are innocent, when his real purpose is to take his mother for himself. This gives scholars, like Ernest Jones, the impression that Hamlet’s actions were encouraged by an Oedipus complex, characterized by feelings of intense rivalry with a father figure in regards to a mother’s spousal affection. Even though there are lines that can be interpreted to show that Hamlet may have had such a desire for his mother, when these lines are examined in the full context of the

Hamlet’s emotions are comparable to a stereotypical modern day teenager. He can be very lively and content at times, but also gloomy and ominous. After hearing that his mother is marrying his uncle only weeks after his father unexpectedly dies, Hamlet becomes overwhelmed and considers suicide: “O, that this too, too sullied flesh would melt,” (Shakespeare 1.2.133). He is restless with the idea that his uncle is now sleeping with his mother. He loves his mother and does not have intentions of hurting her saying, “I will speak daggers to her, but use none.” (3.2.429), yet he assaults her when given a chance in her chamber. Similarly, Hamlet loves Ophelia so that “Forty thousand brothers Could not with all their quantity of love make up my sum.” (5.1.285-287), but he physically and verbally abuses her on many accounts. Hamlet cannot come to a compromise with his emotions towards Gertrude and Ophelia, thus expressing feelings that are bipolar. In the end, Hamlet spends time coping with his feelings of love and enmity, when he should be worrying about Claudius.