Hamlet Oedipus Complex Research Paper

On William Shakespeare’s Hamlet, after the assassination of his father, Hamlet thinks he is living in a world full of corruption and deceit, where everything is falling apart and everyone is against him. An imminent, exaggerated, and passionate love for his mother is his main feature. Although others argue that Hamlet’s obsession to murder Claudius is strictly to claim revenge for his father’s death, it is Hamlet’s obsessive desire to possess his mother in an unhealthy and, perhaps incestuous, relationship. Hamlet also appears jealous of Claudius, his father-uncle, jealous of him for having Gertrude and for owning the crown. He lives a love-hate relationship with his mother. He is full of anger towards her, but at the same time he

Oedipus Rex, an ancient Greek tragedy authored by the playwright Sophocles, includes many types of psychological phenomena. Most prominently, the myth is the source of the well-known term Oedipal complex, coined by psychologist Sigmund Freud in the late 1800s. In psychology, “complex” refers to a developmental stage. In this case the stage involves the desire of males, usually ages three to five, to sexually or romantically posses their mother, and the consequential resentment of their fathers. In the play, a prince named Oedipus tries to escape a prophecy that says he will kill his father and marry his mother, and coincidentally saves the Thebes from a monster known as the Sphinx. Having unknowingly killed his true father Laius during his

murder in a rash mood. It is not seen by Gertrude. It tries to urge

Hamlet’s relationship with Ophelia suddenly becomes complicated, after Hamlet’s encounter with the Ghost. It all starts when Hamlet first appears in Ophelia’s chamber pale and dishevelled, after receiving news from the Ghost that King Claudius had poured poison into his ear, and it was Hamlet’s duty to avenge the death of his father. Hamlet’s condition frightens Ophelia, as she runs off to tell Polonius about the encounter;” My lord, as I was sewing in my closet/ Lord Hamlet, with his doublet all unbraced/… speak of horrors—he comes before me” (2.1 87-94). Hamlet may express that he does not love Ophelia anymore, but his ill treatment towards her comes at the price of testing her loyalties towards him or her father Polonius, who is the eyes and ears of Claudius. As Ophelia runs off to Polonius, it is clear to Hamlet that he cannot trust Ophelia with such a deadly task at his hands. Behind all this phony madness, it breaks Hamlet’s heart to jeopardize his relationship with Ophelia for his own motivations, but it is an intricate decision he has to make. This is again evident in Act 3, scene 1, when Hamlet instructs Ophelia; “To a nunnery, go, and/ Quickly too. Farewell” (3.1 151-152). The only reason Hamlet would utter such bitter words to Ophelia, is because he trusts Ophelia will be kept safer there than anywhere near the kingdom. In doing so, Hamlet proves that he still cares for Ophelia and what they had, but he cannot manage their relationship at the same time getting revenge, because he’s too caught up in pursuing his own motives. Eventually, as Ophelia goes mad and dies,

As Hamlet says, ?Frailty thy name is woman?, her actions cause Hamlet to curse women all together. In the first Act, Claudius and Gertrude question Hamlet?s depression. They push Hamlet to accept his father?s death and move on with his life. Hamlet hides his feelings about his mother and the king. He should have admitted his hatred for their marriage. While Hamlet is holding back his feelings, he becomes more angered at their attempts to calm him. Gertrude is also aware of Hamlet?s feelings for Ophelia and uses this as an excuse for Hamlet?s madness. Hamlet has plenty of time to confess the cause of his madness and that?s what he should have done. Instead, Hamlet allows his mother to think he is madly in love rather than tell the truth. After Hamlet delivers his play and sees guilt in his uncle, Gertrude sends for Hamlet. Instead of hurting his mother, he insists on her to tell him the truth. It would have been easier to just go ahead and hurt Gertrude. Also, Hamlet should have acted more swiftly on this, then her confession could have taken place earlier in the play. This could save him from a great deal of pain and leave his thoughts for other problems.

The Oedipus complex refers to the thoughts some men have regarding their mother or maternal figures. Many scenes from the play can prove Hamlet did have these thoughts about his mother, such as acts one and three. If the reader knows what he or she is looking for, then these signs can be easily spotted. The story of Oedipus Rex is an

Considered one of the greatest dramas of all time, Sophocles’ play Oedipus the King follows the tragic life of Oedipus, king of Thebes. Considered a Satyr play, the Oedipus trilogy is perhaps the most famous of Sophocles’ plays. Oedipus the King, is an Athenian tragedy that was first performed somewhere around 429 BC in Athens, Greece. Originally, the Greeks referred to the play as simply “Oedipus,” as that was what Aristotle referred to it as in the Poetics. Perhaps what makes this play so memorable, is Sophocles’ uses of the tragic hero as the main theme. Sophocles uses characterization and conflict to portray Oedipus as an Aristotelian tragic hero.

Similar to Hamlet. Hamlet is a teenage and is influenced by his Oedipus complex. He has been frustrated by his mothers' remarriage to Claudius, which makes him jealous. Hamlet has confronted his feeling again about his mother's remarriage and says, "No, by the rood, not so. You are the queen, your husband's brother's wife, And-would it were not so!-you are my mother." (3.4.13-15), Hamlet also mentions his wishes that Gertrude was not his mother. This could suggest that Hamlet is jealous of Claudius and could be wishing that if he was not her son than he could and been married to Gertrude. Hamlet felt this loneliness inside of him, which is due to his father's death and Ophelia leaving him. He felt that both his mother and him would be lonely after his father's death and accompany one another, but, Gertrude found someone else. Hamlet is no accepting their marriage which is a sign that he is not willing to accept the reality that he cannot get his mother and fulfil their loneliness. Hamlet is feigning this madness, but, gets tangled up in the reality and world of fantasy. He does not know how to keep the acting and showing his reality separate. Hamlet is unable to keep his facts (look for a diff word) straight about if he does or does not like Ophelia. Just like when he says, Let her not walk i' th' sun. Conception is a blessing, but, as your daughter may conceive-Friend, look to 't."

Hamlet is not only angered with the fact of his father’s death, but also with his mother’s decision to marry Claudius. Devastated by his mother’s decision to marry so soon after her husband’s death, Hamlet becomes skeptical about women in general. He shows a particular obsession with what he perceives to be a connection with female sexuality and moral corruption. He almost develops hatred towards women because of his mother’s decision. This hatred occurs and is shown with his relationship with Ophelia. He urges Ophelia to go to a nunnery rather than experience the dishonesty of sexuality. This hinders Hamlet from experiencing a love that is really needed at this time of his loss. One can say that this is another flaw, which Hamlet is unaware of.

This paper is the rough draft version. There are grammatical errors and other such errors in it.

Throughout William Shakespeare’s classic play, Hamlet, it is very clear that the Prince of Denmark suffers from severe parental problems. These problems bear a stark resemblance to those borne by Oedipus, the classic staple of Greek mythology. The similarities, however, end and begin with an unhealthy obsession towards the mothers of each character and a distinct distaste towards the father that would border on hatred. Oedipus is, due to childhood experiences that were uncontrollable to him, largely unaware of these issues and even takes steps to disprove them. Hamlet, on the other hand, finds himself in this situation due to circumstances that he encounters later in life. While both Hamlet and Oedipus have very unnatural and unusual

     In this play, the way others interpret Hamlets behavior is that he is insane. With Hamlet acting this way, he is driving everyone else insane because they cant figure out what is wrong with him. The way his mother interprets his behavior, at first, is that he is holding a grudge against her for what he has done. As the play progresses, Polonius tells Gertrude “Tell him his pranks have been too broad to bear with…” which proves that Hamlet’s condition is worsening in the eyes of everyone. As she speaks to Hamlet, she feels that her life is in danger due to the way that Hamlet is speaking to her. “These words like daggers enter mind ears…” is what Gertrude says to Hamlet because of the utter disrespect and the manner in which he is acting. The way Ophelia views Hamlet is that he turned into a different person. In Act II, scene i, she believes that if he really loved her, he wouldn’t have grabbed her by the wrists, held her hard, stared at her,

157-9) He is disgusted by his mother's affection toward Claudius because he believes it is incestuous. It can also be inferred the Hamlet is more concerned with the marriage of his mother than the death of his father because Hamlet does not mention or express any concern over how his father died until he sees the ghost. This fits in with the oedipal complex because it can be said that unconsciously Hamlet believes that because his father is dead all his competition is gone and his mother should be his. Claudius marring his mother does not fit in with what Hamlet wants and takes his object of desire away from him.

Hamlet fascinates many readers and the first thing to point out about him is that he is mysterious. Shakespeare's work demonstrates Hamlet's dilemma as the role of revenger showing a man of thought forced to be a man of action. Hamlet is extremely philosophical and introspective. He is particularly drawn to difficult questions or questions that cannot be answered with any certainty. Faced with evidence that his uncle murdered his father, Hamlet becomes obsessed with proving his uncle's guilt before trying to act. He is equally overwhelmed with questions about the afterlife, about the wisdom of suicide, and about what happens to bodies after they die.

The tragic flaw of a human being is usually checked with the method he or she reacts with to the circumstances that life throws upon him or her. Contemporary society appears to be fixated on giving gatherings of people cases of such individuals who, in spite of the affliction of their lives, that still transcend. In fact, maybe nobody is more fit for indicating triumph over struggles than Sophocles and William Shakespeare. In both Oedipus and Hamlet, for example, the primary characters struggle with many obstacles and consequences and find themselves with unimaginable problems furthermore and are compelling to choose what the correct decision will be. This develops to Oedipus and Hamlet becoming motivated, courageous people and also becoming dishonest to themselves throughout the two books. Shakespeare and Sophocles’ plays show that sometimes when dealing with consequences and the obstacles there are different ways to react instead of leading to a tragedy. Oedipus and Hamlet’s motivation in dealing with problems is evident when the two primary characters want to find out the murderers of their father’s. Their courageous actions develop them towards having one goal, which was to kill the former King, and show courageous traits towards other people. They become dishonest to their themselves and is showed throughout the two books, which then causes misfortune for both of them in the end. Despite the resemblances of the two, Hamlet is in control of his activities, and he very