Hamlet is not Insane in Shakespeare's Halmet Essay

When he talks to Guildenstern and Rosencrantz, Hamlet is clever to realize what their actual pupose of visiting was. "I am but mad north-north-west. When the wind is southerly, I know a hawk from a handsaw. (2.2.401)." Hamlet is able to play with his friends through his "madness" and is still capable to maintain his secret of what he is really doing.

Many people have seen Hamlet as a play about uncertainty and about Hamlet's failure to act appropriately. It is very interesting to consider that the play shows many uncertainties that lives are built upon, or how many unknown quantities are taken for granted when people act or when they evaluate one another's actions. Hamlet is an especially intriguing production, both on the set and on the screen because of its uniqueness to be different from what most people expect to be in a revenge themed play. Hamlet's cynicism and insane like behavior cause him to seem indecisive, but in reality he is always judging and contemplating his actions in the back of his mind in order to seek revenge for the murder of

Throughout Shakespeare?s play, Hamlet, the main character, young Hamlet, is faced with the responsibility of attaining vengeance for his father?s murder. He decides to feign madness as part of his plan to gain the opportunity to kill Claudius. As the play progresses, his depiction of a madman becomes increasingly believable, and the characters around him react accordingly. However, through his inner thoughts and the apparent reasons for his actions, it is clear that he is not really mad and is simply an actor simulating insanity in order to fulfill his duty to his father.

He acts irrational only when he is around certain individuals. He acts irrational around Polonius, Claudius, Gertrude Rosencrantz, Guildenstern and Ophelia but remains calm and rational around Horatio, Marcellus, and the players. A big part of the play is when Hamlet lashes out at Ophelia and convinces her he has actually gone mad. “With a look so piteous in purport as if he had been loosed out of hell to speak of horrors...Then he let out a sigh so piteous and profound as it did seem to shatter all his bulk and end his being” (2.1.84-97). This single action brings tremendous tension and makes Polonius immediately believe that Hamlet has gone mad because of his love for his daughter. On the other hand, Hamlet can be rational just as much as a sane person. "Give him heedful note, for I mine eyes will rivet his face, and, after, we will both our judgments join in censure of his seeming” (3.2.83-86). Hamlet tells Horatio to watch Claudius during the play to see if he acts guilty. The fact that he thought this out in such an organized and clear way makes it hard to believe that he is mad because a madman would never be able to think like that. Hamlet also knows how to act properly around the players. An example of this is when he asks, "You could, for a need, study a speech of some dozen or sixteen lines, which I would set down and insert in 't, could you not?” (2.2.540-542). This question is understandable and

Hamlet’s plan from the beginning is to act insane to draw attention to the royal family, and his plan eventually works. “Something have you heard of Hamlet’s transformation” ( 2.2.3-4). When people start to notice that Hamlet was going insane, more attention is focused on the king and queen than before the incident. Also, even Ophelia believes that he is mad: this leads to her being watched over by her father, and eventually leads to her suicide when she drowns herself. He is such a good actor that even his mother thinks that he is insane. “O, he is mad, Laertes” (5.1.272). Gertrude is more in love with Claudius than she is with Hamlet. This is proven when she jumps to Claudius’s side when he was accused of murder and immediately rats out Hamlet. Hamlet could be accused of being insane, but in the end his plan works out which proves that he is sane and in his right

Hamlet is understandably distraught. He may not be mad, but he likely is close to the edge of sanity during many of the most intense moments in the play” (Sparknotes).

In Shakespeare's play Hamlet the main character Hamlet experiences many different and puzzling emotions. He toys with the idea of killing himself and then plays with the idea of murdering others. Many people ask themselves who or what is this man and what is going on inside his head. The most common question asked about him is whether or not he is sane or insane. Although the door seems to swing both ways many see him as a sane person with one thought on his mind, and that is revenge. The first point of his sanity is while speaking with Horatio in the beginning of the play, secondly is the fact of his wittiness with the other characters and finally, his soliloquy.

After this scene Hamlet acts insane and he often criticizes his mother for remarrying and even insults her, but gets away with his actions because at this point those around him are starting to believe there is something wrong with Hamlet. Hamlet is not crazy but if he were truly crazy then he would not internally realize that he is mad, a crazy person usually doesn't realize they are going crazy, but it is others who realize because of his or her actions. In Hamlet's case, Hamlet knows he is "crazy" and his acting is beneficial for him because he is able to talk freely without having to hold anything back. If Hamlet were truly insane it would have caused him his own death, because usually when an individual is insane they are unaware of what they are saying and their actions are usually always made hastily, a quality that Hamlet does not seem to have.

Hamlet is far too on top of things to be mad. Hamlet’s intellectual brilliance is first brought out in Act I, scene V when he plans on acting mad to confuse his enemies. Hamlet is also quick to figure out who his enemies and who are his real friends. “I know the good King and Queen have sent for you” (I.iv.37). Hamlet instantly knows that Rosencrantz and Guildenstern are not paying a social visit to Hamlet, but were in fact sent as spies for the former King of Denmark to find out the cause of his sudden madness. Hamlet immediately knows that he cannot trust his former school friends, and that he must take caution in what he says when is around the both of them. Rosencrantz and Guildenstern talk with Hamlet, but "with a crafty madness [Hamlet] keeps aloof" (I.iv.37), and they are unable to find the cause for his odd behavior. Hamlet’s true intellect is brought out in Act III, scene II when he plans on putting on a play. "If his occulted guilt do not itself unkennel in one speech, / it is a damned ghost that we have seen, and my /imaginations are as foul as Vulcan’s stithy" (III.ii.84). When Hamlet comes up with a brilliant plan to put on a play about someone killing a King, he determines whether or not Claudius is guilty of murder, or if the ghost is really his dead father or an evil spirit whose setting him up to kill an innocent man. Hamlet coming up with a successful plan to prove

Hamlet’s absurd actions began when he got a visit from his father’s ghost. As he was conversing matters with the ghost, he acknowledged that he may need to disguise himself with strange behavior (antic disposition) in order to not give himself away. He wanted to ensure that he wouldn’t make it conspicuous that he was planning to kill Claudius in order to achieve his own equanimity. Hamlet mentioned to Horatio, Marcellus, and the Ghost, “How strange or odd some’er I bear myself (As I perchance hereafter shall think meet to put an antic disposition on)... ” (Pg. Act I Scene V Lines 175-177). He needed to surreptitiously act in a strange manner in order to convey the idea to the culpable King that he didn’t have a plan, although he did. Hamlet would not have given them the caveat that he would act mad if he actually was crazy. One who is mad will most likely not admit it, but Hamlet certainly admitted that he would be acting this way to communicate a certain impression. At the climax of the play, the queen claimed that Hamlet was mad when he interacted with his father’s ghost after he murdered Polonius. She vehemently claimed, “Alas, he’s mad” (Pg. 177 Act III Scene IV Line 109). She declared

     When we first meet Hamlet, he is a sad, dark, loathsome figure; the loss of his father and the whoring of his mother have upset him indefinitely. Like a ticking time bomb, Hamlet’s noticeable temper reflects the storm of emotions and thoughts brewing in his head, and then like a catalyst, his meeting with the Ghost of King Hamlet brings his anger to a boil. With revenge in mind, Hamlet plans to fake his madness so that he may be free to pursue his father’s killer. Everyone, except his close friend Horatio, seems convinced that he is mad. Claudius however, fearful that someone will discover his evil deed, has also had his perceptions heightened by his guilt and he experiences chronic paranoia throughout the

Hamlet says that he knows the difference between a hawk and a handsaw, in other words, he is very far from being mad, and he is perfectly capable of recognizing good from bad, right from wrong, friends from enemies. Hamlet shows that he understands his actions, and consequences through his thoughts and words.

As stated by Ms. Turk, “If a person in a rational state of mind decides to act crazy, to abuse the people around him regardless of whether he loves those people or hates them, and to give free expression to all his antisocial thoughts, when he starts to carry out those actions, its it possible to say at what point the stops pretending and starts actually being crazy?”. In Hamlet by William Shakespeare, the way others interpret Hamlet’s behavior is different from the way Hamlet views himself.

As demonstrated throughout the play, Hamlet’s madness is evident whether real or fake. In his own words, “I am mad but north-north-west: / When the wind southerly, I know a hawk from a handsaw” (II. ii. 377-78). Hamlet is claiming that he is frequently seen as crazy. However, he claims that he can choose the moments to be mad. Hamlet is speaking to Rosencrantz and Guildenstern stating that Hamlet knows what Rosencrantz and Guildenstern plan to do. The reader is again asked to consider whether Hamlet is faking his madness or whether he is, in fact, mad. In a monologue, he says, “How strange or odd some’er I bear / myself / As I perchance hereafter shall think / meet / To pit an antic disposition on” (I. V. 190- 92). The death of Hamlet’s father is something Hamlet cannot

Many critics question Hamlet’s sanity, and the question still remains unanswered. Is his personal search for revenge driving him crazy, or the fact that he has to put up a different façade for numerous occasions to conceal his own doubt? Hamlet’s motives throughout the play seem uncertain, is he driven by anger to seek revenge, or is it a part of his mixed emotions in result of his fathers death and the corruption of Denmark? Shakespeare seems to suggest that Hamlet is intending to act on his impulse to avenge his fathers murder by killing Claudius, yet he also seems to be combatting some sort of bigger confusion within himself.