Hamlet : The Role Of Women In Shakespeare's Hamlet

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Throughout centuries men have been seen as the gender that have more rights than women. According to Diane Elizabeth Dreher’s 1986 book, Domination & Defiance: Fathers and Daughters in Shakespeare, she explains that a woman during renaissance England, “was to conform patiently and silently to the will of her father and, later, to that of her husband, accepting commands, correction, physical abuse, with sweetness and humility” (16). As a result of a renaissance society that promotes and even encourages this type of behavior, men believe that they have more power. When someone believes that they have more power than another person a pattern of disrespect, and in the most extreme cases, physical and emotional abuse are likely to follow. In Hamlet, Shakespeare contrasts two female leads of the play, Ophelia and Gertrude, through reduction to appearance, instrumentality, and silencing in order to show that during this time period, the objectification of women in the play was parallel to the objectification of women during renaissance England.

Throughout Shakespeare’s play “Hamlet” women are used as method for men to get what they want. The men in Hamlet, either directly or indirectly continuously use women to acquire something from other men. The only two women in the entire play are Gertrude and Ophelia, who are consistently used by the current king, Claudius, Polonius, and Hamlet. Ophelia is exploited by Polonius and the King (mainly together), and is also used by Hamlet. Gertrude is used by the King, as well as Polonius. In “Hamlet,” the women throughout the play are used as pawns for men to get what they want, mainly from the other men.

In the play Hamlet, Shakespeare, the author, creates female characters that occupy very different roles than in his other plays. In this play, Hamlet plays opposite two women who are used by the men around them in order to further their own interests. One woman is named Ophelia. In many of Shakespeare’s other plays, he creates women that are very strong and play a very real role in the life of the protagonist. In Hamlet, however, Ophelia occupies a very different role-she exemplifies a pawn of the men around her. She is used not only by her father and his associate the King, but also by her supposed lover, Hamlet. This is a very different role for a woman in a Shakespearian play. Also, Hamlet’s mother, Gertrude,

Hamlet can be viewed through a feminist lens by focusing on Ophelia and Gertrude and how various other male characters treat them. Ophelia and Gertrude are dismissed as characters through the entire play because they are women. Hamlet refers to women as “frailty,” implying that they are weak and are dependent on men. Reason suggests that with out the males, Ophelia and Gertrude would simply have no story.

In today’s world, women of all ages are given equal rights and freedom. In Shakespeare’s time, woman’s obligations were to follow the rules of the men and obey the men in their lives’. “Frailty, thy name is woman;” Hamlet implies the powerlessness of the two women characters in the play. In Hamlet, the roles of Gertrude and Ophelia are very important in that they are the only two female characters in the play. Gertrude, the Queen of Denmark and mother of Hamlet, and Ophelia, the lover of Hamlet, are characterized as controlled and lost in their lives because they are being used by the men throughout the play. Fundamentally, Shakespeare illustrates the nature of Gertrude and Ophelia as powerless victims by the women being subjects of men,

The Role of Women in Hamlet in William Shakespeare's Play Gertrude and Ophelia, the only two women in Hamlet, reflect the general status of women in Elizabethan Times. Women were suppressed by the males in their lives (brothers, fathers, and partners) and were always inferior. Ophelia and Gertrude have little or no power due to restricted legal, social and economic rights that were found in Elizabethan society. The male characters in Hamlet reflect this sexist view point, represented by Hamlet’s judgement that “frailty, thy name is woman”. This view was not uncommon in Shakespeare’s time and heavily influenced Shakespeare to present women the way he does in Hamlet.

Hamlet, the Prince of Denmark, begins as an admired and noble young man. However, fate and the turn of events lead the tragic hero the depths of his fortunes. The tragedy starts with the death of the heroic King Hamlet. His brother, Claudius is the successor as King of Denmark and married the protagonist’s mother. When a ghost of the late King Hamlet appears, Hamlet’s downfall begins. The ghost explains to Hamlet that Claudius killed his father “upon my secure hour thy uncle stole with juice of cursed hebona in a vial, and in the porches of my ears did pour the leperous distilment, whose effect holds such an enmity with blood of man” (1001). Hamlet then feels like he must get revenge against Claudius and sets out to plot how it will happen. King Claudius senses something suspicious about Hamlet and sends for Hamlet’s two

Perception of Women in William Shakespeare's Hamlet In Hamlet, Shakespeare carefully represents Getrude and Ophelia. Individually, Gertrude is essentially seen as weak and immoral whilst Ophelia is seen as meek and a victim of society. Collectively, they are seen to fulfil a conventional 16th century role, and it is as our beliefs and views of women change that we are able to perceive the characters in a different angle.

As stated by Tim Gillespie in his text Doing Literary Criticism, the concept of literary criticism is the field of “interpreting, analyzing, and evaluating” literary works. Thus, literary criticism is not objective; rather, it varies subjectively depending on the critic and the lens, or school, they choose to view the work of literature through. Though the actual content of literature is of extreme importance, the way it is approached is of nearly equal magnitude, as varying approaches open new and insightful views texts previously regarded as static. The feminist lens is one major school of literary criticism.

William Shakespeare’s The Tragedy of Hamlet relays Hamlet’s quest to avenge the murder of his father, the king of Denmark. The late King Hamlet was murdered by his brother, Claudius, who took the throne and Hamlet’s mother Gertrude for himself. Hamlet is beseeched by the ghost of his father to take vengeance upon Claudius; while he swears to do so, the prince inexplicably delays killing Claudius for months on end. Hamlet’s feeble attempt to first confirm his uncle’s guilt with a play that recounts the murder and his botched excuses for not killing Claudius when the opportunity arises serve as testimony to Hamlet’s true self. Hamlet is riddled with doubt towards the validity of the ghost and his own ability to carry out the act necessary to

     The treatment of women in Hamlet is very troubling. The leading female characters, Queen Gertrude and Ophelia, are pawns or puppets for the men around them. Like chess pieces, they are moved about and influenced by the men they love with little say of their own; in fact, Shakespeare does not even develop their characters.

	Today women have many rights. We can vote, work, and even voice our own opinions. In the past women were seen as mothers and housekeepers, always taught to respect, listen, and serve there husbands or the man of the house. In those days this was considered normal, therefore women had no choice but to obey and do as they were told. In Hamlet, Shakespeare portrays a similar relationship between women and men. He allows men to hold the higher position in the causing, them to treat women as lesser people and believed that women should listen to them and do as they were told.

Although both women and men in Hamlet have their defining traits that separate the two genders, there are still those who fall right in between the middle of these two gender roles, not completely masculine and not completely feminine. This mixture gender traits allows one to be able to reach his or her maximum capabilities, for he or she is not restricted by their own stereotypical roles. When Hamlet first expresses his grief over his father’s death, Claudius responds with, “...Tis unmanly grief. It shows a will most incorrect to heaven, A heart unfortified, a mind impatient, An understanding simple and unschooled.”(1.2.90-92;96-101) Not only is Hamlet’s expression of mourning seen as unmanly, Claudius deems Hamlet as an uneducated man, humiliating him in front of the public.

Shakespeare was possibly the first writer to portray women as strong, crafty, and intelligent. However, he has still received criticism from feminists about his representation of women. Some have even accused him of misogyny. There are only two female characters in the play Hamlet - Gertrude, Hamlet's mother and Ophelia, daughter of Polonius. Any debate based upon gender roles must therefore focus upon these two characters.