Revenge in Hamlet, Sin or Justified? What is Revenge? Is it right? Is it worth sinning? Is revenge the right thing to do? There are too many questions to be asked when planning revenge or thinking about revenge and those were the exact questions that were asked in William Shakespeare’s Hamlet that took place in the 1600s. According to Merriam Webster, Revenge is the act of inflicting hurt on someone for an injury or wrong suffered at their hands, and in Hamlet’s case, revenge was mandatory because of a promise he made to his murdered father’s ghost. Even though Hamlet was honoring his father and doing what the ghost of his father told him to do, revenge, in a biblical sense, would have been a sin. However, seeking revenge out of family code of honor gave Hamlet moral justification in breaking the tradition of the Elizabethan Orthodoxy. Thinking about justification and morality in the 21st century is different than back in the 1600s, during the time of this play. The revenge started when Hamlet was talking to the ghost of his father, when the ghost told him that King Claudius was the one that killed him. It started by the ghost telling Hamlet “So art thou to revenge when though shalt hear” (I.V.1726) which meant that the ghost was expecting hamlet to be ready for revenge after hearing him, The Ghost also told Hamlet that “Now, Hamlet, hear.’Tis given out that, sleeping in my orchard, a serpent stung me. So the whole ear of Denmark Is by a forgèd process of my death rankly
Getting revenge does not always guarantee a satisfactory win in the end. In the famous play Hamlet by William Shakespeare, Hamlet, the Prince of Denmark, returns from school after learning that his father, the king, has died. He later discovers that his uncle has actually killed Hamlet’s father in order to take his throne and wife. Instructed by the ghost of his father, Hamlet seeks out to get revenge on his uncle. In this play, the revenge of Hamlet’s father affects Hamlet’s relationships, actions, and state of mind.
In Shakespeare’s Hamlet, the titular hero and tragic figure of the play constantly finds himself unable to act on the Ghost’s instructions to take revenge on King Claudius despite the compelling reasons he realizes for doing so. The reason for this delay is Hamlet’s tragic flaw – his tendency towards thought and introspection rather than impulse and action. Because of this flaw, Hamlet is unable to ignore the moral aspects of his actions and “thereby becomes the creature of mere meditation, and [he] loses his natural power of action” (Coleridge, 343).
I suggest also that perhaps Hamlet is not able to truly understand people's evil motives, due to his own idealistic nature. It would follow, then, that he would have great difficulty in committing an act of such brutal violence himself. The action which Hamlet has been commanded by the ghost to undertake goes against Hamlet in a very basic, fundamental way. "The fact that Hamlet is a thinking as well as a feeling person, conscious of the good and bad points in every step he takes, makes the act of revenge particularly painful for him. Revenge is not Christian, and Hamlet is a Christian Prince; it is not rational, and Hamlet is a philosopher; it is not gentle, and Hamlet is a gentlemen" (Boklund 113).
Revenge is a recurring theme in Hamlet. Although Hamlet wants to avenge his father’s death, he is afraid of what would result from this. In the play Hamlet, Hamlet’s unwillingness to revenge appears throughout the text; Shakespeare exhibits this through Hamlet’s realization that revenge is not the right option, Hamlet‘s realization that revenge is the same as the crime which was already committed, and his understanding that to revenge is to become a “beast” and to not revenge is as well (Kastan 1).
Hamlet’s need for revenge begins in act 1 when the ghost tells him what happened. In the play, the ghost of King Hamlet appears and tells his son, Hamlet, that he is his father’s spirit, “I am thy father’s spirit…” (act I, scene v). The ghost is talking to Hamlet and tells him how he was really killed. He says, “Now, Hamlet, hear. 'Tis given out that, sleeping in my orchard, A serpent stung me; so the whole ear of Denmark Is by a forged process of my death Rankly abus'd; but know, thou noble youth, The serpent that did sting thy father's life Now wears his crown” (act I, scene v). King Hamlet’s spirit explains to his son that the serpent
“Revenge his foul and most unnatural murder” (I.V.31). In Shakespeare's play titled Hamlet, Lies, deception, and foul play are all encompassed into an iconic tale of revenge. The tragedy takes place in Denmark, following the death of Hamlet’s father, King Hamlet. Shortly after his death, King Hamlet’s brother Claudius marries, the Queen, who is prince Hamlet’s mother. The ghost of the dead king later shows himself to Hamlet in order to reveal that he was actually murdered by his own brother Claudius. After the ghost instructs Hamlet to avenge his death, he composes a plan involving false insanity, to discover whether Claudius really did kill his father and how to avenge his father's death. In comparing the original Hamlet play, to movie
Hamlet decides that instead of taking revenge he will see if the ghost is telling the truth or not. He says that he wants to take revenge but does not have the heart in him to do it. This helps to develop the play because we see that Hamlet is reluctant to take revenge for his father because he doesn't really know the truth of what happened.
The Bible says “Beloved, never avenge yourselves, but leave it to the wrath of God, for it is written, “Vengeance is mine, I will repay.” (Romans 12:19). In modern society, most people do not think about revenge as a bad thing, but rather as a natural part of life. Sometimes it is viewed down upon and questioned by those with high moral standards, or when a person wants revenge so severe that it would require blood to be shed. This was the case for Hamlet in the play Hamlet, by Shakespeare. After finding out his father had been killed by his Uncle, who had taken over the throne of Denmark, he is filled with anger and hatred, along with a feeling of self loathing. Throughout the course of the play, Hamlet pretends to be a madman so he can have his way, questions death and what comes after dying, and wonders if he should actually kill another human being. After the conflict is resolved, Shakespeare
Are Hamlet’s actions justified? Hamlet was involved both directly, and indirectly with the deaths of Ophelia, Claudius, Queen Gertrude, Polonius, Laetes, Rosencrantz, and Guildenstern. As soon as Queen Gertrude remarried, Hamlet started scheming against Claudius and wasn’t thinking clearly or logically. Hamlet has a right to feel the need to get revenge on his father's murderer, Claudius, but he unrightfully killed royalty and should be prosecuted as such no matter his social status.
In this case, Hamlet is obsessed with yet unable to act out his revenge since he is a man of thought and reflection, not of action and impulsiveness. "Revenge, said Francis Bacon in his essay on the subject, is a kind of wild justice, and something in Hamlet is too civilized for stealthy murder," says Northrop Frye (Frye). While he knows it is his duty to avenge his father's murder, Hamlet's desire to fulfill this obligation constantly wavers. In self-pity he cries, "O cursed spite / That ever I was born to set it right!" (1.5. 188-189), and yet in rage he utters, "Now could I drink hot blood / and do such bitter business as the day / Would quake to loot on," (3.2. 397-399). Hamlet hesitates numerous times to fulfill his duty to avenge his father, and in the end he must actually convince himself to kill Claudius. "... I do not know / Why yet I live to say 'This thing's to do', / Sith I have cause, and will, and strength, and means / To do't... / ... / O, from this time forth, / My thoughts be bloody, or be nothing worth!" (4.4. 43-46, 65-66). This unusual flaw leads to Hamlet's inevitable demise, and is the most convincing evidence that Hamlet is, indeed, a tragedy. The protagonist, however, is not the only character in the play that experiences a want for revenge. Shakespeare uses all three of the sons seeking vengeance to reveal the complexity of the human yearning for
Hamlet and the Issue of Revenge in William Shakespeare's Play The question of why Hamlet does not immediately avenge his father's death is perhaps one of the most perplexing problems faced by an audience. Each generation of viewers has come up with it's own explanation, and it has now become the most widely known critical problem in Shakespearean studies. A rather simplistic, yet valid standpoint to take on this problem is that it was essential to the tragedy's narrative progression. As Hanmer said "had he gone naturally to work, there would have been an end to our play!".
Revenge is a dish best served cold, being one of the biggest themes in the play, at its Hamlet’s biggest goal in the play. From the very start Hamlet was out seeking revenge over his father’s death. He wanted to kill Claudius because Claudius killed his father, in an effort to become king himself. Hamlet then becomes obsessed with seeking vengeance, going so far as to fake madness in order to prove that Claudius is truly guilty for his father’s murder…
Revenge can be defined as “the act of retaliating for wrongs received”. William Shakespeare 's “Hamlet” is considered one of his greatest plays and the plot is centered on revenge. Euripides ' Medea also shares a theme of revenge. While both central characters have been betrayed, resulting in their impending revenge, there is more than one theme of revenge in Hamlet, and there are differences in the ways all decide to handle their betrayals and the outcomes of their actions.
In Shakespeare's tragedy, Hamlet, the thoughts of revenge are introduced early in the play. At the end of the first act, Hamlet meets the ghost of his deceased father. He is brought to see him by Horatio and Marcellus, who saw the ghost "yesternight" (Shakespeare 1.2.190). During this exchange of words between the Ghost and Hamlet, the Ghost tells Hamlet, "[s]o art thou to revenge, when thou shalt hear." (Shakespeare 1.5.5). He is telling Hamlet to listen closely to what he has to say. Then he tells Hamlet to "[r]evenge his foul and most unnatural murder" (Shakespeare 1.5.23). When Hamlet finds out that it was his Uncle Claudius who murdered his father, Hamlet plots against him to avenge his father's
To begin with, the exploration of human strengths and frailties in Shakespeare’s ‘Hamlet’ provides a strong understanding of the complex nature of revenge, because Hamlet is determined to kill Claudius, which is the main reason for his father’s death. This is the most pivotal moment at the end of Act 1 because it leads Hamlet into insanity because it’s his primary mode of interacting with other people later in the play. The idea is used by Shakespeare to further develop Hamlet’s character because the concept of sin must be returned with punishment because Claudius has committed a sin on his father. The quote “Revenge his foul and most unnatural murder,” is used as a motif on the centre of honesty, as it explores the fact that Hamlet would do something for his father if they had a close relationship. He is rather keen to undertake this task so that he can get revenge on Claudius. “With wings as swift as meditation or the thoughts of love may sweep to my revenge,” uses a simile to express Hamlet’s determination