Act 3, Scene 1, pg. 970 – 971
“To be, or not to be, - that is the question:
Whether ‘this nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing end them? – To die, - to sleep, -
No more; and by a sleep to say we end” A famous lines of Hamlet that are ‘to be or not no be” carries some of the important significances on story’s description. From the first sight, it was just Hamlet’s thoughts, however, it was more than that. In Hamlet, William Shakespeare argues that huge effects on moral decisions are made by influence of the surrounding and by its conflicts. The chosen lines from Hamlet, clarify the character, carry ironic significance and further the plot by concretizing conflict.
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The father’s death does not leave Hamlet calm for he still live in grief. The mother and uncle’s marriage after two months of father’s death also affect Hamlet’s feelings. Due to these events, Hamlet lives in misunderstanding of the world. He feels that his mother betrayed his father. Hamlet cannot forgive his mother the decision she made of marring his uncle after short amount of time after Hamlet’s father death. Hamlet feels that the world does not carry any type of truth. Therefore Hamlet with his grief and with hate to his mother is not sure of how to act further.
The lines carry ironic significance because the character plays with death and life. Hamlet’s play with life and death went to the fact were he died. The thoughts and beliefs that it was the easy way to escape from problems turned to be the real action. The act of death was expected when Hamlet’s uncle was planning it for Hamlet; however, he found way to avoid it. He was near death because the deaths of his relative and people whom he knew did not leave his thoughts. The signs and his played turned into a
Hamlet decides to get more information / prove what the ghost was saying before doing
In Hamlet’s soliloquy in act IV scene iv, he brings up the question of “what is a man?” Hamlet does this while looking upon the over powering army that is lead by Fortinbras. His army was passing through Denmark to fight over an insignificant piece of land in Poland. Hamlet then thinks about his lack of action with his mission to kill Claudius. While he is seeing this massive army marching, going to war over something so insignificant he realizes that he must try to make his “thoughts bloody” (4.4.64). In this soliloquy, we learn that through Hamlet’s inaction he sees himself no better than a beastly animal where he should see himself as a man that takes action into his own hands which, makes him as the same level as the gods.
Hamlet is dissatisfied with his inability to kill Claudius, thus allowing him time to rewrite his wrongs. Unable to muster up the courage to carry out his envisions of murdering Claudius, Hamlet calls himself “a dull and muddy-mettled rascal” (2.2.526) that is “unpregnant of [his] cause”. (2.2.527) In both the soliloquies Hamlet stands around dreaming of completing the act, but pushes aside his outraged feelings toward Claudius. Hamlet is mad at himself as he pretends he is unaware of the treason. The soliloquy “what is a man” starts out with “how all occasions do inform against me, and spur my dull revenge!” (4.4.31-32) By “spur my dull revenge” Hamlet is stalling and much like a dull revenge a dull knife would do little to help achieve a stout revenge. This soliloquy also ties in with the
When analyzing Shakespeare's Hamlet through the deconstructionist lens various elements of the play come into sharper focus. Hamlet's beliefs about himself and his crisis over indecision are expounded upon by the binary oppositions created in his soliloquies.
His mother and his uncle have married after only 2 months of Hamlet’s father’s death. This has caused Hamlet to be in a heavy state of anger, mixed with his already deep state of mourning. According to Theodore Lidz, these two states can lead to one thinking back on all the negative wishes one may have had in the past. Considering Hamlet’s relatively young age, death wishes upon a parent are not serious but they are common among children. “…and as most, if not all, children have sometimes had death wishes toward a parent, guilt over such wishes can become intense when the parent dies.” (Lidz 48) All of these emotions mixed together so early in the play could lead to a sense of depression.
Hamlet is a suspenseful play that introduces the topic of tragedy. Throughout the play, Hamlet displays anger, uncertainty, and obsession with death. Although Hamlet is unaware of it, these emotions cause the mishaps that occur throughout the play. These emotions combined with his unawareness are the leading basis for the tragic hero’s flaws. These flaws lead Hamlet not to be a bad man, but a regular form of imperfection that comes along with being human.
In Hamlet’s first soliloquy we can see how distraught he is over his father’s death but we can also see the anger he has towards his mother for marrying so quickly. He establishes that even though he wants to hate her, he can only say nice things towards her because she is his mother. When Hamlet wrote this play the speech that the player king says shows forgiveness towards himself and not really towards his mother. He gives mean comments about his mother in the Player King’s speech about how his mother changed her love to be with Claudius. Hamlet figures out his own philosophy which is not to trust our emotions. Our emotions play into what we are doing in the moment but as that passion starts to fade, so does our drive to pursue what we want to do.
Coming immediately after the meeting with the Ghost of Hamlet’s father, Shakespeare uses his second soliloquy to present Hamlet’s initial responses to his new role of revenger. Shakespeare is not hesitant in foreboding the religious and metaphysical implications of this role, something widely explored in Elizabethan revenge tragedy, doing so in the first lines as Hamlet makes an invocation to ‘all you host of heaven’ and ‘earth’. Hamlet is shown to impulsively rationalize the ethical issues behind his task as he views it as a divine ordinance of justice, his fatalistic view reiterated at the end of scene 5 with the rhyming couplet ‘O cursed spite,/That ever I was born to set it right’. These ideas are
Hamlet, one of Shakespeare’s tragic plays, portrays the story of a young man’s quest to avenge his murdered father and his quest to find his true identity. In his soliloquies, Prince Hamlet reveals to the readers his personal perceptions of the events that take place in his homeland, Denmark, and of which are either indirectly or directly tied to his father’s murder. Many critics and scholars agree that while Hamlet’s soliloquies reveal the search of his identity and true character, his soliloquies universally illustrate man’s search for his true identity.
When the audience first meets Hamlet he is grief-stricken and upset with his mother for her hasty remarriage to his uncle. Directly preceding Hamlet’s first soliloquy he is firmly scolded by his mother and uncle for mourning his father and is denied permission to return to the University of Wittenberg. In his soliloquy, Hamlet says, “O, that this too, too sullied flesh would melt,/Thaw, and resolve itself into a dew,” (1.2.133-134.) Hamlet is expressing his desire to die, but is unwilling to kill himself because he does not want to be sent to Hell. In this statement, the audience is able to see that Hamlet is deeply depressed and ready for death. Also in the first soliloquy, Hamlet says, “O, most wicked speed, to post/With such dexterity to incestuous sheets,” (1.2.161-162.) Hamlet makes this statement in order to reflect his anger with his mother for marrying her brother-in-law, a marriage he deems incestuous, within a month of his father’s death. This statement shows that Hamlet’s depression is not only caused by his father’s death, but also by his mother’s apparent betrayal of his father. Hamlet’s first soliloquy shows him to be very depressed and establishes a strong base for his character to develop.
murder in a rash mood. It is not seen by Gertrude. It tries to urge
I Hamlet's second soliloquy, we face a determined Hamlet who is craving revenge for his father. “Ay, thou poor ghost, while memory holds a seat/ In this distracted globe. Remember thee!” Hamlet feels sorry for his father who was unable to repent of his sins and is therefore condemned to a time in purgatory. He promises his father that in spite of his mental state (he is distracted, confused and shocked) he will avenge his death. He holds him in the highest regards because he sees his father as a role model. “Yea, from the table of my memory/ I’ll wipe away all trivial fond records,”. He’ll erase all prior Knowledge and experience and leave only his father’s “commandment”. He will engrave it in the front of his mind to show his
Hamlet, the main character of William Shakespeare’s play Hamlet, is one of the most complex characters ever created. His intricacy can be seen in the amount of soliloquies he speaks throughout the play. Each one of Hamlet’s soliloquies reveals his innermost thoughts and gives the reader or audience insight as to what he is feeling at that time. Hamlet’s quartet of soliloquies illustrates how Hamlet is initially indecisive, but eventually makes a decision to take revenge against his uncle.
The "To Be or Not To Be" speech in the play, "Hamlet," portrays Hamlet as a very confused man. He is very unsure of himself and his thoughts often waver between two extremes due to his relatively strange personality. In the monologue, he contemplates whether or not he should continue or end his own life. He also considers seeking revenge for his father’s death. Evidence of his uncertainty and over thinking is not only shown in this speech, but it also can be referenced in other important parts of the play.
One aspect that makes William Shakespeare’s Hamlet alluring is how he broke the limiting mold of the one-dimensional character by representing characters in all of their human complexity. Hamlet, for example, is a compelling character because he is complicated. As Hamlet himself observes early in the play in, “Tis not alone my inky cloak/nor customary suits of solemn black, /Nor…forced breath/No, nor the fruitful river in the eye, /Nor the dejected ‘havior of the visage…/with all forms, moods, and shapes of grief, /That can denote me truly” (1.2.80-86). Hamlet insists that he is an individual with many psychological and philosophical facets, though he